Konkani Musical Show “NATALANCHO KUNSVAR" in Bahrain

As scheduled, the Konkani Musical Show “Natalancho Kunsvar” under the patronage of Young Goans Club was staged at the Baan Saeng Thai Restaurant in Adliya, Bahrain on November 30, 2006. The following artists participated in the show:

From Bombay:  Ophelia and her daughter, Babli.
From Goa:  William de Curtorim.
From Kuwait:  Jose Rod and Francis de Tuem.
From Saudi Arabia:  Domnic Fernandes.
From Bahrain: Benny (singer, composer and drummer), Jr. Luis, Santan,
Lorvino, Caesar, Lurdin, Norita, Kishod, Ophelia (local), Slenzitha, Claud, Albin, Chris Noronha, and Pio Fernandes (Director.)

The attendance was quite good but not ‘house full’ as expected, which is why the show began late. Some people were involved in a religious activity at the church and could not leave the session until past 9:00 p.m. They called up and requested the director, if possible, to wait for them. The show was a great success; each one of the singers and actors did well. I am sure those who missed the show will now have regrets. Somehow, the crowd in Gulf countries feels more confident with troupes flown in from Bombay/Goa than with the local artists, but the former is not always justified as far as performance is concerned and this fact was proven with Pio’s musical show on last Thursday.

The musical show package consisted of 25 melodious songs, most of them composed by Pio Fernandes, and two skits – “Bhormaxel Mental Hospitalant” and “Natalancho Kunsvar” (Christmas sweets.) The former is a comedy skit in which Jr. Luis plays the role of a mentally imbalanced son. Domnic Fernandes, Mental Hospital doctor, visits Claud, Luis’ father, and narrates how his son saved his friend from drowning in a water pool in mental hospital’s garden and praises his son’s bravery. Claud gets excited and jumps with joy when the doctor tells him that his son will receive a bravery award through the Health Minister when he visits the hospital next month. The doctor then conveys the sad news – that his son’s friend committed suicide by hanging himself in the bathroom soon after he was saved. At the end of the play, the doctor revisits Claud and discloses him that according to investigation the deceased had not committed suicide but that his son had hanged him in order to dry him up after he was saved from drowning, which was a confirmation that he was still mentally imbalanced; hence, there would be no bravery award. Instead, they arrest Jr. Luis and take him back to the Mental Hospital. Norita as Jr. Luis’ girlfriend did well.

The latter skit was a beautiful Christmas message. Two neighbors, Lurdin and Ophelia just can’t get along with each other. Lurdin always “konnieo uddovn zogddim korta” (needs the slightest excuse to pick up a quarrel), whereas Ophelia is God-fearing and knows how to control herself, but she also has her moments when she loses her temper and displays her anger and strength. She does this in a typical style by folding her “kapodd” in between her legs and turning it into a “kasotto” and hitting her thighs with hands like Japanese Sumo wrestlers, as a sign of her strength in readiness of the fight. I couldn’t believe Ophelia was still able to speak forcefully and enact the role as in the past. When asked after the show, she said she automatically turns into a lioness the moment she steps on the stage. She said she gets possessed with the art and that it’s the gift of God. Later on, she brings out her feelings through facial expressions and tears. At the end of the skit, a robber (Caesar) breaks into Lurdin’s house and runs away with a bag full of valuables but is nabbed by Ophelia’s son, Kishod. When Lurdin returns home and comes to know that despite being enemy number one, Ophelia and her family risked their lives, caught the robber and saved her from losing everything she owned, she appreciates their action, apologizes for the past misbehavior and becomes a friend. Christmas is the time to give and forgive and this is the message Pio Fernandes has conveyed to the public. Jesus sends the robber in order to unite both families and this was the “Natalancho kunsvar” - not Natalancheo nevreo, etc. Both women did justice to their roles in the skit and so did the others – Kishod, Ophelia (local) and their lovely daughter, Slenzitha, and Caesar.

Among singers, Jose Rod sang the first song of the show, which was well-appreciated; he sang two songs. Babli mesmerized the audience with her sweet voice and looks and reminded everyone of her father’s singing style; she sang three songs. William de Curtorim was his usual with political songs and was encored the most; he sang three songs. Francis de Tuem cut a niche for himself in Bahrain. He sang two songs; he was encored four times for the first song and twice for the second.

One of the songs, a duo, composed by Pio, stole the show. Claud begins to sing the song but forgets the lines after the first chorus. Immediately, one of the back benchers shouts at the top of his voice and questions the singer as to why he forgot the lines. He loudly tells the public that people spend money and come for the show not to see someone forget his lines but to witness a good show and get the worth of their money. Some males try to pacify the guy but he is in no mood; he becomes more violent and uncontrollable. By now, the whole focus shifts from the stage to the guy at the back in the auditorium; people stand up and watch the sideshow. People are heard saying: “We don’t know why these guys make such a big issue out of nothing; anyone can make a mistake.” Some remarked: “These guys shouldn’t come for the show; they should remain home instead of coming here and creating problems.” Some were heard saying: “We know this guy; he is not that type; what happened to him today?” In the meantime, the director apologizes to the crowd for the commotion and requests everyone to remain calm and seated but the guy keeps shouting. The director then approaches the guy and requests him to keep quiet but he wouldn’t. The guy takes the mike in his hand and repeats what he had been saying. When the director tells him he is free to go on the stage and express himself to the crowd, he angrily hits the beer can on the floor and marches to the stage where Claud and he continue to argue. The guy gradually replies Claud musically. It was at this stage that people realized it was a ploy. Even the Committee members were not aware of the ploy. Congratulations to Pio for a superb theme and hats off to Caesar for enacting a natural scene in the crowd!

I had acted with Ophelia in two dramas in Bahrain in 1978. She did visit Bahrain later on but I was not there. I was very happy to meet with her and her daughter, Babli. Since we stayed in the same apartment, we spent a lot of time together and exchanged past and present memories. Ophelia, too, was extremely happy to be in Bahrain. Pio Fernandes gave a speech and introduced her to the audience who in turn welcomed her with a big applause; she later on received a standing ovation. She told me she had witnessed people like Amitabh Bachchan receive standing ovation and always wondered if people like her would ever get such a chance. Her wish finally came true when she received standing ovation from the crowd at Hawally Hall in Kuwait on August 11, 2006 and now in Bahrain on November 30. Ophelia was overly moved with audience’s love, affection and feelings for her, which was translated into streams of tears which rolled down her cheeks. As we all know, Ophelia was seriously ill and had almost lost her sight but she recovered miraculously. She told the audience the medicine of her recovery was ‘prayer.’ We pray to God to grant her good health and long life. Ophelia is an inspiration to all stage artists. We hope she continues to act in tiatros; of course, at her pace. We all love you Ophelia! Andrew (Bobby) Fernandes, President, and Francis Correia, General Secretary of the Young Goans Club presented Ophelia with a plaque.

Music for the show was provided by Chagas (Trumpet), Bernard (Saxophone), Christopher (Keyboard), Bobby (Guitar) and Benny (Drums.) William de Curtorim was all praise for the band.

As always, La Ferns Restaurant’s delicious sorpotel, san’na and snacks were available for sale in the auditorium.

On the whole, it was a great show. Congratulations to Pio Fernandes for presenting good entertainment to Bahrain Goans.

Moi-mogan,

Domnic Fernandes
Anjuna/Dhahran, KSA

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