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The Italians do it better in their beautiful
little company towns like Siena. Can you imagine abandoning Siena?
I watched the movie the Pianist last night and thought about
how when first pushed into the ghetto the Jews were still acting Polish or
European, choosing to ignore their own dying in the streets in favor of keeping
up their class only to be herded into the cattle cars with less awareness
than the cow that bucks its way all the way down the chute to the
slaughterhouse. They failed to make the soldiers recognize their
humanity and pay for it by dying so easily. But
it is an even harder lesson when the others claim a morality and
righteousness in their attrocities. In the end the Jews learned
the lesson that to kill one Jew is to hurt all Jews and that is why they are so
uncomfortable now for the rest of the world.
The Americans have been trying to
make American Indians be like those old European passive Jews for 200
years and government policy has driven a wedge between the "real" government
approved Indians and those who carry it within their veins and
habits. But that will change as it did with the
Jews.
The interesting dichotomy is: There is
loyalty amongst the Republicans to their class and they treat their servants as
trash because the servants no longer are loyal to theirs or to their
protectors, the unions. In this battle economists are the quislings
who preach the efficiency of death to communities and class locked genius
concert pianists spending their lives carrying bricks for the walls of the
rich. It stinks.
Given the the greatness of European Art, that
carried Shakespeare out of the hovel of Henry's London with the rotting flesh on
the walls and the human shit in the streets, you would think they would have
learned what is eternal and of value.
Shakespeare kept the true horror of the street out of his Art but
Blake used the medicine of the Zuni and proved that Art was even strong enough
to report the contemporary attrocity and still survive. Given
that greatness and the sacrifice of Liszt, George Sand and Chopin in the face of
such blight, it is a wonder that they would not appreciate it more.
How much the Jewish Pianist Szpilman truly was
Chopin and thus the best of the Polish heart in his actions and
the artist student Adolf Hitler the betrayer of
the implications and traditions of Western Art in his economics and
politics. Perhaps that is changing. We have made the
choice to accept Hitler's view of the materiality of humanity instead of
Szpilman and Chopin. Are we witnessing the beginning of the end of
Western culture? I suspect so. We are the
watchers? Must we keep our hands out of it and let it
play out or should we do as I am doing here, raise the alarm and try to still
the tide. I wonder.
Ray Evans Harrell
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- RE: [Futurework] ADDENDUM: Local living economies Karen Watters Cole
- Re: [Futurework] The Pianist Ray Evans Harrell
- Re: [Futurework] The Pianist Ed Weick
- Re: [Futurework] The Pianist Harry Pollard
- Re: [Futurework] The Pianist Ray Evans Harrell
