Another world? Better world?

X http://www.hardnewsmedia.com/portal/2006/12/688 accesed sb051206.

A carnival is a public celebration or parade combining some elements
of a circus and a public street party. The India Social Forum was no
different

Akash Bisht Delhi

"Beware! Devil in the garb of Santa," screamed a pamphlet being
distributed at the entrance of India Social Forum (ISF), which took
place at Jawahar Lal Nehru Stadium in New Delhi from November 9 to 13,
2006.

The pamphlets were being handed over by members of Disha Students
Organisation, Naujawan Bharat Sabha and Hundred Flowers Marxist Study
Circle of Delhi University. Criticising the World Social Forum (WSF)
charter, the pamphlet read, "This is simply a space for discussion and
establishing coordination among various organisations. The corollary
being this platform will never initiate any substantial action, as the
charter of the WSF itself puts a cap against any such aspirations."

The WSF was conceived as an open space for democratic discussion of
ideas, actions, formulating proposals and resolutions, and a shared
platform for civil society organisations and people's movements that
are opposed to neo-liberal globalisation, communal fascism, mass
displacement, hunger and poverty, gender, race, caste and class
discrimination, ecological destruction and unbridled corporatisation.

The first highly successful and radical edition of the WSF was
organised in Porto Alegre, Brazil, in 2001, marking opposition to the
World Economic Forum held in Davos and serving as catalyst for
protests against globalisation and militarism across Western nations.
The WSF in Mumbai in 2004 was a huge success, with more than one lakh
people participating; the Asian chapter of the WSF took place in
Hyderabad in 2003. Much like its previous incarnations, the Indian
avatar of the WSF, the ISF, also aimed to advance a larger movement
against globalisation and social injustice, and create alternatives
for a better world. But it turned out to be a mere cultural
extravaganza amongst a host of chaotic, half-hearted, events, and,
barring a few authentic struggle groups, basically served as yet
another 'marketplace' for cash-rich NGOs to hawk comfortable issues
without an iota of grassroots resistance or protracted struggles. So
much so, the stadium became a cocooned utopia, untouched by the world
outside, and vice versa.

The five-day 'tamasha' was aimed at building solidarity and alliances,
and present alternatives for 'a better world' with a strong slogan of
'Building another World'. Attracting activists, Left parties (mainly
the 'official Left'), NGOs, and intellectuals from all over the world,
the forum featured more than 50,000 participants, 350 panels,
discussions, conferences, protests, documentaries, street plays, song
and dance by colourful tribals and enthralling performances by
delegates from Africa, Bangladesh, Nepal and various parts of India.

The cultural events that turned out to be crowd-pullers were by Lou
Majau (the Bob Dylan of the Northeast), Raghu Shetty's band, Nepathya
(fusion band from Nepal), Maya Rani (Baul singer from Bangladesh) and
an eclectic show by African delegates. "Certain cultural performances
were entertaining. The rest failed to create an impact or an
atmosphere for serious dialogue," informed a journalist.

Instead of attending critical discussions in tented halls, the
audiences preferred to stay out in the sun and wait for various bands
to finish their sound checks. For instance, one 'international
seminar' had eight speakers and three listeners. In other places, most
often, it was the convert talking to the converted, including Leftist
big guns like Sitaram Yechury and NBA leader Medha Patkar.

However, some of the important issues raised were war occupation and
conflict, democracy in South Asia, minority rights, globalisation and
the social sector, caste and discrimination, issues from the
Northeast, child labour, and WTO, among others. "Since most speakers
spoke in English, the majority of us found no point in attending these
discussions," said Atma Ram, a tribal from Jharkhand. Calling the ISF
a failure, most 'radical activists' wanted more participation in
grassroot struggles and a planned strategy of collective, mass action
that could stop the current onslaught on people's movements all over
the country. "In any case, the ISF has been totally taken over by the
CPM and NGO corporates. Its radical edge has been killed," said a
feminist-activist.

Instead of treating the ISF as a common ground for solidarity with
living struggles against globalisation, social injustice and
communalism, the event became a mouthpiece of affluent NGOs. "It was
more of an NGO show than a people's movement. A lot of these
organisations used the ISF to prove their legitimacy, they might not
be visible otherwise and made sure they don't go unnoticed,"
complained Harsh Dobhal, Managing Editor of Combat Law, a human rights
journal.

Most participants complained that discussions were on issues that are
already under the scrutiny of activists, media and the public.
"Instead of doing a five-day event they could have settled for a two-
or three-day event. The rest of the massive funds collected should
have been given to organisations working for the poor and
marginalised," complained Arvind Tyagi, an activist.

Others argued that the organisers should have gone for direct action —
blocked the traffic, organised huge protests outside the prime
minister's house or Parliament, or gone in for a mass peaceful
satyagraha. That would have given political meaning and substance to
the Forum. "Why not an ISF in Kalinganagar or Kashipur, or in Vidarbha
and Dadri? Why not capture an SEZ for five days," said a radical
activist.

According to Dobhal, the forum was urban-centric and there was little
representation from the rural parts of India, where people are
fighting for their basic rights. Most of the NGO counters had young
boys and girls, who were more interested in catering to urban crowds
and politely tried shooing away the rural participants. This reporter
saw a hip girl in charge of a counter, who refused to respond to the
earnest queries of an adivasi and continued fiddling with her swanky
ipod.

However, to trash the entire event would not do justice to the forum,
as it did create a huge, collective space for thousands of people from
the grassroots and urban India, who shared their experiences of
struggle against multiple forms of injustices and discrimination, and
bonded with each other. They found a common ground where they could
lend their voices and ears to those of others.

The event focussed on deepening the WSF solidarity between the Asian
and African movements; it was successful, to an extent, in attaining
this solidarity, as African delegations could be seen interacting with
the tribal leaders of movements in India. They even jammed with Raghu
Shetty's band and rapped about solidarity between "Mama India" and
Africa. The event came to an end with a thundering speech by Magsaysay
award winner Aruna Roy and a brilliant performance by African
delegates who made the crowds sway to rhythmic African beats.

All in all, there was hope, there was anger, and there was joy. Yes,
another world is possible. But where is that world?





Public ka multiplex

Expressions, protest, vindication, globalisation, and repression,
revolution: it was a spectrum of themes that spun the films at the
Indian Social Forum (ISF). Started on November 10, popularly called '3
Screens Public Ka Multiplex', this film festival was a major
crowd-puller. Under the tag "3 screens, 3 days, 99 films", the films
were divided in four sections.

'The New Images' had 35 recent documentaries by Indian filmmakers.
This section screened films by some of the best young Indian
filmmakers. 1000 Days and a Dream (P Babutraj, C Saratchandran)  about
the anti-Coca-Cola struggle in Plachimada, Kerala, AFPSA,1958 (Haobam
Paban Kumar)  and Tales from Margins (Kavita Joshi) on army atrocities
in Manipur, Bhal Khabar (Altaf Mazid) on the Assam movement and
Calcutta Pride March 2004 (Tejal Shah) on Section 377 were some of the
best pick.

'Other Worlds are Breathing 2005' presented alternatives to
neo-liberal, capitalist globalisation through 22 films in this
section.

There were 22 films in the forum 'Labour on Screen' with the central
theme revolving around trade unions and workers; also 'Working Lives'.
The 'Director's Cut' section, as the name suggests, was basically
driven by the director's creation. This section featured one film by
the director and one of his choice. Anand Patwardhan's In the Name of
God Deepa Dhanraj's Something like a War were also screened.

–Nasrin Sultana

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