(http://traviswesleyjazz.com/wp/)






TRAVIS WESLEY’S CYCLE BY THREE, A FRESH AND MODERN JAZZ PIANO TRIO CD, WILL BE 
RELEASED BY MADELINE RECORDS IN MID-JULY (BY SCOTT YANOW)







(http://traviswesleyjazz.com/wp/)The piano-bass-drums trio has been given new 
life in jazz in recent years by the Bad Plus, Brad Mehldau and the late Esbjorn 
Svensson in EST. While Travis Wesley’s previous CD Natural Diversion paid 
tribute to such pianists as Red Garland, Wynton Kelly, Erroll Garner and Ahmad 
Jamal, Cycle By Three is a giant step forward. His playing is strikingly 
original and his interplay with bassist Toby Curtright and drummer Tom Marko 
during a program filled with colorful originals is consistently impressive.









“The music crosses over several genres,” says Wesley, “and I hope that it will 
be attractive not just to jazz enthusiasts but to many others. We wanted to 
modernize the sound of the piano trio, break some rules and display our own 
artistic voices. Drummer Tom Marko is very supportive, solid, and his musical 
comments are tasty and stylistically appropriate. Toby Curtright’s approach to 
the bass lies somewhere between the sounds of Scott LaFaro and Jaco Pastorius. 
His sound is perfect for this group’s concept.” Many of the selections have 
Wesley’s left hand and bassist Curtright stating the melodies together, giving 
the group an easily identifiable sound.









(http://www.cdbaby.com/cd/traviswesleytrio)The pianist contributed six pieces 
to Cycle By Three. “Prelude” and “Postlude” bookend the set with identical 
themes (based off of Chopin’s “Prelude in E Minor #4″) that are interpreted in 
different ways. “Keeper Of Keys” has a melody line inspired by Bach, a floating 
quality and a backbeat that brings the piece to a climax. “Fading Friends” 
features the creative use of a hip hop groove that is soulful, joyful and a bit 
funky while still including a lot of improvisation. “Song For Madelynne” 
(dedicated to Wesley’s daughter) is the longest piece of the set. It has a 
catchy background and a creative drum solo by Marko. “Memoriam” is a hyper and 
inventive performance dedicated to Esbjorn Svensson and EST.









Bassist Toby Curtright brought in two songs that are also on Cycle By Three. 
Both works, “But He Himself Was Broken” and “For Us, This Is The End Of All 
Stories,” are instrumentals that have religious themes. The former uses 
Curtright’s bowed bass and repetitious figures from the piano very effectively 
while the latter is a ballad that is reminiscent of Pat Metheny in its 
harmonies. Also included on Cycle By Three is a lyrical, modernized and quietly 
emotional version of the Rodgers & Hart classic ”Spring Is Here.”







Travis Wesley was born and raised in Bloomington, Illinois. He began taking 
piano lessons when he was ten and, although he was most interested in classic 
rock at the time, he soon discovered jazz through his piano teacher. “Jazz is 
where I come from. The commitment and artistry that it takes to be able to play 
it is a lifelong pursuit.  It is the deepest form of artistic expression that 
there is.”







Wesley attended the Berklee College of Music for a year, earned a Bachelors 
degree in music from Eastern Illinois University, completed his Masters in 2005 
and recently earned his doctorate. Wesley worked with saxophonist Willie Akins 
in St. Louis during 2004-05, became a well respected educator and has led his 
own groups for years in addition to appearing with some of the top musicians of 
the Midwest.







While Travis Welsey’s playing on 2012′s Natural Diversion showed his roots, 
Cycle By Three displays his individuality and creativity. This colorful and 
inventive set points the way towards the piano trio of the future.





(http://www.cdbaby.com/cd/traviswesleytrio)
(https://itunes.apple.com/us/album/cycle-by-three/id687561126)




(http://www.amazon.com/Cycle-Three-Travis-Wesley-Trio/dp/B00EDS3W00/ref=sr_1_1?s=music&ie=UTF8&qid=1381979385&sr=1-1&keywords=cycle+by+three)


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