Hi, after the night I've had another idea that could solve both problems better - the Quickmask. This is a quite convenient way to edit and refine a selection by just painting it.
1. On your layer press Q to show the Quickmask. By clicking on the little button left to the image's horizontal scrollbar you can set the opacity of the mask and control whether to show the selected or unselected areas (mask or inverted mask). 2. When you're done, press Q again. 3. Add a layer mask to the layer, choose 'From selection'. You can also assign a keyboard shortcut to it by assigning it to the action 'Add layer mask'. 4. Remove the selection with Ctrl+Shift+A. The benefits are - it's a convenient and intuitive way to achieve what you want, - much more selection editing capabilities than with the normal Selection tools. You can for instance apply filters like (Gaussian) Blur, Gradient Flare or the Paint/Color/Clone Tools. - you can start right out from a normal selection of the image, - you can apply the known Selection tools to the Quickmask, - if sth. doesn't work on the Quickmask it might work on the layer mask. The downsides are - you loose your current selection (but can of course save it before to a channel), - not all Filters and Tools work on the Quickmask. If the Transform tools wouldn't have the floating selection they worked here, too. But you can do it after making a layer mask from it. On 23.2.2014 at 11:04 PM Elle Stone wrote:
I came up with a quick workaround, which is to lower the opacity of the layer to 50%. Usually the underlying layer is similar enough to act as a guide for painting on the mask.
That's an interesting idea for a workflow. I usually have the layer mask opaque or transparent and paint on the parts I want to have more or less visible. Greetings, Sven _______________________________________________ gimp-user-list mailing list List address: [email protected] List membership: https://mail.gnome.org/mailman/listinfo/gimp-user-list List archives: https://mail.gnome.org/archives/gimp-user-list
