A Guide to Bram Stoker's Dracula
**




That's what Elizabeth Kostova's novel *A Historian *can be rightly
described. The notes are extensive and Dracula has been historicised. The
Count is brought out of Bram Stoker's Transylvania and from the dark corners
of the numerous Hollywood adaptations of the novel and placed in his
historic context - Vlad III, Vlad Tepes or Vlad Dracula.



Vlad, the ruler of Wallachia and Transylvania, has been an important peg in
the history of the resistance against Ottoman incursions. Supposedly
hostaged by his father to Sultan Mehmet as a young boy in exchange for a
ceasefire, he learnt extensively from his captors, particularly methods of
torture and employed them liberally in his later life as the ruler of
Wallachia and Transylvania, impaling his enemies and earning the epithet of
the *Impaler *for himself. Kostova provides the missing links in Stoker's
novel or rather provides defence against the criticisms of lack of
historicity of the novel.



The novel tells the story of a family of Historians and their friends
piecing together various fragments of evidences in a chase for the tomb of
Vlad Dracula, to destroy him – there are personal passions that drive each
of the protagonists on this macabre trail – for those with a taste for the
supernatural. The novel offers vignettes of a not-much-studied past for
those of us who are fascinated by either history or theology or the history
of theology. It is pieced together through oral narratives, letters between
lovers, parent and child and simple references to texts – a labyrinth of
love stories straddling the horrific.



But what makes the book beautiful is the way Kostova goes about this. In the
process of writing this novel, Kostova's characters, most of whom are
historians, bring history down from its pedestal of high culture and uses
credible subaltern sources like folklore without any hint of condescension,
navigating through texts with as much alacrity as superstitions and personal
narratives. The text is replete with vampire stories from Romania, the
Balkans, Russia and Turkey and these stories act as the key to the search
for the tomb of Vlad Tepes III



In the process, Kostova dwells a lot on medieval Central European History,
particularly the skirmishes with the Ottoman Empire, and the role of the
Order of the Dragon (the word Dracul is supposed to be the Romanian
derivative for Dragon), careful enough not to take sides in the process of
telling the story. In fact as a masterstroke, she gets the protagonists to
ally with traditional rivals from the erstwhile Ottoman Empire and with
interesting forays into the former soviet bloc in fighting the dreaded
Dracula – a Vampire.



The flipside of the novel is the uncanny feeling that Kostova is trying to
do a *Da Vinci Code, *especially with pure bloodline bit tracing the direct
descendants of Vlad Dracula. The most touching part of the book is a
post-card written by the Narrator's mother, which in some ways validates
this tracing of the bloodline:



"*My beloved daughter*

* *

*When you were born, your hair was black and stuck to your slimy head in
curls. After they washed and dried you, it became a soft down around your
face, dark hair like mine, but also coppery like your father's. I lay in a
pool of morphine, and held you and watched the lights in your newborn hair
change from Gypsy dark to bright, and then back to dark. Everything about
you was polished and shone; I had shaped and polished you inside me without
knowing what I was doing. Your fingers were golden, your cheek was rose,
your eyelashes and eyebrows were the feathers of the baby crow. My happiness
overflowed even the morphine.*

* *

*Your Loving Mother*



-- 
Bobby Kunhu
http://community.eldis.org/myshkin/Blog/

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