Seth Austen said:

>Although 24/96 is available, many pro engineers are still recording 
>projects at 44.1 or 48. You can really mess up the sonic qualities of 
>the audio from poorly done conversions from 96 to 44.1 rendering it 
>worse than just recording at a lower level to begin with.

Good point. But I don't do those poor conversions myself. 
Many 24 / 96 cards also allow for lesser quality recordings, like 16 bits
/ 44.1 Khz (The CD standard) or the recording software do a good job at
input. 
Also when comparing 16 bits, an iMic won't cut it. It's about quality and
what equipment is meant to be. An iMic shouldn't be regarded as something
for recording vinyl, if you want to preserve the soul of the music. If
you only go up to $60 there are options on the second hand market that
are way better. 


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