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On Tue, Jun 8, 2010 at 12:34 PM, PJ Reyes III <[email protected]>wrote:

> you da man, big bad jam man!!!
>
>
>     Inquirer Entertainment / Entertainment
>
> http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20100608-274461/Possibly-Rivermayas-most-mature-album
>
> REVIEW
> REVIEW : Possibly Rivermaya’s most mature album
>
> *By Manny Pagsuyuin*
>
> Philippine Daily Inquirer
>
> Posted date: June 08, 2010
>
> *Rivermaya *
> “Closest Thing To Heaven”
> Warner Music Philippines
>
> Why Rivermaya chose to name its new CD after a 2003 Tears for Fears album
> is beyond us. But the production is crisp, the musical chops are admirable,
> and the songs are not too preachy nor patronizing.
>
> New vocalist Jayson Fernandez seems to have warmed up in his duties.
>
> Bassist Japs Sergio has the lion’s share of the songwriting, notably the
> opener “Mulat,” in which an attempt to get away from tough competition is
> all for naught (“Kelangan bumalik sa mundong puno ng pasikatan ... paastigan
> ... palakasan ...”).
>
> The rest of the band members have their own shining moments. Guitarist Mike
> Elgar’s straight-ahead rockers (the steam-powered “Lokomoko” and the jaunty
> “Save Your Soul”) have a lot of heart.
>
> Big credit should be given to the album’s production. The tasty guitar solo
> in “Here We Are Again” and the shimmering acoustic guitars in “The Sight Of
> You” lend a pastoral XTC feel.
>
> But the most stellar track would have to be “Remenis.”
> The song, written by drummer Marc Escueta—whose indie-pop influence is none
> the worse for wear—is part fable, part cautionary tale about looking back at
> a lost love.
>
> Rivermaya has survived the departure of original members Perf de Castro,
> Bamboo Mañalac, Nathan Azarcon and Rico Blanco, including parting ways with
> its long-time manager. Its music has changed with the times, constantly
> evolving. “Closest Thing To Heaven” may not be the band’s greatest work, but
> possibly its most mature.
>
> *Franco*
> “Franco”
> MCA Universal Music
>
> The eponymous debut album by the band hyped as a “supergroup” (front
> man/main composer/guitarist Franco Reyes, Urbandub guitarist Gabby Alipe and
> drummer JanJan Mendoza, Parokya ni Edgar bassist Buwi Meneses and Queso
> guitarist Paolo “8” Toleran) starts off with enough punch to pummel any
> young rocker into submission.
>
> It has equal parts in-your-face ruckus and slabs of power chords
> reminiscent of Urbandub. But while the latter takes a hard yet melodic
> approach, Franco seems to lack dynamics and soul.
>
> The first three tracks (“Seasons,” “Touch the Sky” and “Castaway”) sound
> vampiric, at best; there’s real power in the music, but lamentably, it’s all
> fangs but no soul.
>
> Fortunately, a few numbers save the day, like the reggae-flavored “Song For
> the Suspect,” with its spatial arrangement and Jah references. It’s a worthy
> attempt at diversity, even as the lyrics are cryptic and riddle-like.
>
> *Leona Lewis*
> “Echo”
> Sony Music
>
> This second album of Britain’s “X-Factor” Season 3 winner is a contemporary
> fare of generic mall pop. A sizable chunk of songwriting credits go to Lewis
> herself, with able production from Ryan Tenner of OneRepublic.
>
> Most of the songs have that American Idolesque sheen—full of anthemic pop
> drama as in the opener “Happy.”
>
> Lewis’ throaty singing style distinguishes her from other female pop
> vocalists.
>
>   ^ Back to 
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