Interesting essay about the conflict between digital
media giants and consumers. Couch potatoes as
revolutionaries?

John Hebert

--- Mike Stagg <[EMAIL PROTECTED]> wrote:
> From Mike Stagg Mon Jul  8 08:52:26 2002
> To: "List, Digital Louisiana"
> <[EMAIL PROTECTED]>
> From: Mike Stagg <[EMAIL PROTECTED]>
> Date: Mon, 08 Jul 2002 10:52:26 -0500
> Subject: [digitallouisiana] Media Giants' Contempt
> for Consumers is Evident and Growing
> 
> Technology changes in the media are driving powerful
> changes in the 
> media market place. It is proving particularly
> disturbing to those who 
> held sway in the previously established order -- TV
> networks, record 
> labels, movie studios.
> 
> The Internet and digital technology have shifted
> some power away from 
> those oligarchs and toward consumers. That, combined
> with more 
> competition resulting in loss of market share by
> those formerly 
> unchallenged giants, has set off something of a
> panic among them.
> 
> MIT Technology Review columnist Henry Jenkins has
> some interesting 
> observations on these developments.
> 
> Mike Stagg
> digitallouisiana.org
> 
> 
> Here's the URL for the MIT Technology Review column
> by Henry Jenkins:
>
http://www.technologyreview.com/articles/wo_jenkins070302.asp
> 
> Treating Viewers as Criminals
> 
> Networks say watching TV without the ads is theft.
> Will blipverts be next?
> 
> Digital Renaissance
> By Henry Jenkins
> July 3, 2002
> 
> 
> Remember blipverts?
> 
> The 1980s science fiction series, Max Headroom,
> depicted a society 
> "twenty minutes into the future" ruled by powerful
> television networks 
> locked in ruthless competition for viewer eyeballs.
> Concerned by the 
> growing trend towards channel surfing, the blipvert
> was developed as a 
> rapid-fire subliminal advertisement which pumped its
> commercial messages 
> directly into consumers' brains before they had a
> chance to change the 
> channel.
> 
> Unfortunately, the blipvert had the unanticipated
> side effect of causing 
> spontaneous combustion in a certain number of
> overweight and chronically 
> inactive couch potatoes. This outcome was viewed as
> an acceptable risk 
> by the networks, even though it potentially
> decreased the number of 
> viewers for their programs.
> 
> I could not help but think about blipverts the other
> day when I stumbled 
> across the recent comments of Turner Broadcasting
> System CEO Jaimie 
> Kellner, who asserted that television viewers who
> skipped commercials 
> using their digital video recorders were guilty of
> "stealing" broadcast 
> content. Kellner told an industry trade press
> reporter that "Your 
> contract with the network when you get the show is
> you're going to watch 
> the spots." He conceded that there may be a historic
> loophole allowing 
> us to take short breaks to go to the bathroom but
> otherwise, we are 
> expected to be at our post, doing our duties,
> watching every commercial, 
> and presumably, though he never said it, buying
> every product.
> 
> Kellner's intemperate rhetoric is, alas,
> characteristic of the ways that 
> the media industry increasingly thinks about, talks
> about, and addresses 
> its consumers in the post-Napster era. Napster may —
> and I stress, may — 
> have been legitimately labeled piracy, but now all
> forms of consumerism 
> are being criminalized with ever-decreasing degrees
> of credibility. Once 
> going to the bathroom or grabbing a snack on a
> commercial break gets 
> treated as a form of theft, the media conglomerates
> are going to be hard 
> pressed to get consumer compliance with their
> expectations, making it 
> impossible to draw legitimate lines about what is
> and is not appropriate 
> use of media content.
> 
> Name-calling is the last resort of once powerful
> institutions that are 
> finding themselves losing control in the face of
> rapid media change. 
> Never  mind that the same media giants are often the
> manufactures of the 
> new media technologies we are using to skip their
> commercials or that 
> some of the advertisements they want us to watch are
> marketing us 
> features which allow us to skip advertisements.
> Never mind that we now 
> have many more media options and we need the
> networks frankly far less 
> than the networks need us.
> 
> I don't know about you but I want to renegotiate my
> contract! There has 
> been a significant increase in the number of
> commercials per hour since 
> I first started watching network programming.
> Consequently, my workload 
> has doubled or tripled, while my compensation — the
> programming — has 
> gone down in quantity, if not in quality. One
> wonders whether it isn't 
> time for television viewers to form a union, demand
> that people like 
> Kellner sit down at the negotiating table, and cut a
> better deal with 
> us, if they continue to expect viewer loyalty. And
> given research 
> linking extensive television viewing with obesity,
> perhaps we might have 
> some way of holding the networks accountable for
> their workplace safety 
> violations as well, before some of us start to
> spontaneously explode.
> 
> But, seriously, the networks do not and never have
> had contracts with 
> consumers, compensating us for the labor we perform
> in watching 
> commercials. They do, however, have contracts with
> advertisers, 
> promising them a certain number of eyeballs in
> return for their 
> financial support for broadcast content, and in the
> new media age, they 
> are increasingly failing to make good on those
> agreements.
> 
> For the better part of the twentieth century, three
> networks dominated 
> American broadcasting. CBS and NBC ruled network
> radio from the 1920s 
> forward. The networks sought to provide what David
> Thorburn calls 
> "consensus narratives" which were calculated to
> attract the interest of 
> the largest possible share of the American public as
> an incentive for us 
> to watch commercials and in return, they helped to
> fuel the dramatic 
> increase in consumer goods in circulation within the
> American economy.
> 
> Ironically, cable networks, such as those headed by
> Mr. Kellner, were 
> the first to undermine the economic logic of
> American broadcasting, 
> though they have been followed by a range of new
> media technologies — 
> the VCR, the DVD player, the game console, the
> digital video recorder, 
> Pay-Per-View, Webcasting, and so on — which have
> helped to expand the 
> range of entertainment options available to
> consumers and thus 
> dramatically decrease the ratings shares of the
> major networks.
> 
> As a consequence, the various ways networks measure
> their viewership — 
> and make commitments to advertisers — are
> increasingly losing their 
> credibility. The Nielsen Ratings have long been
> discredited as having 
> little or no social science validity, measuring, by
> design, only those 
> consumers who are desired by the advertisers
> themselves. Most of us 
> frankly don't count when it comes time to decide
> which series should be 
> renewed.
> 
> These new media technologies, which allow us to mute
> or fast-forward 
> through advertisements, call into question the
> concept of the 
> "impression," the basic unit upon which advertising
> buys get made. In 
> the old model, the number of people who were
> watching the program were 
> assumed to be roughly the number of people who were
> being accessed by 
> the advertisers.
> 
> Those of us who grew up in a television culture know
> that this was 
> probably never true, but it kept the accounting
> simple for those in the 
> business of buying and selling spots. Consequently,
> despite a succession 
> of significant shifts in broadcast technologies and
> consumer behavior, 
> the same basic vocabulary dominated commercial
> negotiations for decades.
> 
> Today, those negotiations are reaching a crisis
> point. The networks are 
> responding not by rethinking how they do business,
> not by developing new 
> metrics for measuring and accurately reporting
> viewer interactions with 
> media content, not by adopting new marketing
> strategies which take 
> advantage of the affordments of the new media
> environment, but by 
> wagging a finger at consumers and demanding that we
> behave according to 
> their antiquated dictates.
> 
> If the networks stopped at name-calling, that would
> be one thing, but 
> they didn’t. Last fall, the networks sued SONICBlue,
> the manufacturer of 
> ReplayTV, and convinced a Federal Magistrate to
> force the company to 
> collect data on thousands of individual consumers:
> what shows they 
> watch, what commercials they skip, and what — if
> anything — they forward 
> to their friends. Not content to wait and worry, the
> networks are now 
> invading our privacy to ensure that we make good on
> Kellner's imaginary 
> contract. Thankfully, the order was subsequently
> stayed by a higher court.
> 
> Confronting such hostility, consumers are
> increasingly committing acts 
> of passive resistance (flush often!) and forming
> organizations, such as 
> DigitalConsumer.org, which is making the case that
> consumers have rights 
> and interests in the negotiations that occur between
> media producers, 
> technology companies, and policy-makers. To borrow a
> line from Network, 
> "we are mad as hell and we aren't going to take it
> anymore."
> 
> We are now witnessing scorched earth-style warfare
> between consumers and 
> networks, as the old institutions resist change and
> hold onto old 
> approaches up until the last possible moment. As the
> battle lines 
> intensify, we move step by step closer to the
> blipvert era which Max 
> Headroom predicted not twenty minutes ago but twenty
> years ago. The 
> future is closer than you think.
> 
> Henry Jenkins is director of the Program in
> Comparative Media Studies at 
> MIT.




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