Thank you Gabe and JC for your appreciation of Rajan ani Prema in its simple 
rendition.

Here is a very interesting bio from Goacom of Maestro Antoninho de Souza the 
compose of Rajan ani Prema. If any reader knows (Francis Rodrigues are you 
reading this) of any other compositions of Maestro Antoninho, I would be happy 
to know about them. 

The man is a musical genius by my lights.


Maestro Antoninho De Souza….A Legendary Goan Musician
MAESTRO ANTONINHO DE SOUZA
A Legendary Goan Musician

Being the son of a clarinetist, music mingled in his genes. But sheer hard work 
and his passion for perfection in music formed the sheet anchor of the 
resounding success that Antoninho de Souza achieved, says Braz Fernandes in our 
Goan Legends Series.

ANTONINHO Servitas de Souza was born in Anjuna, in the family of Santano de 
Souza and Amelia Noronha on February 19, 1917. After completing his primary 
education upto Primeiro Grau in Portuguese, he shifted his residence to Marna 
in Siolim, to learn music under Siolim's famed maestro Zeferino D'Cruz. The 
late Zeferino de Souza taught him to play the violin, clarinet and other 
instruments.

By nature, Antoninho was a perfectionist. His passion for music, goaded him to 
excel in the field, which was a magic carpet which took him to places beyond 
the borders of native Goa. He had the privilege of performing at the princely 
darbar of Darwani in Central India in 1938. At that time he played the first 
violin and earned a princely salary of Rs.38 per month.

Following a six-year stint at Barwani, Antoninho turned his sights to Bombay, 
where everyone desirous of success longed to be. It was not long before the 
Goan musician's profound talent received due recognition in the metropolis. He 
was appointed to play for none other than the famed Mehli Mehta, father of one 
of the world's greatest conductors, Zubin Mehta. From 1941 to 1947, the Mehli 
Mehta Sextet regaled the affluent, beautiful guests of the Taj Mahal Hotel in 
Bombay. At that time, Zubin Mehta was a young boy, who would watch curiously as 
her father performed, Antoninho said.

Subsequently, he was engaged as a copyist at the All India Radio station in 
Bombay besides playing the first violin on Joseph Kauffman's orchestra. Though 
his penchant for music would suffice to earn him enough name and fame in 
Bombay, the blue-blooded Goemkar began to miss his favourite fish, curry and 
rice. He would feel homesick and that's perhaps why he set sail to maidhes Goa.

Proficient performers rarely lack opportunities even in Goa. Antoninho de Souza 
was entrusted with the task of running the orchestra of "Emissora de Goa" (now 
Akashwani) as its music director. He held the post for 22 years, composing a 
series of melodious Konkani mandos and dulpods, which were regularly broadcast 
by the radio station, which competed with some of the best stations in the 
world once. Antoninho's most memorable and evergreen composition is the Konkani 
hymn "Orassaum Fatima Saibinnink". Antoninho composed the hymn in 1949 when the 
statue of Our Lady of Fatima was brought to Goa from Portugal.

He scored a lot of religious music, particularly for the mass. One of such 
compositions happened to reach Italy, earning him enough admiration there. He 
also composed music for the mass in Portuguese. In this connection, he was 
felicitated in Portugal, where he earned plaudits from Europe's music lovers.

Antoninho de Souza never stopped learning and teaching music, which even 
touched him spiritually. He remained a bachelor, wedded to his music alone. He 
could not, however, produce maestros like him under his baton because he was 
too strict a master when it came to teaching music.

The passionate musician did not have patience where teaching was concerned and 
this scared away his students. His sharp ears could detect the slightest 
mistake of any musician or singer. When he came across any fault, he would blow 
up instantly. However, this drawback was more than compensated by his unfailing 
love for music and his beloved Goa, which reflected vividly in all his 
compositions.

One of the last stalwarts of Goa's musical pantheon, Antoninho de Souza 
breathed his last on June 9, 1989, at his humble abode at Vaddi-Aframent in 
Siolim. In death he joined his master Zeferino and equally proficient musicians 
Reginald Fernandes and Joaozinho Carvalho (Johnson & His Jolly Boys). The likes 
of them are unlikely to pass by ever again, music lovers exclaimed on the 
maestro's sad demise.



Roland Francis
416-453-3371

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