Nachom-ia-Kumpasar is a treat for the senses. No film has showcased the colors, sounds and beauty of Goa like this movie. You can't help but marvel at the movie making skills of its creator, Bardroy. His experience as an adfilm maker screams in every scene and set of the movie which has been designed with meticulous detail from scratch. Nothing is out of place and every object in every scene is authentic the era of the story. Bardroy has gone the extra mile with the songs which almost made me stand up and dance. The lighting used in the film is flawless as it enhances the emotions of the characters while maintaining the natural look of the environment.
The story left scope for improvement. The comedy in the beginning seemed forced when the story entered the tragic phase. It takes time to figure out whether the characters are in Goa or mumbai. It's also hard to figure out how how much time has passed in the story as the movie progresses. One particular scene of suicide was confusing because the audience couldn't tell whether it was real or a dream. The songs, however, are perfectly stitched into the movie, the likes of which were seen last in the Abba inspired Mamma Mia! without the songs the movie wouldnt have had the glamour that it did and the audience wouldn't have had the deep emotional connection with the lead character, Dona. The second half onwards the pace slows down to a point where you would almost wish that the movie's predictable end would come sooner, if not for the brilliance of PALOMI GHOSH. Where the story lacks dept, this fairly unknow actress performs on par with Reese Witherspoon and Witney Houston, both of whom have performed similar rolls. Her portrayal of this role is a delight to watch as she takes the audiences through a Rollercoaster of emotions. Her gestures, movements, dialog delivery, her micro expressions, her looks and her performance are all spot on and makes her character believable and real. I'LL BE SURPRISED if she doesn't win an award for this role. The actor who plays Lawrence, her love interest, unfortunately falls far behind. Vijay Mauryas acting is mechanical. There is absolutely no chemistry between the two lead actors. I couldn't see any reason why dona would fall in love with this character who barely speaks during the first 45 minutes. Vijay's character limps on throughout the movie as Palomi steals the show. John DSilva deliver every dialog with precision timing making the audience laugh and love him in the first half whereas in the second half, he effortlessly transforms into a villan and makes the audience hate him for ruining dona's career. Prince Jacob performs his role like a legend that he is. THREE years ago when the movie makers came to my shop to make copies of the script, I instinctively knew they were holding something special, but I never expected the magnificant way it would go on to be implemented. At the end of the movie, the audience were leaving in a hurry. I was a little sad because we couldn't give a standing ovation to the makers of this masterpiece that will change the Goan film industry for the better. As I left the theater thinking about all the Goan filmmakers, I hope that they don't see Bardroy as a competition or as someone who has made their movies look less than worthy. I hope that they see him as an inspiration who has reinvented the genre of movies that should be made by Goans for goans. In the words of the my friend-we finally have a real goan movie (of international standards) .
