Opening the Third Eye: Goan History after Into the Diaspora Wilderness(A
Version of this review was first published in the Gomantak Times Sept 1
2010)

 This column last week challenged the notion of Goa Indica as being an
incomplete cliché, incapable of capturing the nuances of Goa’s history.
Because it sought to do battle with the idea of Goa Dourada, an idea
promoted by Portuguese imperialism, the contours of Goa Indica are
suffocatingly nationalistic. Manifesting in local rhetoric, Goa Indica had
to deny the Portuguese impact, and look for an independent Goan identity
prior to the Portuguese. As a result, it fell into the Indian nationalist
trap of looking at history from a brahmanical point of view. This ignored,
almost entirely, the history and experience of the non-dominant sections of
Goan society, especially those Catholic groups that were the non-dominant
(or subaltern). To be sure this was not a malicious overlooking, but the
result of the position from which this history was being written. Where the
Catholic faith was seen as a Portuguese injection into Goa, how could
anything that these groups possessed, be capable of yielding a
‘pre-Portuguese’?

This forgetting of the subaltern Catholic is however, gradually being
redressed, and thank goodness for it. The movement for the recognition of
the Roman script and the cultural productions associated with it, the
celebration of Cantaram with the recent Konkani Rocks concert, are moves
that seem to be slowly addressing this grave lacuna in the crafting of the
Goan identity. To this happy move, was recently added Into the Diaspora
Wilderness, a book written by Selma Carvalho about the Goan ‘diaspora’ in
the British Empire.

Carvalho’s book is a must read because it shifts the focus in the telling of
Goa’s story in many ways. Already in the ‘Short Introduction’ she indicates
a few changes in the way in which she looks at Goa. She is critical of “[A]
miniscule section of the Goan population (who) sat indolently in the
grandeur of chandeliered reception halls”. This book is not about their
story. This is a story of those who moved away. Those who could not see the
otherwise much celebrated “quiet eloquence of rural Goa: the peace,
tranquility, self-sustaining village life in which one seeks solitude”. This
is the story of those who could not bear the 'desultory, isolation of the
vaddo...the eerie silence of the night...The empty, hollow sense that
nothing could germinate in the village which could take one beyond its
boundary”. And it is because it is a story of those who moved away, it is
not a story that is tied to Goan land and histories of gãocarial connections
to land. It is a story that is forged by the traveler, in particular the
otherwise-mocked tarvotti, the sneered-at Gulfie, whose travels “have
profoundly shaped our cultural mores.” These stories take us across the
seas, into Africa and are twined with British Africa, and the Anglo-Saxon
world. Carvalho is fully aware of these shifts she is making, evident when
she says; “Very often, when the story of the Goan migration is told, it is
done from the vantage point of Goa. It is as if Goans went to these
countries but somehow remained unaffected by what transpired in these
distant lands, as if they existed in a political and cultural vacuum. The
reality is, there were transformations taking place every step of the
journey, transformations which have inevitably affected the collective Goan
psyche.” This story then, makes the profound point that has to be made again
and again, and again before it becomes part of Goan commonsense; the Goan
psyche was profoundly influenced by experiences outside of Goa, and these
Goans were subaltern folk, who left Goan shores in search of financial
sustenance, often to escape the suffocation of a caste-ridden, hierarchical
and unimaginative society. There is a third shift she effects. She speaks of
Goan times, under Portuguese sovereignty, but there is barely a reference to
the Portuguese. In doing so, she prompts us to ask if when looking at the
histories of the Goan subaltern, the Portuguese were perhaps not the main
referent? Perhaps this obsession with the pre-Portuguese past is just a
red-herring that disappears when we start looking at the histories of the
subaltern Goan? In other words, the crafting of a Goan identity need not
centre (as Goa Indica also does) around the Portuguese. They were merely one
small, if significant, chapter in a larger Goan story.

Carvalho rescues the stories of a number of persons for the telling of Goan
history; the otherwise uncelebrated Caitans and Joãos, who no doubt went to
their grave thinking they were nobodies. But Selma also tells these stories
twined with her own. Like Maria Aurora Couto before her, Selma too tells a
daughter’s story. This positioning of both these Goan raconteurs within the
bosom of family is perhaps not coincidental. Like Selma points out, Goan
migration was often pioneering, going into uncharted waters. For these
groups, subaltern in the larger global hierarchy, security and upward
mobility came not from State or Company, but via the support from family and
the connections generated through creating familial relationships with each
other.

One wishes though, her narrative had dealt with caste a little more
critically than it does. By virtue of telling the stories she has, she is
forced to mention caste. But having done so, she falls into the old Goan
Catholic trap of not discussing caste in public. We pretend innocence about
it. As a result, she mentions caste, but fails to attempt a critical
discussion of it. This failing is nowhere as obvious as when she discusses
its presence among the Goan communities in Africa. Thus for example in the
case of the relationships that Goans in Kenya had with the future of a
postcolonial Goa she refers to the fact of the two sides (pro-India led by
J.M. Nazareth and pro-Portuguese faction led by Dr. A.C.L. de Souza) being
motivated by caste battles. Having done so, she refuses to elaborate on the
name of these castes or elaborate on these divisions.

But perhaps this silence is also because through her writing what Carvalho
is also attempting is a rescuing of the dignity of the groups she writes
about, from the humiliation they normally experience. The discussion of
caste could perhaps wait another day, when we are more secure in, and less
apologetic about our identities. Carvalho however, also seems to
uncritically accept other hierarchies, for example that of the white
(Anglo-Saxon) man who crafted the British Empire. While acknowledging the
role of the Goan in lending vital support to this Empire, she does not seem
to be critical of the manner in which it moulded the Goan psyche. Did being
the Imperial overseer create racial prejudices that we do not acknowledge?
Where there are possibilities to take this forward, she unhappily lets these
threads fall. At times, one could not help in wondering, whether the twining
of the Goan story with that of Empire, does not make the Goan somewhat
nostalgic for this time of Empire.

Finally, even though it is a wonderful read and a critical contribution to
Goan historiography and literature, the stories that Carvalho narrates are
often snapshots strung together from disparate settings. There is none of
the thickness of description that is the demand of the ethnographer. Very
often, the story has only begun when it very frustratingly ends. One wonders
therefore, if her book would not have been better served through more
focused elaborations of selected theaters of Goan migration. But then on the
other hand, this is perhaps only the first of more productions that will
fully elaborate the untold stories of the subaltern Goan abroad? It would be
a shame if Selma Carvalho, with her charming prose, resolute voice, and
unflinching gaze stops at just one book.

----ends
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Read my thoughts at www.dervishnotes.blogspot.com
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For a successful revolution it is not enough that there is discontent. What
is required is a profound and thorough conviction of the justice, necessity
and importance of political and social rights.
(B R Ambedkar)

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Now available in Toronto, a few copies of *Into The Diaspora Wilderness* by 
Selma Carvalho. Contact Bosco D'Mello
bo...@goanet.org (416) 803-7264
http://selmacarvalho.squarespace.com/

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