*Please read the corrected word yellow highlighted.*

*"free speech doesnt mean you be disrespective to YOUR elders" *
*
*the discussion seemed to me getting 'nicer', BUT i apologetically admit
that my response was insensitive in search of breaking the 'niceness'.


> aftab, prasad, asma and all others who might get offended, please accept my
> apology. (in fact i too liked asma's poems)
>
> ahmed rafeek
>
>
> On 7/1/08, damodar prasad <[EMAIL PROTECTED]> wrote:
> > Hm... very insensitive remark
> >
> > On 7/1/08, Afthab Ellath <[EMAIL PROTECTED]> wrote:
> > > being romantic in poems on green fields and queens may sound nice,
> > >
> > > I am a bit pained by the hidden meaning it conveyed...
> > >
> > >
> > > On Tue, Jul 1, 2008 at 12:15 PM, ahmed rafeek j <
> [EMAIL PROTECTED]>
> > wrote:
> > >
> > > >
> > > > hi
> > > > fortunately islam is not holding the position of dominance in the
> > > > european context of blasphemy/ secularism.
> > > >
> > > > no matter what the scripcture preaches transcendental to history. we
> > > > see how brutally the teachings of islam unfolding in the socieites
> > > > where it is dominant like pakistan, s a u d i a r a b i a, a f ga
> > > > nistan and all.
> > > >
> > > > reciprocal respect in multi-cultured society is not exactly
> applicable
> > > > in all the context. we 've to be discriminating to the different
> > > > groups and communities.
> > > >
> > > > and romantic imagination of respecting others may include all the
> > > > 'stupid' senior citizens, but it may miss the respect the
> differences.
> > > >  differences will include the time differences.
> > > >
> > > > being romantic in poems on green fields and queens may sound nice,
> but
> > > > responsibility is more important in 'actual' world.
> > > >
> > > > regards
> > > > ahmed rafeek
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > On 7/1/08, damodar prasad <[EMAIL PROTECTED]> wrote:
> > > > >
> > > > >
> > > > > On 7/1/08, Asma Siddiqui <[EMAIL PROTECTED]> wrote:
> > > > > >
> > > > > > Dear all,
> > > > > >
> > > > > >
> > > > > > Nice discussion.
> > > > > >
> > > > > >
> > > > > > There is an ethical or unethical side of things just as we say
> > freedom
> > > > > > of expression or censorship.
> > > > > > Freedom of expression doesn't mean to be hurtful for a particular
> > sect/
> > > > > > group.
> > > > > > Islam preaches to respect others' feelings, religion and their
> gods.
> > > > > > If the Jyllands Posten had published the cartoons only for the
> > purpose
> > > > > > of exercising freedom of expression, it shows how little they
> know
> > > > > > about freedom.
> > > > > >
> > > > > > Free speech doesnt mean you be disrespective to your elders.
> > > > >
> > > > > Agreeing with you on all the points except the last underlined one.
> > > > >
> > > > > when you speak of elders, you are speaking of individuals or
> perhaps
> > "senior
> > > > > citizens" and not communities/ sect etc.
> > > > >
> > > > > We love the elders than their contemporaries because we value their
> > > > > significant contributions and we dont envy or scornful about them
> as
> > do
> > > > > their same age  or relatively same age group people.
> > > > >
> > > > > But a sort of irreverence is required that will only enable us
> > understand
> > > > > their real worth and have our own way. All people of all ages have
> to
> > go
> > > > > through or face this.
> > > > >
> > > > > What do you say.
> > > > >
> > > > > damodar
> > > > >
> > > > >
> > > > > regards
> > > > > Asma Siddiqui
> > > > >
> > > > > On Jul 1, 9:07 am, "Dileep Raj" <[EMAIL PROTECTED]> wrote:
> > > > > > May be Gouri Viswanathan's concluding remark addresses your
> concern
> > > > > > marginally.
> > > > > > "To be responsive to unequal power relations in multicultural
> > societies
> > > > > and
> > > > > > yet at the same time practice a form of criticism that would
> > dispense
> > > > > > altogether with offense as a measure of belief's existence:that
> is
> > the
> > > > > real
> > > > > > challenge emerging from Rushdie affair."...
> > > > > >
> > > > > > read more »
> > > > > >
> > > > > >
> > > > > >
> > > > > > On Mon, Jun 30, 2008 at 12:40 AM, Afthab Ellath <
> [EMAIL PROTECTED]>
> > > > > wrote:
> > > > > > >  Rushdie's "blasphemy' was made more hurtful to Muslims because
> of
> > > > > western
> > > > > > > intellectuals' reclamation of him as a secular figure, marking
> off
> > > > > believing
> > > > > > > Muslims as nonsecular or nonwestern.
> > > > > > > *
> > > > > > > *
> > > > > > > >> I think it is an important finding
> > > > > >
> > > > > > > Although blasphemy in a religious society provides an index of
> the
> > > > > degree
> > > > > > > to which religious opinion has become monolithic, the existence
> of
> > > > > blasphemy
> > > > > > > laws in a pluralistic society ideally acknowledges the
> obligation
> > to
> > > > > protect
> > > > > > > difference, on the assumption that without legal recourse the
> > > > > individuality
> > > > > > > of community difference cannot be protected against the brutal
> > affronts
> > > > > of
> > > > > > > verbal abuse.
> > > > > >
> > > > > > > >> How will we see it working in Indian context?  What about
> the
> > rights
> > > > > of
> > > > > > > M.F. Hussein or Baroda students... Is it different from that of
> > Taslima?
> > > > > > > Should we treat the blasphemy on Hindu sentiments and that on
> > Muslims
> > > > > > > differently? How will we define the framework of blasphemy
> itself?
> > > > > >
> > > > > > > On Sun, Jun 29, 2008 at 4:39 PM, Dileep Raj <[EMAIL PROTECTED]>
> > wrote:
> > > > > >
> > > > > > >> Some of the observations made in the last chapter of Gouri
> > > > > Viswanathan's
> > > > > > >> *Outside the Fold: Conversion, Modernity, and Belief*
> (OUP,1998)
> > may be
> > > > > > >> of interest in this discussion.
> > > > > >
> > > > > > >> She engages David lawton's "Blasphemy" in that chapter.
> > > > > >
> > > > > > >> 1." … Lawton specifically states at the outset that his
> interest
> > in
> > > > > > >> blasphemy was 're-awakened by the Rushdie affair" and
> proclaims
> > that he
> > > > > does
> > > > > > >> not "address this book to anyone who supports killing
> writers",
> > as if
> > > > > all
> > > > > > >> those who took offence with Rushdie's novel also endorsed his
> > death
> > > > > penalty.
> > > > > >
> > > > > > >> 2.If blasphemy as a concept denotes the past of the European
> > world, it
> > > > > is
> > > > > > >> also put to use to mark the present of the non-European world.
> > > > > >
> > > > > > >> 3.Talal Asad's recent criticism that religion in contemporary
> > parlance
> > > > > has
> > > > > > >> become modernity's alienated self provides a useful framework
> to
> > > > > analyse the
> > > > > > >> distancing of blasphemy from the present, even when blasphemy
> and
> > its
> > > > > > >> persecution exist at the heart of contemporary culture.
> > > > > >
> > > > > > >> 4. Given the persistence of religiously motivated prosecution
> > cases in
> > > > > > >> Anglo-American culture, however sporadic they may be, why do
> > Salman
> > > > > Rushdie
> > > > > > >> and Taslima Nasreen command the kind of rapt media attention
> they
> > do,
> > > > > > >> disproportionate to the attention
> > > > > >
> > > > > > >> Given to other blasphemy cases? Why, for instance, is James
> > Kirkup, the
> > > > > > >> author of the offending *Gay News *poem, not as familiar a
> name
> > as
> > > > > > >> Rushdie or Nasreen?
> > > > > >
> > > > > > >> 5. The circularity of the meanings is evident in the fact that
> > whereas
> > > > > > >> blasphemy is often a means of self definition for blasphemers,
> it
> > > > > signifies
> > > > > > >> their lack of cultural belonging in the communities they
> > challenge,
> > > > > which
> > > > > > >> condemn them to irreversible expulsion, and virtually to a
> state
> > of
> > > > > > >> foreignness.
> > > > > >
> > > > > > >>     From internal expressions of dissent, the construction of
> > blasphemy
> > > > > > >> as yet again foreign contributes to an endless polarization
> > between
> > > > > > >> religions and secularism, community and nation, nation and
> > > > > international
> > > > > > >> community. When Salman Rushdie is defended by western literary
> > figures
> > > > > and
> > > > > > >> intellectuals , his dialogue with Islam is turned into a
> > blasphemy
> > > > > sponsored
> > > > > > >> by the non—Islamic world… As Sara Suleri points out, Rushdie's
> > > > > "blasphemy'
> > > > > > >> was made more hurtful to Muslims because of western
> > intellectuals'
> > > > > > >> reclamation of him as a secular figure, marking off believing
> > Muslims
> > > > > as
> > > > > > >> nonsecular or nonwestern.
> > > > > >
> > > > > > >> 6.Leonard Levy writes, "when the law punished indecency or bad
> > taste,
> > > > > it
> > > > > > >> became a class weapon of the prosperous against the poor.the
> > class that
> > > > > made
> > > > > > >> and enforced the law had little sympathy for the different
> taste
> > of the
> > > > > > >> class that usually broke law. No one prosecuted Mathew Arnold
> for
> > his
> > > > > > >> sarcasms against the Trinity in his *Literature and Dogma. *
> > > > > >
> > > > > > >> 7. If blasphemy is now more a discourse of rights than of
> creed
> > or
> > > > > belief,
> > > > > > >> it is a reflection of the extent to which culture has usurped
> the
> > > > > function
> > > > > > >> of religion, religious difference itself being vociferously
> > defended
> > > > > only
> > > > > > >> because it signifies *cultural *difference.
> > > > > >
> > > > > > >> 8.Although blasphemy in a religious society provides an index
> of
> > the
> > > > > > >> degree to which religious opinion has become monolithic, the
> > existence
> > > > > of
> > > > > > >> blasphemy laws in a pluralistic society ideally acknowledges
> the
> > > > > obligation
> > > > > > >> to protect difference, on the assumption that without legal
> > recourse
> > > > > the
> > > > > > >> individuality of community difference cannot be protected
> against
> > the
> > > > > brutal
> > > > > > >> affronts of verbal abuse.
> > > > > >
> > > > > > >> On Sun, Jun 29, 2008 at 3:59 PM, Afthab Ellath
> > <[EMAIL PROTECTED]>
> > > > > > >> wrote:
> > > > > >
> > > > > > >>>  *If we see them with the framework of
> > > > > > >>> modern/western individualism we will end up with advocating
> > either
> > > > > > >>> irresponsible chaos or state sponsored censorship*
> > > > > > >>> **
> > > > > > >>> We will be forced to end up in state sponsored censorship, if
> we
> > start
> > > > > > >>> from the fear of "irresponsible chaos"... Western
> individualism
> > is not
> > > > > free
> > > > > > >>> from this... That is why as Damodar pointed out more number
> of
> > books
> > > > > are
> > > > > > >>> banned in the west than anywhere else...
> > > > > >
> > > > > > >>> But neither Islamic fundamentalism nor indian bhrahmnism can
> > make
> > > > > > >>> a different claim...
> > > > > >
> > > > > > >>> Freedom of expression is the freedom to express the
> > difference... But
> > > > > in
> > > > > > >>> the west it is the freedom to express the "right" and to
> offend
> > the
> > > > > > >>> "other"...
> > > > > >
> > > > > > >>> On Sun, Jun 29, 2008 at 9:42 AM, ahmed rafeek j
> > > > > <[EMAIL PROTECTED]>
> > > > > > >>> wrote:
> > > > > >
> > > > > > >>>> hi
> > > > > > >>>> these subtle and overlapping categories of private and
> public
> > are
> > > > > > >>>> characteristics of the multi-cultured societies and hence
> > progressive
> > > > > > >>>> to be enriched. but, if we see them with the framework of
> > > > > > >>>> modern/western individualism we will end up with advocating
> > either
> > > > > > >>>> irresponsible chaos or state sponsored censorship.
> > > > > >
> > > > > > >>>> space for 'differences' is critically important in the new
> > world.
> > > > > but,
> > > > > > >>>> if you apply the yardstick of absolute rights of
> individuals,
> > which
> > > > > is
> > > > > > >>>> the product of western modernism and was excluding all the
> > 'other'
> > > > > > >>>> groups and communities, you will end up unintentionally
> > supporting
> > > > > the
> > > > > > >>>> dominance of white and brahminic elites in society, arts and
> > > > > > >>>> administration.
> > > > > >
> > > > > > >>>> artisitic expressions are heavily capital embedded.
> creativity
> > is no
> > > > > > >>>> more a serene issue of individual freedom. rushdie will
> think
> > about
> > > > > > >>>> the publisher and market before he starts writing. mf
> hussain
> > will
> > > > > > >>>> visualize the walls of emerging indian middle class homes
> where
> > his
> > > > > > >>>> pictures will hang on.  in fact it is good, as a noted
> thinker
> > said
> > > > > > >>>> idea is money.
> > > > > >
> > > > > > >>>> regars,
> > > > > > >>>> ahmed rafeek
> > > > > >
> > > > > > >>>> On 6/28/08, Afthab Ellath <[EMAIL PROTECTED]> wrote:
> > > > > > >>>> > Then individual' relgious expressions are private and
> > artistci
> > > > > > >>>> expression
> > > > > > >>>> > are public. How will you account for the private feelings,
> > the
> > > > > > >>>> violatons of
> > > > > > >>>> > one's inner experiences.
> > > > > > >>>> > Can such clean categorisations of religeous and artistic
> > > > > expressions
> > > > > > >>>> as
> > > > > > >>>> > private and public possible? I am not talking about the
> > public
> > > > > > >>>> mobilization
> > > > > > >>>> > of goons or fascists....  Then how will describe the
> public
> > > > > religeous
> > > > > > >>>> > experienecs like festivals and celebrations... Even the
> > perfomance
> > > > > of
> > > > > > >>>> > rituals in public... and is the artistic expression of
> > Taslima
> > > > > > >>>> entirely
> > > > > > >>>> > public?
> > > > > >
> > > > > > >>>> > I think the expressions questioning the expressions of
> > offence (not
> > > > > > >>>> the
> > > > > > >>>> > expression of freedom) is also form the freedom of
> > expression... If
> > > > > we
> > > > > > >>>> ask
> > > > > > >>>> > to regulate such expressions, it will be easy to end up in
> > some
> > > > > kind
> > > > > > >>>> of
> > > > > > >>>> > cencerships...
> > > > > >
> > > > > > >>>> > On Sat, Jun 28, 2008 at 10:00 PM, Abdulkareem U K
> > <abdulkareem.uk@
> > > > > > >>>> gmail.com>
> > > > > > >>>> > wrote:
> > > > > >
> > > > > > >>>> > > I definitely don't want to advocate freedom for someone
> who
> > use
> > > > > it
> > > > > > >>>> to mock
> > > > > > >>>> > others, or oppress others, or to prove their power.
> Jayllands
> > > > > Posten
> > > > > > >>>> > editor's argument that they published the cartoons to make
> > muslims
> > > > > > >>>> > understand they should be prepared to face mockery was
> > certainly a
> > > > > > >>>> show of
> > > > > > >>>> > power. But the powerfull is always free to do anything
> they
> > want.
> > > > > They
> > > > > > >>>> may
> > > > > > >>>> > use the freedom of expression sometime, or some other
> cover
> > next
> > > > > time.
> > > > > > >>>> They
> > > > > > >>>> > would claim they felt responsible to do that.
> > > > > >
> > > > > > >>>> > > But an artist's right to express ideas and use of
> > techniques need
> > > > > to
> > > > > > >>>> be
> > > > > > >>>> > protected. Criticisms on religious beliefs and other power
> > > > > structures
> > > > > > >>>> cannot
> > > > > > >>>> > be exempted from that. It may hurt individuals, not
> because
> > they
> > > > > were
> > > > > > >>>> > targeted. Many of the religious believes are
> systematically
> > fed in,
> > > > > > >>>> mostly
> > > > > > >>>> > with certain interests. If someone finds a problem there,
> and
> > > > > > >>>> expresses it
> > > > > > >>>> > in some form, I don't think the believers are the targets,
> > but the
> > > > > > >>>> system
> > > > > > >>>> > that make them believe. Often we find it is the powers
> that
> > drive
> > > > > > >>>> system,
> > > > > > >>>> > drive mobilisations against such expressions.
> > > > > >
> > > > > > >>>> > > With freedom of expression being such a double-edged
> sword,
> > if we
> > > > > > >>>> are to
> > > > > > >>>> > determine whether a particular expression deserve freedom,
> it
> > can
> > > > > only
> > > > > > >>>> be
> > > > > > >>>> > done after having it expressed, other attempts would
> amount
> > to some
> > > > > > >>>> form of
> > > > > > >>>> > censorship - which is more volnerable to misuse than
> freedom
> > of
> > > > > > >>>> expression
> > > > > > >>>> > itself.
> > > > > >
> > > > > > >>>> > > I agree, not all works are relevent everywhere. However,
> > can we
> > > > > say
> > > > > > >>>> art,
> > > > > > >>>> > literature, voices, and thoughts expressed at some place
> in
> > some
> > > > > > >>>> context
> > > > > > >>>> > have nothing to do beyond the context and boundaries?
> > > > > >
> > > > > > >>>> > > Regards
> > > > > >
> > > > > > >>>> > > Abdulkareem- Hide quoted text -
> > > > > >
> > > > > > - Show quoted text -
> > > > > >
> > > > >
> > > >
> > > > > > > >
> > > >
> > >
> > >
> > >
> > > --
> > > Regards
> > >
> > > Afthab Ellath
> >
> >
>
>

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