Lt. David Sawyer was leading Taco flight, a flight of newly-deployed 
p40-q *1 Skyhawks on a combat air patrol over the invasion fleet that 
lay off the southern coast of Kyushu.  *2.  His was one of several 
flights designated to cover the transports and protect them from 
kamikaze attacks.  It was November 1945 and the kamikaze weapon was 
the most effective anti-invasion shipping weapon the Japanese had 
left, what with the total destruction of their navy earlier in the 
year, and the severe attrition of experienced pilots that had drained 
their once-vaunted air force of most of its effectiveness.  Still, 
the Divine Wind pilots, often boys of fifteen or sixteen with just 
enough stick-and-rudder time to take off and fly straight and level 
could still bring great destruction to the Allied transport fleet 
that lay at anchor off the invasion beaches.

Sawyer knew that this was to be a day of maximum effort, so, for the 
first hour and a half of his patrol, he and the other three pilots of 
his flight kept circling and watching.

At 10:38 hours, Lt. Jg. Brad Correy reported engine difficulties and 
aborted to the carrier Wasp from which they had taken off.  That was 
the trouble with new aircraft, their service rate wasn't as good 
until they'd had a while to break in.  The Skyhawk was an advanced 
design based on the venerable Wildcat, with which most of the U.S. 
Navy had begun the war.  It was a hundred knots faster and could 
climb and turn with the zero.  It didn't have quite the power of the 
Corsair or the sheer speed of the Hellcat, but it could outturn 
either aircraft.

They were orbiting the transport USS Minerva at a distance of two 
miles and at an altitude of 12,000 feet when Lt. JG. Phil Katesby 
sang out, "bogeys, four bogeys 10 o'clock low!"

And there they were, four Oscars, strung out in a line northwest of 
the ship and beginning to turn in and dive.  Sawyer's flight had a 
massive height advantage, but whereas in an ordinary bounce, this 
would have been a bonus, now it made Sawyer nervous, for the Oscars 
were far closer to the Minerva than he was.  The intercept would be 
tricky and at high speed.  He only hoped that the nature of the 
Japanese attack would make it possible for his boys to line up their 
shots.  *3

quickly.  Calling to his flight to follow him down, he through his 
P40 into a rolling, diving turn.  Over the next thirty seconds or so, 
the Japanese aircraft grew larger through his windscreen as he kept 
his nose on the lead aircraft.  They took a curving path and spread 
out so as to attack the ship from three sides at once.  The Minerva 
was unarmed and anchored a sitting duck of a target.

Out of the corner of his eye, he saw that his number three, Lt. JG. 
Mario Felini, a freshly minted pilot with the polish still bright on 
his wings had overcontrolled his aircraft and gotten himself into a 
spin.  Sawyer swore softly and prayed the kid would remember how to 
recover.  He and Katesby swept in on the port quarter of the lead two 
Oscars, which didn't maneuver to avoid the shots.  Knowing he'd have 
only one shot, Sawyer lined up the lead Oscar and fired a single 
two-second burst from his 6 .50 caliber machine guns.  he saw 
multiple strikes on the fuselage and the Oscar heeled over to 
starboard and cart-wheeled into the sea four hundred feet below. 
*4   Sawyer hauled back on his stick and the world went gray around 
him as the g-forces mounted to over 6.  Katesby called that he had 
exploded the second Oscar, but where was Felini?

Felini recovered at less than five hundred feet and turned back into 
the fray, in time to see the third Oscar miss its dive and crash into 
the sea sixty feet in front of the bow of the Minerva.  Seeing the 
fourth Oscar, he sawed his rudder hard right, trying to line up a 
shot, but his airspeed was very low from the stall/spin, and the nose 
of his aircraft came around too slow.  Just as he squeezed the 
trigger, the fourth Oscar struck the Minerva amidships.  There was a 
massive secondary explosion as burning fuel touched off stacked 
ammunition, and the ship disappeared in a globe of vivid flame as 
Felini fought to control his aircraft in the crazy air that came with 
the shock wave.

It was a sad Taco Flight that landed on the Wasp later to hear that 
loss of life on the Minerva had been total.

notes:
1.  The p40-Q was a prototype that came out in 1945 but was not put 
into production.  It shared (and may have provided) some of the 
design advances that went into the P51 Mustang.  Unlike its early war 
predecessors, it could fly with the best the Japanese had to offer.

2.  This scenario was set in a hypothetical invasion of Japan by the 
U.S. in a world where the atomic bomb did not come into being until 
after WWII.  The invasion would have taken place in November 1945 and 
the probable landing site would have been Kyushu, the southernmost 
Japanese home island, to set up for the main event on Honshu later.

3.  Because of the nature of the attack, I played the Japanese as 
unable to maneuver against the American fighters.  Their target was 
the ship; the fighters didn't matter.


4.  The simulation includes critical hit tables.  When I rolled this 
shot, I scored a critical which resulted in a "pilot killed" result.

Other notes:  The original simulation makes no provision for ground 
attacks, so I cobbled something together that was simple and 
playable, simply designating a rectangle of coordinates as the 
location of the ship and ruling that if I managed to fly the Japanese 
planes so they reached 0 or less altitude inside that rectangle they 
had hit.  For simplicity, hit = victory.

The intercept was very tricky as the Americans had to shed many 
thousand feet of altitude quickly, while maneuvering behind the 
Japanese pilots to get good shots.  By the time the first two had 
reached reasonable firing positions, the Kamikaze were about six 
seconds from impact and the Americans would have to recover hard, and 
would never get around in time.  I had underestimated the time it 
would take for them to horse their aircraft around to get into 
shooting position.  If I play this again, I'll drop the American 
starting altitude to eight thousand feet or so..

        Christopher Bartlett



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