Thursday, 26 February 2026 | 6 pm
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The Lost Panels of Goa: Reconstructing the Visual Cult of Saint Queen
Ketevan
<https://substack.com/app-link/post?publication_id=2697010&post_id=188488333&utm_source=post-email-title&utm_campaign=email-post-title&isFreemail=false&r=4ur10&token=eyJ1c2VyX2lkIjo4MTUzMTcyLCJwb3N0X2lkIjoxODg0ODgzMzMsImlhdCI6MTc3MTU5MTQ3MywiZXhwIjoxNzc0MTgzNDczLCJpc3MiOiJwdWItMjY5NzAxMCIsInN1YiI6InBvc3QtcmVhY3Rpb24ifQ.z-WRxpIBqO1hpJ7XY_4wsE5zotzMSlzjcjd9RqlQQzU>Thursday,
26 February 2026 | 6 pm

XCHR <https://substack.com/@xchrgoa>
Feb 20
<https://substack.com/@xchrgoa>




*HISTORY HOUR*The Lost Panels of Goa
Reconstructing the Visual Cult of Saint Queen Ketevan


*Marietta Chikhladze**Assistant Professor, Ilia State University, Tbilisi*

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Moderated by

*Francesco Gusella**Researcher, University of Naples “L’Orientale”, Napoli*
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Thursday, *26 February 2026* | 6 pm
Xavier Centre of Historical Research, Porvorim, Goa
------------------------------

Please join us for a History Hour lecture on ‘*The Lost Panels of Goa:
Reconstructing the Visual Cult of Saint Queen Ketevan*’ by *Marietta
Chikhladze *and moderated by *Francesco Gusella* on Thursday*, 26 February
2026* at 6 pm at the Xavier Centre of Historical Research, Porvorim, Goa.

Please join us for tea at 5:30 pm.

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The Lost Panels of Goa
Reconstructing the Visual Cult of Saint Queen Ketevan

Saint Queen Ketevan (c.1560-1624), a central figure in Georgian history and
Christian memory, occupies a unique position as both a political ruler and
a martyr. Executed in Safavid Iran, her death and the translation of her
relics to Old Goa by Portuguese Augustinian missionaries fostered the
development of a transregional cult extending from Georgia to the
Portuguese colonial world.

By the eighteenth century, her image circulated across distinct visual
traditions shaped by local artistic conventions and theological frameworks.
Georgian iconography presented her as a royal martyr firmly rooted in the
Orthodox tradition, whereas Portuguese works — produced mainly in Lisbon at
the Graça Monastery — reinterpreted her sanctity through Catholic
hagiography and missionary ideology. These representations will be analysed
not merely as devotional objects but as instruments of cultural translation
and confessional dialogue.

Archival records from Goa mention a “painted canvas of the Holy Shroud;
three paintings for the altars; ten panels of the Queen’s martyrdom,”
probably executed by Aleixo Godinho, as noted by Vítor Serrão. Although
these ten panels are now lost, their trace in the archives raises important
questions about artistic production and missionary networks. This lecture
explores her seventeenth- and eighteenth-century representations and
examines how her cult traversed Portuguese imperial routes from Georgia to
Persia, Goa and Lisbon.
------------------------------

Check our *upcoming programme
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------------------------------
Marietta Chikhladze

Marietta Chikhladze holds a PhD in Modern, Comparative and Postcolonial
Literature from the University of Bologna. She is an Assistant Professor at
Ilia State University, Tbilisi, where she teaches comparative literature of
Romance-language cultures. Her research examines representations of Georgia
in seventeenth- and eighteenth-century archival and visual materials
produced by Catholic missionaries. She works extensively on the drawings
and writings of the Sicilian missionary Cristoforo Castelli, as well as on
representations of Saint Queen Ketevan in Portuguese visual and textual
sources, exploring how these materials construct cultural and historical
narratives of early modern Georgia.
------------------------------
Francesco Gusella

Francesco Gusella is a historian of South Asian art with a focus on
Portuguese India during the early modern period. He earned his PhD in 2019
at the Institute of Oriental Studies, Sapienza University of Rome, with a
thesis on Christian devotional ivories from Portuguese colonial India. He
conducted extensive research in archives, museums, research centres and
private collections in Portugal, Italy, Germany and India by publishing on
several art traditions, including metalworks, textiles, carvings, painting
and architecture. From 2025, he is postdoctoral researcher and member of
the Institute for the Study of the Christian Orient at the University of
Naples “L’Orientale” where he teaches history of the missions through an
art historical perspective. He is the author of the upcoming book: *The
Good Shepherd Rockery from Portuguese India, 1570s to 1650s: Emulation and
Dissimulation in a case of Missionary Art* (New York: Routledge, 2026).
------------------------------
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*Xavier Centre of Historical Research*
B B Borkar Road, Porvorim, Goa 403521, India
xchr.in
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| [email protected]
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