What your science can't prove can kill you.    

 

I remember that British functionary feeding beef to his daughter on TV
during the Mad Cow scare.  

 

The point was that he believed but didn't know.    

 

In the 1800s the economists of the world decided that the Arts were of zero
utility because they were not as easy to understand as a chair that you sit
on.    

 

Today there is this from the current research: 

 

REH

 

>From "Rhythm, Music and the Brain, Scientific Foundations and Clinical
Applications" by Michael H. Thaut. Routledge, 2005    (underlining by REH)

 

"Tools were shaped with more beauty than required for purely functional
purposes have been found dating back 200,000 years. Cave paintings (e.g., of
hunting scenes) that strike the contemporary viewer as possessing
significant aesthetic quality have been dated as old as 70,000 years;
flutes, rattles, whistles, and percussion instruments as old as 30,000 years
have been found.   Rock engravings as old as 16,000 years depict dancers,
thus implying the presence of music.   Discoveries of musical instruments,
at times amounting in number to the size of modern-day full orchestras and
created within the last 10,000 years, have been made in many parts of the
world, including Egypt, Mesopotamia, Syria, South America, East Africa, and
China.   An ancient set of six wooden pipes discovered in Ireland-dated at
4,100 years of age, tuned in octaves, and executed in sophisticated
craftsmanship beyond the normal Bronze Age levels-are considered to be the
oldest wooden instruments found in Europe.

 

Recent discoveries, however, extend some of the significance of the
previously recorded artifacts.   Figurative artworks-works based on drawings
or sculptures, or creating recognizable images of figures or objects-dating
over 30,000 years ago have been found in Europe. The appearance of such
figurines is considered a reflection of the evolu-tionary aspect of the
ancient arts,   because figurative artworks begin to embody symbolic
representations that are created to stand for something else.    The
existence of such highly sophisticated artworks, virtually at a time when
modern human beings appeared during the Ice Age in Europe,  suggests that
these artistic abilities did not evolve but rather existed.     The
discovery of wooden bagpipe-type instruments, tuned in octaves of D sharp,
dated to the Bronze Age (mentioned above), is another case in point.

 

These findings contradict earlier notions that artistic abilities evolved
over many thousand years from simple scratchings to higher levels of
depiction and sophisticated expression.    They suggest that advances in the
arts may have been driven more by advances in technology and materials or
the purposes art was meant to serve,   rather than by gradual attainments of
progressively higher levels of talent.    As such, we would have to consider
these ancient artists to be as developed in their artistic ability as
contem-porary artists are, a notion that would have obvious consequences for
our view on art and brain function.

 

Furthermore, true advances in the arts have always been difficult to
classify.    Very few developments have been universally accepted as
advances.   The development of perspective (i.e., the application of
geometric principles to line drawing to create illusions of
three-dimensional views on two-dimensional surfaces) may be one of the few,
and is considered by many scholars to be an exception in art history. The
use and understanding of perspective did not exist in the visual arts in any
culture in the world, regardless of sophistication, until its discovery in
the Renaissance by the Florentine artist Filippo Brunelleschi. 

 

Evidence for the early existence of fully developed artistry on levels of
sophistication, abstraction, and representation similar or close to modern
art,  with little evidence for incremental progression,  can create some
startling  and provocative notions on the role and nature of artistic talent
In the human brain.     The notion of an evolutionary development of
artis-tic  ability and the belief about the lack of biological necessity for
the arts,  art as the "icing on the cake" of human brain development, after
the basic needs of survival in culture and civilization are satisfied-are
seriously questioned by these data.    Why did art exist at such early
stages of human history if it was not necessary for basic survival and
societal prowess relative to material needs?    In light of such questions,
artistic engagement as part of human behavior may appear much more
funda-mental to human brain function than originally conceptualized.   The
question of why art has emerged as human behavior and what role and function
it holds in a human being's life may have more biological lowers after all.

 

Following a triangular reasoning approach that (a) arousal and activation
functions are essential regulatory systems components of human
psychobiology; (b) artworks have arousal-inducing properties; and (c) the
evidence for the existence of highly sophisticated levels of artistry goes
far back in anthropology,   we may infer a fundamental role for the arts and
the human brain. We may suggest that the brain engages in the arts because
the arts, including music, create a particular type of sensory input, a
specific perceptual language that is necessary for the appropriate
regula-tion of arousal and activation states.   The brain needs to engage in
combin-ing forms of lines and colors, creating horizontal and vertical
layers of sounds of different timbres, building physical shapes and
movements of the human body in dance, in order to build, sharpen, maintain,
and create miler in its perceptual machinery as an essential aspect of brain
function.

 

Human beings are perceptually driven; a large part of the neurological
architecture of the nervous system is dedicated to intrinsic and extrinsic
perception.    Much of the plasticity of the neuronal wirings of the human
brain is driven and modulated by perception.   The purposeful and adaptive
connection between perception and movement forms part of the essential core
of all of the human brain's mental operations.    Artistic expression may
exercise fundamental brain functions and may create unique patterns of
perceptual input that the brain needs and cannot generate through other
means in order to keep its sensory, motor, and cognitive operations at
optimal levels of functioning.

 

 

From: [email protected]
[mailto:[email protected]] On Behalf Of Keith Hudson
Sent: Tuesday, January 29, 2013 3:30 PM
To: RE-DESIGNING WORK, INCOME DISTRIBUTION, EDUCATION; Arthur Cordell
Subject: Re: [Futurework] FW: [Ottawadissenters] Livestock falling ill in
fracking regions, raising concerns about food - The Ecologist

 

As someone who, together with Noel Newsome, was personally responsible for
writing a report to the 'UK's Department of the Environment which led to the
passage of the Deposit of Poisonous Wastes Act 1972 I was an
environmentalist then, and I am no less an environmentalist now. I was, and
still am, proud to be one. Also, although originally trained to be an
industrial chemist 50-odd years ago and don't consider myself to be anywhere
near qualified to be an expert on some of the items of fracking fluids, I
nevertheless claim to have a fairly balanced judgement on what is scientific
and what is dubiously so. If the critics of Bamberger and Oswald's paper are
correct -- that the latter give no identifiable sources for their evidence
then, until we see three or four other papers (and in front-line journals,
too) then I, too, will remain sceptical of the harm to cattle that is
supposed to be caused by fracking. 

Keith

At 17:23 29/01/2013, Arthur wrote:



 
 
From: [email protected] [
mailto:[email protected]
<mailto:[email protected]> ] On Behalf Of Steve Kurtz
Sent: Tuesday, January 29, 2013 12:04 PM
Subject: [Ottawadissenters] Livestock falling ill in fracking regions,
raising concerns about food - The Ecologist
 
 
http://www.theecologist.org/News/news_analysis/1784382/livestock_falling_ill
_in_fracking_regions_raising_concerns_about_food.html 
 
 

 [] <data:cid:[email protected]> 

Livestock Falling Ill in Fracking Regions, Raising Concerns About Food
<http://www.theecologist.org/News/news_analysis/1784382/livestock_falling_il
l_in_fracking_regions_raising_concerns_about_food.html> 
ELIZABETH ROYTE - Ecologist
Here an aspect of the food trend that is just beginning to emerge: The
intersection of food and fracking. It is not a pretty picture.
In the midst of the US domestic energy boom, livestock on farms near
oil-and-gas drilling operations nationwide have been quietly falling sick
and dying. Elizabeth Royte reports

While scientists have yet to isolate cause and effect, many suspect
chemicals used in drilling and hydrofracking (or 'fracking") operations are
poisoning animals through the air, water, or soil.

Last year, Michelle Bamberger, an Ithaca, New York, veterinarian, and Robert
Oswald, a professor of molecular medicine at Cornell's College of Veterinary
Medicine, published the first and only peer-reviewed report to suggest a
link between fracking and illness in food animals.

The authors compiled 24 case studies of farmers in six shale-gas states
whose livestock experienced neurological, reproductive, and acute
gastrointestinal problems after being exposed-either accidentally or
incidentally-to fracking chemicals in the water or air. The article,
published in New Solutions: A Journal of Environmental and Occupational
Health Policy, describes how scores of animals died over the course of
several years.

The death toll is insignificant when measured against the nation's livestock
population (some 97 million beef cattle go to market each year), but
environmental advocates believe these animals constitute an early warning.

Exposed livestock 'are making their way into the food system, and it's very
worrisome to us," Bamberger says. 'They live in areas that have tested
positive for air, water, and soil contamination. Some of these chemicals
could appear in milk and meat products made from these animals."

In Louisiana, 17 cows died after an hour's exposure to spilled fracking
fluid, which is injected miles underground to crack open and release pockets
of natural gas. The most likely cause of death: respiratory failure.

In New Mexico, hair testing of sick cattle that grazed near well pads found
petroleum residues in 54 of 56 animals.

In northern central Pennsylvania, 140 cattle were exposed to fracking
wastewater when an impoundment was breached. Approximately 70 cows died, and
the remainder produced only 11 calves, of which three survived.

In western Pennsylvania, an overflowing wastewater pit sent fracking
chemicals into a pond and a pasture where pregnant cows grazed: Half their
calves were born dead. Dairy operators in shale-gas areas of Colorado,
Pennsylvania, West Virginia, and Texas have also reported the death of
goats.

Drilling and fracking a single well requires up to 7 million gallons of
water, plus an additional 400,000 gallons of additives, including
lubricants, biocides, scale- and rust-inhibitors, solvents, foaming and
defoaming agents, emulsifiers and de-emulsifiers, stabilizers and breakers.
At almost every stage of developing and operating an oil or gas well,
chemicals and compounds can be introduced into the environment.

Cows lose weight, die

After drilling began just over the property line of Jacki Schilke's ranch in
the northwestern corner of North Dakota, in the heart of the state's booming
Bakken Shale, cattle began limping, with swollen legs and infections. Cows
quit producing milk for their calves, and they lost from 60 to 80 pounds in
a week and their tails mysteriously dropped off. Eventually, five animals
died, according to Schilke.

Ambient air testing by a certified environmental consultant detected
elevated levels of benzene, methane, chloroform, butane, propane, toluene,
and xylene-and well testing revealed high levels of sulfates, chromium,
chloride, and strontium. Schilke says she moved her herd upwind and upstream
from the nearest drill pad.

Although her steers currently look healthy, she says, 'I won't sell them
because I don't know if they're okay."

Nor does anyone else. Energy companies are exempt from key provisions of
environmental laws, which makes it difficult for scientists and citizens to
learn precisely what is in drilling and fracking fluids or airborne
emissions. And without information on the interactions between these
chemicals and pre-existing environmental chemicals, veterinarians can't hope
to pinpoint an animal's cause of death.

The risks to food safety may be even more difficult to parse, since
different plants and animals take up different chemicals through different
pathways.

'There are a variety of organic compounds, metals, and radioactive material
[released in the fracking process] that are of human health concern when
livestock meat or milk is ingested," Motoko Mukai, a veterinary toxicologist
at Cornell's College of Veterinary Medicine, says.

These 'compounds accumulate in the fat and are excreted into milk. Some
compounds are persistent and do not get metabolized easily."
Veterinarians don't know how long chemicals may remain in animals, farmers
aren't required to prove their livestock are free of contamination before
middlemen purchase them, and the Food Safety Inspection Service of the U.S.
Department of Agriculture isn't looking for these compounds in carcasses at
slaughterhouses.

Documenting the scope of the problem is difficult: Scientists lack funding
to study the matter, and rural vets remain silent for fear of retaliation.
Farmers who receive royalty checks from energy companies are reluctant to
complain, and those who have settled with gas companies following a spill or
other accident are forbidden to disclose information to investigators. Some
food producers would rather not know what's going on, say ranchers and
veterinarians.

'It takes a long time to build up a herd's reputation," rancher Dennis
Bauste of Trenton Lake, North Dakota, says. 'I'm gonna sell my calves and I
don't want them to be labeled as tainted. Besides, I wouldn't know what to
test for. Until there's a big wipe-out, a major problem, we're not gonna
hear much about this."

Fracking proponents criticise Bamberger and Oswald's paper as a political,
not a scientific, document. 'They used anonymous sources, so no one can
verify what they said," says Steve Everley, of the industry lobby group
Energy In Depth. The authors didn't provide a scientific assessment of
impacts-testing what specific chemicals might do to cows that ingest them,
for example-so treating their findings as scientific, he continues, 'is
laughable at best, and dangerous for public debate at worst."

The National Cattlemen's Beef Association, the main lobbying group for
ranchers, takes no position on fracking, but some ranchers are beginning to
speak out. 'These are industry-supporting conservatives, not radicals," says
Amy Mall, a senior policy analyst with the environmental group, Natural
Resources Defense Council. 'They are the experts in their animals' health,
and they are very concerned."

Last March, Christopher Portier, director of the National Center for
Environmental Health at the U.S. Centers for Disease Control and Prevention,
called for studies of oil and gas production's impact on food plants and
animals. None are currently planned by the federal government.

As local food booms, consumers wary

But consumers intensely interested in where and how their food is grown
aren't waiting for hard data to tell them their meat or milk is safe. For
them, the perception of pollution is just as bad as the real thing.

'My beef sells itself. My farm is pristine. But a restaurant doesn't want to
visit and see a drill pad on the horizon," Ken Jaffe, who raises grass-fed
cattle in upstate New York, says. Only recently has the local foods
movement, in regions across the country, reached a critical mass. But the
movement's lofty ideals could turn out to be, in shale gas areas, a
double-edged sword.

Should the moratorium on hydrofracking in New York State be lifted, the
16,200-member Park Slope Food Co-op, in Brooklyn, will no longer buy food
from farms anywhere near drilling operations-a $4 million loss for upstate
producers. The livelihood of organic goat farmer Steven Cleghorn, who's
surrounded by active wells in Pennsylvania, is already in jeopardy.

'People at the farmers market are starting to ask exactly where this food
comes from," he says.
 


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