South Asian hip-hop in New York

By Gloria Suhasini, Indo-Asian News Service

New York, Apr 9 (IANS) South Asian hip-hop seems to have arrived with more
and more of New York's urban youths wishing to get a taste of it in the
shape of diaspora performers from across America and Canada.

One such event where youth could get a flavour of South Asian hip-hop was at
the Asia Society's theatre in the basement, where several music lovers
gathered last weekend.

Claimed to be first of its kind, the hip-hop showcased South Asian talent.

"Livin' off the 7" (which stands for New York City's subway train number 7
or the immigrant train running between Time Square and Flushing) presented
young South Asian artists from across North America and Canada, who amazed
the audience with beat-boxing, rapping and simple words that convey strong
messages.

Gurpreet "The Tabla Guy" Chana and Jugular (Nikhil Tumne) took the stage
first to perform a jugalbandi (duet) of sorts, where Chana played the tabla
and dhol as Tumne reproduced the beat with his vocal chords, which could not
be mistaken for anything but a set of percussion instruments.

Jugular also accompanied other performers including R&B vocalist Sumeet
Bharati, who sang her own number. Bharati, whose performance at Notorious
B.I.G's album release party apparently surprised music professionals, sang
"Sugarin" which is a coined word to mean sugary grin. She also sang familiar
numbers such as "Killing me softly," a remix by the Fugees.

Sheila of South Asian Youth Action (SAYA) spoke on the aftermath of
September 11 terror attacks. "...Why do you turn blue when its cold and red
in the heat," she questioned those who wondered if her dark skin was because
of "a mistake in the tanning factory." She said as long as her mother cannot
wear salwar kameez and go out, she cannot believe life is back to normal (in
America).

Similar was the rage of two Karachi (Pakistan)-born cousins -- Abstract
Vision (Fahad Rizvi) and Humanity (Asad Rizvi) -- who spat angry words
challenging suburban conformity, exploring realities of being Muslim in
America after September 11. The two, who started out as mainstream hip-hop
fans, have turned to more underground, experimental and politically charged
work.

Performer Raeshem Nijhon interpreted Hindustani-Western fusion music through
her modern dance, influenced by Bharathanatyam as well as Motown and
hip-hop, creating a mix of classical style and contemporary attitude.

Nijhon, a dancer from Detroit, Michigan, has assisted in choreography for
Bollywood flicks like "1942: A Love Story" and is scheduled to be the first
assistant to the choreographer of the upcoming Vidhu Vinod Chopra
production, "Munnabhai MBBS," which stars Shah Rukh Khan.

Ben Thomas, who has been a choir singer since childhood, performed at the
feat. He has been a member of New York University's Gospel Choir for three
years and performs with Karmacy, another performer of the evening, at Club
NY.

Karmacy, music group which combines culture, social awareness and eastern
philosophy with hip-hop music, performed after Thomas. Its music has been
featured in movies including "American Desi," "Leela" and "Four Letter
Word." Its album is expected to release in fall 2002.

Presented by Diasporadics, the event brought to the spotlight an emcee and a
disc jockey (DJ), the hosts of the evening.

Sri Lankan D'Lo, who moved to Brooklyn from Los Angeles, kept the audience
entertained with her jigs and jolts and the generous use of "sh**man!" and
"frickin ...'" -- which cannot be heard usually at the Asia Society events -
were in tune with young crowd's cool attitude.

DJ Disctraction (Nitin), in contrast to his vociferous co-host, went about
his business without uttering a word. He displayed his skill in mixing and
cutting using melodic Indian music with underground and break-beat hip-hop,
funk grooves and drum-n-bass. When he is not spinning records, he's
practicing drums, making visual art and design, working at the IndoCentre of
Art and Culture.

His artistic inclination was displayed in a collaborative work with
Sidhhartha Joag, which served as the backdrop for the hip-hop evening.

Joag's exhibition, "Please Do Not Throw Peanuts at My God," is going on at
the Asian/Pacific/Arts Studies Gallery in New York University (one of the
sponsors of the evening).

--Indo-Asian News Service

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