Dear sajitha
wish you all success . would have loved to watch, but no chance.
 the theme is quite interesting

Best
 pjc
----- Original Message ----- 
From: "sajitha madathil" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Tuesday, April 03, 2007 7:24 PM
Subject: {greenyouth} Matsyaganddhi



The play Matsyaganddhi a  solo performance of Sajitha
M , directed and scripted by her is going to be
presented at 31 Ferozeshah   Road, New Delhi on
14-4-07 at 7pm. All are Welcome!

Duration-50min

Music- Umesh Sudhakar

Light-Sreekanth

On Stage-Sajitha


Why This Play
The play Matsyaganddhi relates directly to the
sustainability in fishing community and the role of
this life sustaining industry in small costal
communities around the world. The script of this play
developed through the interaction with fishing
community at Kerala costal area. It narrates how the
impact of globalization became a strong reason for
loosing their deep knowledge on sea and  crushed
livelihood of fisher folks.  Matsyaganddhi reveals the
pic ture of a marginalized society changing their self
under the compulsion of the mainstream.   Apart from
caste related anomalies they had to face occupation
related discrimination. The question of fish stinking
is specter for the mainstream society whose obsession
with a fragrant body odor keeps the fisherwomen always
as a problematic one. The mainstream cultural
artifacts like cinema, novel and other popular art
form has represented fisherwomen as sex starred woman
seeking always the attention of the visible man, this
image of women as vulnerable to corrupt the moral and
ethical codes of mainstream Malayalee society.
Interestingly the text developed around the issue of
fish stink and it became a theme image of the text.
The   solo play was scripted on the occasion of  the
Earth Summit, Johannesburg in South Africa.

Synopsis of Matsyaganddh i



Matsyaganddhi, literally 'the one who smells of fish'
is a play that looks at the life and times of the
fishing community in the context of globalization.
Narrated in the form of a monologue by a fish-vending
woman, the play brings to life various issues relating
to the ecology and economy of fishing.



It looks at the community life of the fisher folk from
inside - a life that is being increasingly
marginalized and livelihood made more and more
impossible by the spread of the disastrous technology
and oppressive economic and social relations. Weaving
several contemporary incidents and insights into the
narrative, the play throws up several dualities that
map her and her folks' marginality - between
fish-stink and upper class concerns about body odor,
sea water and fresh water, low life on the streets
versus safe compartmentalized life of the high, the
lives of women versus men etc.



In the end, she realizes that the malaise runs much
deeper and wider. She mourns "Look, this stench does
not come from my basket. It's the stench of the sea
decaying. It's the stench of the little fishes being
slaughtered by the trawler nets. It's the stench of
the decaying dreams of Matsyaganddhis.







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