when i process the attached score, i get:
carcassi-op60-08.ly:38:12: warning: junking request: `Bar_req':
\bar "|:";
\skip 1*8; \bar "||"; \key c;
how can i convince lily that i really do want a backward repeat there?
\header {
lastupdated =
"Time-stamp: \"carcassi-op60-08.ly was last updated on Sun, 17 Oct 1999 07:55am\"";
filename = "carcassi-op60-08.ly";
title = "Etude 8";
piece = "Allegretto grazioso";
opus = "Op. 60 No. 8";
composer = "Matteo Carcassi (1792-1853)";
%{
i know that
piece = "tempo";
isn't correct, but it looks better than attaching it to the first
note.
%}
% needed by mutopia:
mutopiainstrument = "Guitar";
mutopiacomposer = "Matteo Carcassi (1792-1853)";
date = "19th C.";
style = "Classical";
copyright = "public domain";
maintainer = "jeff covey <[EMAIL PROTECTED]>";
tagline = "\\\\This music is part of the Mutopia project,
http://sca.uwaterloo.ca/Mutopia/\\\\It has been typeset and placed in the public
domain by jeff covey.\\\\Unrestricted modification and redistribution is permitted and
encouraged - copy this music and share it!";
}
\version "1.2.0";
% {{{ global stuff
global_a = \notes {
\clef violin; \time 4/4; \key a; \skip 1*8; \bar "|.";
}
global_b = \notes {
\bar "|:"; \skip 1*8; \bar "||"; \key c;
}
global_c = \notes {
\bar "||"; \key a; \skip 1*8; \bar ":|";
}
midi_stuff = \context Staff = guitar {
\property Staff.midiInstrument = "acoustic guitar (nylon)"
\property Staff.transposing = -12 % guitar music actually sounds an
% octave lower than written.
}
% }}}
% {{{ melody
melody_a = \notes \relative c'' {
\stemup
[bis16()cis bis()cis] [fis8 e] [dis16()e dis16()e] [b'8 a]
[gis d'16()cis] [b()a gis()fis] [e8 gis16()fis] [e()d cis()b]
[bis16()cis bis()cis] [fis8 e] [cisis16()dis cisis16()dis] [gis8 fis]
[e fis16 gis] [a()b cis dis] e4 r
%5
[bis,16()cis bis()cis] [fis8 e] [dis16()e dis16()e] [b'8 a]
[eis16()fis eis()fis] [cis'8 b] [ais16()b ais()b] [e8 d]
[cis8 d16()cis] [b()a gis()fis] [e8 gis16()fis] [e()d cis()b]
[a b cis()d] [e fis gis a] a,4 r
}
melody_b = \notes \relative c {
\stemup
[e8 fis16()gis] [a b()cis dis] [e8 gis] [cis16() b cis()b]
[<b8 a> b16 cis] [dis()e fis gis] a4 r
[b,,8 cis16 dis] [e()fis gis()a] [b8 dis] [gis16() fis gis()fis]
[e8 fis16 gis] [a()b cis dis] e4 r
%13
[fisis,16()gis fisis()gis] [a8 gis] [gis bis] dis4
[fisis,16()gis fisis()gis] [a8 gis] [gis cis] e4
[fis,8 a] cis4 [dis,8 fis] b4
[e,8 fis16 gis] [a()b cis dis] [e8 e, e e]
%21
[e16()f e()f] [a8 g] [e c g e]
[e16()f e()f] [a8 g] [f d b g]
[c g'] [fis16()g fis()g] [d8 g] [fis16()g fis()g]
[e8 g] [fis16()g fis()g] [b()c b()c] [dis()e dis()e]
[<e8 d> gis] [fisis16()gis fisis()gis] [<e8 d> b'] [ais16()b ais()b]
[<c,8 e> a'] [gis16()a gis()a] [<c,8 e> c'] [b16()c b()c]
[<dis8 a> <dis a>] [fis,, <dis'' a>] [<dis a> c, b a]
%24
[<e' gis,> e] [f16()e f()e] [e8 e'] [e,,, <d''' b>]
[<c a> e,] [f16()e f()e] [e8 c'] [e,,, <a'' dis, c >]
[<gis e b> e] [f16()e f()e] [fis()e fis()e] [gis()e gis()e]
[b'()e, e e] [d'()e, e e] [fis()e d()b] [gis e()d b]
}
% }}}
% {{{ bass
bass_a = \notes \relative c' {
\stemdown
a2 a e e a fis' e,2. \skip 4*1;
a2 a d d e, e a a4 \skip 4*1;
}
bass_b = \notes \relative c {
\stemdown
\skip 4*3;
< e'4 gis > fis8 \skip 8*1; \skip 4*3;
r2 r4 < a4 b> < gis8 b > \skip 8*1; \skip 4*3;
%13
r2 <bis8 dis> r8 r4 r2 <cis8 e> r8 r4
<a,8 cis'> r8 r4 <b8 a'> r8 r4 <e8 gis>
\skip 8*1; \skip 4*3;
%21
\skip 1*2;
e,4 r g r c \skip 4*3; e,2 e a a fis'4 fis [fis8 c d dis]
e,2. e4 e2. e4 e1 \skip 1*1;
}
% }}}
a_section_music = <
\global_a
\context Voice = melody_voice_a { \melody_a }
\context Voice = bass_voice_a { \bass_a }
>
a_section_fingerings = <
% \context Voice = melody_voice_a { \fingerings_melody_a }
% \context Voice = bass_voice_a { \fingerings_bass_a }
>
b_section_music = <
\global_b
\context Voice = melody_voice_b { \melody_b }
\context Voice = bass_voice_b { \bass_b }
>
b_section_fingerings = <
% \context Voice = melody_voice_b { \fingerings_melody_b }
% \context Voice = bass_voice_b { \fingerings_bass_b }
>
c_section_music = <
\global_c
\context Voice = melody_voice_a { \melody_a }
\context Voice = bass_voice_a { \bass_a }
>
%% dvi output = with fingerings
%\score {
% \context Staff = guitar <
% {
% \a_section_music
% \b_section_music
% \c_section_music
% }
% {
% \a_section_fingerings
% \b_section_fingerings
% }
% >
% \paper {
% gourlay_maxmeasures =4.;
% \translator { \BarNumberingStaffContext }
% output = "carcassi-op60-08";
% }
%}
% dvi output without fingerings
\score {
\context Staff = guitar
{
\a_section_music
\b_section_music
\c_section_music
}
\paper {
linewidth = 18.0 \cm;
gourlay_maxmeasures =4.;
\translator { \BarNumberingStaffContext }
% output = "carcassi-op60-08-urtext";
}
}
%{
here i make a separate \score command so that the midi output = follows
the actual course of the music, with the second section repeated.
%}
\score {
{
\midi_stuff
\a_section_music
\b_section_music
\c_section_music
\b_section_music
\c_section_music
}
\midi { \tempo 4 =120; }
}
--
|----------------------------------------------------------------------------|
| jeff covey [EMAIL PROTECTED] http://pobox.com/~jeff.covey/ 410-669-4926 |
|----------------------------------------------------------------------------|
| i'd give my right arm to be ambidextrous. |
|----------------------------------------------------------------------------|
