Forward

Ahmed Rafeek

http://www.ajihadforlove.com/about.html

In a time when Islam is under tremendous attack from within and without, "A
Jihad for Love" is a daring documentary filmed in twelve countries and nine
languages. Muslim gay filmmaker Parvez Sharma has gone where the silence is
loudest, filming with great risk in nations where government permission to
make this film was not an option.

"A Jihad for Love" is Mr. Sharma's debut and is the world's first feature
documentary to explore the complex global intersections between Islam and
homosexuality. Parvez enters the many worlds of Islam by illuminating
multiple stories as diverse as Islam itself. The film travels a wide
geographic arc presenting us lives from India, Pakistan, Iran, Turkey,
Egypt, South Africa and France. Always filming in secret and as a Muslim,
Parvez makes the film from within the faith, depicting Islam with the same
respect that the film's characters show for it. "A Jihad for Love" is
produced by Sandi DuBowski (Director/Producer of the award-winning
"Trembling Before G-d") and Parvez Sharma in association with ZDF-Arte,
Channel 4, LOGO, SBS-Australia, The Sundance Documentary Fund and The
Katahdin Foundation.

In Western media, the concept of 'jihad' is often narrowly equated with holy
war. But Jihad also has a deeper meaning, its literal Arabic being
'struggle' or 'to strive in the path of God'. In this film we meet several
characters engaged in their personal Jihad's for love. The people in this
film have a lot to teach us about love. Their pursuit of love has brought
them into conflicts with their countries, families, and even themselves.
Such is the quandary of being both homosexual and Muslim, a combination so
taboo that very little about it has been documented.

As a result, the majority of gay and lesbian Muslims must travel a twisting,
lonely and often dangerous road. The majority of Muslims believe that
homosexuality is forbidden by the Qur'an and many scholars quote Hadith
(sayings attributed to the Prophet Muhammad, peace be upon him) to directly
condemn homosexuality. Islam, already the second largest religion in the
world is also the fastest growing. 50 nations have a Muslim majority. In a
few of those nations laws interpreted from alleged Qur'anic prohibitions of
male homosexuality (lesbianism is allegedly absent from the Qur'an) are
enforced by religious, tribal or military authorities to monitor, entrap,
imprison, torture and even execute homosexuals. Even for those who migrate
to Europe or North America and adopt Western personae of "gay" or "queer,"
the relative freedoms of new homelands are mitigated by persistent racial
profiling and intensified state surveillance after the attacks of 9/11 and
train bombings in Madrid and London.

As a result, many gay and lesbian Muslims end up renouncing their religion
completely. But the real-life characters of A "Jihad for Love" aren't
willing to abandon a faith they cherish and that sustains them. Instead,
they struggle to reconcile their ardent belief with the innate reality of
their being. The international chorus of gay and lesbian Muslims brought
together by "A Jihad for Love" doesn't seek to vilify or reject Islam, but
rather negotiate a new relationship to it. In doing so, the film's
extraordinary characters attempt to point the way for all Muslims to move
beyond the hostile, war-torn present, toward a more hopeful future. As one
can imagine, it was a difficult decision for the subjects to participate in
the film due to the violence they could face. It took the filmmaker six
years to finish this film and he like those who have stepped forward to tell
their stories feel that they are Islam's most unlikely storytellers. All of
them feel that this film is too important for over a billion Muslims-and all
the non-Muslims in the world-for them to say no. They are willing to take
the risk in their quest to lay equal claim to their profoundly held faith.

A Jihad for Love's characters each have vastly different personal takes on
Islam, some observing a rigorously orthodox regimen, others leading highly
secular lifestyles while remaining spiritually devout. As the camera
attentively captures their stories, the film's gay and lesbian characters
emerge in all their human complexity, giving the viewer an honest rendering
of their lives while complicating our assumptions about a monolithic Muslim
community. Crucially, this film speaks with a Muslim voice, unlike other
documentaries about sexual politics in Islam made by Western directors. In
the hope of opening a dialogue that has been mostly non-existent in Islam's
recent history, and defining jihad as a "struggle" rather than a "war," the
film presents the struggle for love.In a time when Islam is under tremendous
attack from within and without, "A Jihad for Love" is a daring documentary
filmed in twelve countries and nine languages. Muslim gay filmmaker Parvez
Sharma has gone where the silence is loudest, filming with great risk in
nations where government permission to make this film was not an option.

"A Jihad for Love" is Mr. Sharma's debut and is the world's first feature
documentary to explore the complex global intersections between Islam and
homosexuality. Parvez enters the many worlds of Islam by illuminating
multiple stories as diverse as Islam itself. The film travels a wide
geographic arc presenting us lives from India, Pakistan, Iran, Turkey,
Egypt, South Africa and France. Always filming in secret and as a Muslim,
Parvez makes the film from within the faith, depicting Islam with the same
respect that the film's characters show for it. "A Jihad for Love" is
produced by Sandi DuBowski (Director/Producer of the award-winning
"Trembling Before G-d") and Parvez Sharma in association with ZDF-Arte,
Channel 4, LOGO, SBS-Australia, The Sundance Documentary Fund and The
Katahdin Foundation.

In Western media, the concept of 'jihad' is often narrowly equated with holy
war. But Jihad also has a deeper meaning, its literal Arabic being
'struggle' or 'to strive in the path of God'. In this film we meet several
characters engaged in their personal Jihad's for love. The people in this
film have a lot to teach us about love. Their pursuit of love has brought
them into conflicts with their countries, families, and even themselves.
Such is the quandary of being both homosexual and Muslim, a combination so
taboo that very little about it has been documented.

As a result, the majority of gay and lesbian Muslims must travel a twisting,
lonely and often dangerous road. The majority of Muslims believe that
homosexuality is forbidden by the Qur'an and many scholars quote Hadith
(sayings attributed to the Prophet Muhammad, peace be upon him) to directly
condemn homosexuality. Islam, already the second largest religion in the
world is also the fastest growing. 50 nations have a Muslim majority. In a
few of those nations laws interpreted from alleged Qur'anic prohibitions of
male homosexuality (lesbianism is allegedly absent from the Qur'an) are
enforced by religious, tribal or military authorities to monitor, entrap,
imprison, torture and even execute homosexuals. Even for those who migrate
to Europe or North America and adopt Western personae of "gay" or "queer,"
the relative freedoms of new homelands are mitigated by persistent racial
profiling and intensified state surveillance after the attacks of 9/11 and
train bombings in Madrid and London.

As a result, many gay and lesbian Muslims end up renouncing their religion
completely. But the real-life characters of A "Jihad for Love" aren't
willing to abandon a faith they cherish and that sustains them. Instead,
they struggle to reconcile their ardent belief with the innate reality of
their being. The international chorus of gay and lesbian Muslims brought
together by "A Jihad for Love" doesn't seek to vilify or reject Islam, but
rather negotiate a new relationship to it. In doing so, the film's
extraordinary characters attempt to point the way for all Muslims to move
beyond the hostile, war-torn present, toward a more hopeful future. As one
can imagine, it was a difficult decision for the subjects to participate in
the film due to the violence they could face. It took the filmmaker six
years to finish this film and he like those who have stepped forward to tell
their stories feel that they are Islam's most unlikely storytellers. All of
them feel that this film is too important for over a billion Muslims-and all
the non-Muslims in the world-for them to say no. They are willing to take
the risk in their quest to lay equal claim to their profoundly held faith.

A Jihad for Love's characters each have vastly different personal takes on
Islam, some observing a rigorously orthodox regimen, others leading highly
secular lifestyles while remaining spiritually devout. As the camera
attentively captures their stories, the film's gay and lesbian characters
emerge in all their human complexity, giving the viewer an honest rendering
of their lives while complicating our assumptions about a monolithic Muslim
community. Crucially, this film speaks with a Muslim voice, unlike other
documentaries about sexual politics in Islam made by Western directors. In
the hope of opening a dialogue that has been mostly non-existent in Islam's
recent history, and defining jihad as a "struggle" rather than a "war," the
film presents the struggle for love.

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