Delayed in circulation, but interesting. FN

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ID4468.1248 August 4, 2003 36 EM-lines (422 words) 
INDIA    Late Artist Leaves Lasting Legacy In Churches Throughout Goa 

PANAJI, India (UCAN) -- Priests in Goa say a recently-deceased artist who spent most 
of his life restoring church interiors left "a legacy" in almost all Catholic churches 
in the former Portuguese colony.
 
Fenelon S. D'Souza, who died July 25 in Goa at the age of 98, was the "doyen of gold 
craft on church altars," says Father Edwarde D'Souza, parish priest of St. Anthony's 
Church.
 
With his death, the Church in Goa "has lost a dependable, devoted and committed artist 
serving the Lord," the priest told UCA News.
 
The late artist spent 80 years of his life restoring the ornate interiors of 
Portuguese-built churches and altars in Goa, a Portugese colony from 1510 until 1961, 
and in other western Indian states.
 
His work involved a "secret" technique of applying a chemical mixture to surfaces 36 
hours before applying gold foil so that the gold would last.
 
The restoration artist began working at the age of 13 after picking up the rudiments 
of the specialized trade from his uncle, and he continued this work for 79 years until 
he retired in 1997.
 
Father Savio D'Souza, another priest of the Archdiocese of Goa and Daman, recalled 
that the artist charged minimum fees for his work. "He knew exactly what had to be 
done, how long it would take. He was honest to the core. He leaves a legacy in almost 
all churches of Goa," the priest added.
 
Father Almir D'Souza, another parish priest, told UCA News the late artist was 
"committed" to Church art.
 
Pope John Paul II gave Fenelon D'Souza a gold medal after he restored an antique chair 
for the pope's use during the papal visit to New Delhi in November 1999. A federal 
conservation agency reportedly had first asked other experts to refurbish the gilded 
chair. 
 
John D'Souza, the artist's son, said "the work done by them was so terrible" that 
Church authorities were forced to approach his father for help. 
 
"Eventually, we had to scrape the gold (off) totally and apply it afresh. We did it in 
three days and nights," the son, 67, told UCAN July 27.
 
He said the "family secret" of gold application on altars won wide acclamation because 
of its ability to ward off attack by termites.
 
He added that despite several lucrative international offers, his father resisted the 
monetary lure "because it has been my father's ambition to do many churches before his 
death." This dream, he said, led his father to set up a firm specializing in the 
restoration of statues and altars.
 
END
 
http://www.ucanews.com/search/show.php?q=Goa&file=archives/english/2003/08/w2/mon/ID4468Rg.txt

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