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GRANDFATHER'S CLOCK
by Victor Rangel-Ribeiro

In my grandfather's house, where I lived as a child, I remember a 
clock striking the hours and half hours. At night the mellow yet 
resonant chimes echoed through the house, but the clock would not 
strike without first producing a prolonged whirrr, like a 
rattlesnake warning of danger.

No danger lurked in that house when I was a child, but it was a 
different story altogether when my grandfather was alive. In those 
days, Ranes were frequent visitors, Rauji Rane among them, because 
my grandfather edited and published a weekly newspaper in this very 
house, and the paper---the "Correo de Goa"--was very much pro-Goan. 
An almost complete file exists in the Central Library in Panjim; the 
only missing copies are the ones that I suspect the Government found 
so offensive that they confiscated them, shutting down the Correo 
twice.

Some years ago I was allowed to browse through those files. In one 
editorial, Hipolito Caetano Pinto complains about the calibre of the 
newest appointee to be Governor-General of Goa; it seems, he says, 
that Lisbon thinks so little of us that any absolute nonentity can 
be sent to rule over us, even a lowly lieutenant in the navy. And in 
desperation he cries out: "In the name of God, leave us alone!"

Family tradition tells us that the Portuguese would not leave him 
alone. Every now and then the mundkars would come running to our 
house, to warn him: "Bhatkara, godde etat!" But when the horsemen 
who had been sent to arrest him cantered up to our gate and strode 
up our steps, Hipolito Caetano Pinto was nowhere to be found. 

Once, after searching the entire house and getting no answers from 
my grandmother, an officer sat my mother, then a child of five, on 
his lap, and gently asked, "Tell us, child, where is your father?"

She could not tell him, because she did not know he was still in the 
house, hiding in a bumhyar. Twice he and his brilliant young 
brother-in-law, the lawyer Mariano Vaz from Anjuna, had to flee to 
Bombay to escape the wrath of the Portuguese, most notably when 
Gomes da Costa implicated them, and their friend the Visconde de 
Bardez, in the Rane rebellion of 1895.

Hipolito Caetano Pinto's portrait still hangs on the wall of the 
family living room; it shows us a young man, perhaps in his late 
twenties or early thirties. a man who wears a troubled look and 
seems to have much on his mind. His eyes are averted. I stand before 
him and a thousand questions crowd my own mind.

Alas, my grandfather died in 1897, almost thirty years before I was 
born, but my grandmother lived on until 1941, and she had much to 
tell us about him. But I was barely a teenager then, and though I 
loved her stories, I had no sense of history, no inkling at all of 
the importance of oral tradition and the links it can provide to our 
past. My father, too, who was born in 1881, had stories to tell 
about those days, and his own involvement in the Rane revolt. Though 
as a teenage cadet he served on the opposite side, his admiration 
for the Ranes, particularly Rauji, was unbounded.

Death has silenced all those voices, and the files of the Correo de 
Goa now sit unexamined in the Central Library, gathering dust along 
with hundreds of other valuable documents of past centuries -- they 
are now deemed to be too fragile to be looked at by anyone.

So the whirring grandfather clock was right---the passage of time 
does indeed pose a danger. Not only do we lost bits of oral history 
as each older generation dies out, but our written documents are in 
danger of becoming inaccessible as well.

The rest of the world preserves such documents on microfiche. We 
don't. "There's no money in it," a noted young historian told me 
recently. "There's money in restoring a decaying historical 
building, but there's no money in preserving a document."

Should we let our heritage die?

Tick tock.

END

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