The attached file does what I expect if I run ly2dvi on it. The
spacing isn't optimal, but it comes out on 2 pages. However, if I
use it as a \lilypondfile in the attached .lytex file and run
lilypond-book on it, it claims it can't find a good spacing, and comes
out with lots of really sparse lines on 4 pages.
It doesn't look any different to me from all my other files that come
out on two pages whether I use lilypond-book or not. The only
difference I see is that I'm manually specifying the clef-glyph and
line for the incipit bass clef on the third line. Is this a bug? Does
anyone know a workaround?
#(set! point-and-click line-location)
#(set! point-and-click line-location)
\header {
composer = "Thomas Morley"
crossRefNumber = "1"
footnotes = "\\\\original clef: F on third line"
origin = "Canzonets, or Little Short songs to three voyces, "
tagline = "Lily was here 1.4.0 -- automatically converted from ABC"
title = "XIIII. Lady if I through grief\\\\Bassus"
}
% incipit for bassus.abc
% written by writeincipit.sh on Tue Jun 5 08:47:56 EDT 2001
%originalclef=\notes{\clef "varbaritone"}
firstnote=\notes{ r\breve d''8 }
range=\notes{<a, d'>}
modernclef=\notes{\clef "bass"}
keysignature=\notes{\key g \dorian }
timesignature=\notes{\time 4/4 }
%incipit template /home/lconrad/incipit.ly
incipit = \notes {
\property Voice.NoteHead \override #'style = #'mensural
%\originalclef
\property Staff.clefGlyph = #"clefs-mensural2_f"
\property Staff.clefPosition = #0
% \property Staff.clefOctavation = extra transposition of clefname
\property Staff.TimeSignature \override #'style = #'old
\keysignature
\timesignature
\firstnote
\bar "|"
% now draw modern clef and key signature in normal font
\property Voice.NoteHead \override #'style = #'baroque
\modernclef
\keysignature
\property Staff.fontSize = #-1
\property Voice.fontSize = #-1
\property Voice.Stem \override #'transparent = ##t
\range
\property Staff.fontSize = #0
\property Voice.fontSize = #0
\property Voice.Stem \override #'transparent = ##f
\bar "|."
\context Staff \outputproperty #(make-type-checker 'clef-interface) #'full-size-change
= ##t
\property Staff.forceClef = ##t
\modernclef
}
%end incipit
wordsdefaultVA = \lyrics {
_ _ La- dy if I through griefe, through griefe and your dis-
dayn- ing; judg'd be to live in hel e- ter- nal- ly re- main- ing, ad- judg- ed be
"(a-"
las) to live in hell, to live in hell, e- ter- nal- ly re- main- ing: Of those my
burn- ing flames, my burn- ing flames, of those my burn- ing flames, well
shall I rest con- tent, well shall I rest con- tent, con - tent- ed: O but you I
grieve and wayle, O but you I wayle I wayle, who ther must be tor -
ment- ed: For when I shall be hould you, for when I shal be hould
you, your eyes a- lone, a- lone your eyes, will so de- light me, your eyes a-
lone, a- lone your eyes your eyes will so de- light mee, de- light mee, your
eyes a- lone a- lone your eyes, La- dy, your eyes a- lone a- lone your eyes will
so de- light me, that once I know no paine can af- fright me; But this "(a-"
las) o would _ _ _ _ have kild _ _ _ _ me I, I, do not doubt you; ther
to have
ben a- lone with out you, with out you, But this "(a-" las) o would _ _ _ _ have
kild _ _ _ _ mee I, I, doe not doubt you; ther to have ben a- lone with
out you, with out you.
}
voicedefault = \notes {
\property Staff.noAutoBeaming = ##t
\property Score.breakAlignOrder = #'(
Left_edge_item
Span_bar
Breathing_sign
Staff_bar
Clef_item
Key_item
time_signature
)
\property Staff.forgetAccidentals = ##t
\property Voice.NoteHead \override #'style = #'baroque
\property Staff.Custos \override #'style = #'mensural
\property Score.defaultBarType="empty"
\incipit
% %gchordfont Helvetica 12 box
% %MIDI nobarlines
\property Staff.TimeSignature \override #'style = #'C
\time 4/4 \key g \dorian \clef bass
% %MIDI transpose -24
% 1
r\longa d4 d8 e8 f4 d4 c2 c2 f4 d4 f4 g4
% 2
a2 d2 ^"\large\bf \large\bf A" d'4 d'8 c'8 bes4 d'4 c'4
c'4 f4 f4
g4 d4 a2 d2 r4 bes,4 bes,8 c8 d8 e8 % 3
f8 g8 a8 bes8 c'4 a4 c'4 c'4 f4 f4 g4 g4
a4 bes4 a2 d4 ^"\large\bf \large\bf B" d'4 d'4 d'4 % 4
a4. bes8 c'4 c'4 g4. a8 bes4 bes4 f4. g8 a4.
bes8 c'4 c'4 % 5
g8 f8 g8 a8 bes4 bes4 f8 g8 a8 bes8 c'4 c2
d4 a2 a2 ^"\large\bf \large\bf C" bes1. a2 g1 f1 % 6
g1 a1 d2 d'1 c'2 bes2 g2 bes2 a2 g2 g2 d2
f2 e1 d2 c2 % 7
bes,1 a,2 ^"\large\bf \large\bf D" r4 a4 a4. a8 f4 f4 bes2
g2 f4
f4. f8 c2 d4 a2 % 8
d4 ^"\large\bf \large\bf E" d'4 d'4 d'4 c'8 bes8 a8 bes8
c'4 c'4
bes4 g4 bes2 f4 a4 a4 a4 % 1r
g8 f8 e8 f8 g4 g4 d4 f4 f4 f4 c2 c4 c4
d1 a,4 a4 % 2r
a4 a4 bes8 a8 g8 a8 bes4 g4 f4 f4 f4 f4
c'8 a8 c'8 d'8 c'4 d'4 % 3r
a2 a2 d1 a4 f4 f8 g8 a8 bes8 c'2 bes4 bes4
a1 d1 ^"\large\bf \large\bf F" bes4 bes8 bes8 % 4r
a2 g2 f8 g8 a8 bes8 c'4 c4 d8 e8 f8 g8
a4 f4 c'4 a4 g4 a4 bes2 a4 a4. e8 f4 % 5r
e4 d4 cis4 d4 a,1 a,1 a,1 a,1 d1 ^"\large\bf \large\bf G"
bes4
bes8 bes8 a2 g2 f8 g8 a8 bes8 c'4 c4 % 6r
d8 e8 f8 g8 a4 f4 c'4 a4 g4 a4 bes2 a4
a4. e8 f4 e4 d4 cis!4 d4 % 7r
a,1 a,1 a,1 a,1 d1 ^\fermata \bar "|."
}\score{
\notes <
\addlyrics
\context Staff="default"
{
\voicedefault
}
\context Lyrics="default"
<
{ \wordsdefaultVA }
>
>
\paper {
\translator{
\StaffContext
\consists Custos_engraver
} }
\midi {}
}
\documentclass[12pt,letter]{book} % Specifies the document class
\begin{document}
\addcontentsline{toc}{chapter}{Lady if I through griefe,}
\markboth{Lady if I through griefe,}{Lady if I through griefe,}
\section*{ XIIII. Lady if I through griefe, }
\label{sec:lady}
\subsection*{Bassus}
\label{sec:ladybassus}
\lilypondfile{lady-bassus.ly}
\end{document}
--
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )
(617) 661-8097 fax: (801) 365-6574
233 Broadway, Cambridge, MA 02139
