Wednesday, 18 February 2026 | 4 pm
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Entangled Worlds: Intercultural Encounters and Knowledge Exchange in the
Indian Subcontinent
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18 February 2026 | 4 pm

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*SEMINAR*Entangled Worlds:
Intercultural Encounters and Knowledge Exchange in the Indian Subcontinent
------------------------------

   -

   *Francesco Gusella*

   *University of Naples “L’Orientale”, Napoli*

   The Good Shepherd Rockery from Portuguese India (1570s-1650s):

   Emulation and Dissimulation in a Case of Missionary Art
   ------------------------------


   -

   *Haila Manteghi*

   *University of Münster, Münster*

   The Jesuit–Mughal Knowledge Transfer

   in Early Modern Indo-Persian Translation Movement
   ------------------------------


   -

   *Carolin Schäfer*

   *Ludwig-Maximilian University, Munich*

   The Sacred Images from Ethiopia:

   The artistic interconnection of the Christian Ethiopian Empire

   and the cultures of the Indian subcontinent
   ------------------------------

Moderated by

   -

   *R. Benedito Ferrão*

   *Associate Professor, English and Asian & Pacific Islander American
   Studies,*

   *William & Mary, Virginia*

------------------------------

Wednesday, *18 February 2026 | 4 pm*
Xavier Centre of Historical Research, Porvorim, Goa

------------------------------

Please join us for a Seminar on ‘Entangled Worlds: Intercultural Encounters
and Knowledge Exchange in the Indian Subcontinent’ by *Francesco
Gusella*, *Haila
Manteghi *and *Carolin Schäfer* and moderated by *R. Benedito Ferrão *on
Wednesday*, 18 February 2026* at 4 pm at the Xavier Centre of Historical
Research, Porvorim, Goa. The Seminar will conclude by 6 pm.
------------------------------

*REGISTRATION REQUIRED*

   -

   This Seminar is *free to attend* and open to all.
   -

   *Registration is mandatory* to attend the Seminar.

------------------------------

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------------------------------
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------------------------------
Entangled Worlds:
Intercultural Encounters and Knowledge Exchange in the Indian Subcontinent

This symposium examines the Indian subcontinent as a key site of
intercultural encounter and knowledge exchange from antiquity to the early
modern period, with particular attention to artistic, intellectual and
religious interactions across the Indian Ocean world. Through case studies
situated in Portuguese India, Mughal imperial culture and the Christian
Ethiopian Empire, the symposium challenges linear and centre–periphery
models of cultural transmission. Instead, it foregrounds the entangled
processes through which cultural forms, ideas, and practices were shaped by
sustained contact, negotiation and mutual transformation.

Drawing on material, visual and textual sources, the symposium explores how
artistic production and intellectual activity emerged within shared spaces
of collaboration involving missionaries, imperial courts, itinerant
artists, translators, and local agents. It considers the circulation of
objects, images and texts as part of wider and historically situated
networks of exchange that linked South Asia with Africa, Europe and the
wider Indian Ocean world. Particular attention is given to practices of
emulation, adaptation and translation, through which devotional imagery,
iconographic traditions and ethical and philosophical vocabularies were
reworked across linguistic, religious and cultural boundaries.

Taken together, the papers present the Indian subcontinent not merely as a
recipient of external influences, but as an active and generative arena in
which intercultural encounters produced new artistic forms and hybrid
intellectual traditions. By emphasising entanglement, shared agency and the
co-production of knowledge, the symposium contributes to wider debates in
global history, art history and intellectual history on connected histories
and the making of meaning across cultures.
------------------------------

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------------------------------
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------------------------------
Francesco Gusella

Francesco Gusella is a historian of South Asian art with a focus on
Portuguese India during the early modern period. He earned his PhD in 2019
at the Institute of Oriental Studies, Sapienza University of Rome, with a
thesis on Christian devotional ivories from Portuguese colonial India. He
conducted extensive research in archives, museums, research centres and
private collections in Portugal, Italy, Germany and India by publishing on
several art traditions, including metalworks, textiles, carvings, painting
and architecture. From 2025, he is postdoctoral researcher and member of
the Institute for the Study of the Christian Orient at the University of
Naples “L’Orientale” where he teaches history of the missions through an
art historical perspective. He is the author of the upcoming book: *The
Good Shepherd Rockery from Portuguese India, 1570s to 1650s: Emulation and
Dissimulation in a case of Missionary Art* (New York: Routledge, 2026).
------------------------------
Haila Manteghi

Haila Manteghi is a researcher at the Institute for Mission Studies at the
University of Münster, Germany. She holds a PhD in Islamic Studies from the
University of Alicante, Spain, and a PhD in Classics from the University of
Exeter, UK. From 2019 to 2022, she was a member of the Religion and
Politics Cluster of Excellence at the University of Münster, where she led
the project on *“Dynamics of Intercultural Traditioning”: Criticism of
Religion and Apologetics in Shifting Interreligious Contexts: Jerome
Xavier’s Ayena-ye haqq-nama in Mughal India and Safavid Persia*. Her areas
of interest include missionary activities in Persia and India during the
sixteenth and seventeenth centuries.
------------------------------
Carolin Schäfer

Carolin Schäfer is a PhD candidate in Late Antique and Byzantine Studies at
the Ludwig-Maximilian University in Munich, Germany and the University of
Toronto, Canada. Her dissertation project with the title ‘Sacred Images
from Ethiopia. Intercultural Workshops and the Cooperation of artists from
Ethiopia, the Mediterranean, the Red Sea and the Indian Ocean’ focuses on
the collection of Ethiopian icons in the Museum Fünf Kontinente in Munich
and was submitted on 15th January 2026. In addition to creating the first
coherent catalogue of the collection, she aims to gain a better
understanding of the intercultural exchanges and expressions within the
medium, and to analyse their development by including other collections
such as that of the Institute of Ethiopian Studies in Addis Ababa,
Ethiopia. Her previous academic work has focused on the murals of the
Yəmrəḥannä Krəstos Church in the Lasta Mountains of Ethiopia, and Lalibäla
as an expression of the Ethiopian Church's understanding of Jerusalem. She
holds degrees in Art History (M.A., B.A.) and Archaeology (B.A.). For TEM,
she is recording pastedowns among the many Ethiopian manuscripts in Germany.
------------------------------
R. Benedito Ferrão

R. Benedito Ferrão is an Associate Professor of English and Asian & Pacific
Islander American Studies at William & Mary. He has been the recipient of
fellowships from the Fulbright, Mellon, Endeavour, and Rotary programs, the
Bayreuth Academy of Advanced African Studies, and the American Institute of
Indian Studies. Apart from being an academic, he is also a curator who has
worked with the artists Karishma D’Souza, Angela Ferrão, and Vamona
Navelcar. His 2017-18 exhibition *Goa, Portugal, Mozambique: The Many Lives
of Vamona Navelcar*, also the title of his edited book, would be the last
time the artist’s work would be seen publicly before his demise in 2021.
Additionally, he has written for *Research in African Literatures*, *Verge:
Studies in Global Asias*, *Studies in Travel Writing*, and *Middle East
Journal of Culture and Communication* among other journals; he is also a
regular contributor to Scroll.in, one of India’s most widely read
journalistic platforms. William & Mary awarded Dr. Ferrão their Jinlan Liu
Prize for APIA research for 2024-27 and named him University Professor for
Teaching Excellence for 2025-28.
------------------------------
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------------------------------

*Xavier Centre of Historical Research*
B B Borkar Road, Porvorim, Goa 403521, India
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------------------------------

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