http://news.rediff.com/column/2009/nov/05/one-song-cannot-make-or-mar-the-future-of-a-nation.htm

Patriotism is reduced to singing *Vande Mataram* or not
November 05, 2009 20:15 IST

*Let us build a new India together. One particular song cannot make or mar
the future of a nation or its people, says Dr Mohammad Sajjad on the
latest Vande
Mataram controversy.*

The test of patriotism and nationalism has been reduced to singing or not
singing *Vande Mataram*, a poem in the 19th century novel *Anand Math* by
Bankim Chandra Chatterji.

The kind of nationalism (during our anti-colonial struggle) that believed
more in excluding certain groups of people, insisted more on singing it --
which also coined a controversial but famous slogan, '*Bharat desh mein
rehna hai to Vande Mataram kehna hoga' (One can live in India only when s/he
sings Vande Mataram)*. Whereas a 'small' section of India's Muslims smelled
elements of idolatry (repugnant to Islam) in the text of the poem, and
therefore, argued that they should not be asked to prove their patriotism
only by singing it.

This was one of the most contested issues even during the Congress
ministries of 1937-39, and the bi-national religious nationalism of the
Muslim League and its politics of territorial separatism derived some food
from it.

This time such a proposition came from a kind of organisation which has a
formidable history of confronting British colonialism as well as the Muslim
League's separatist nationalism, unlike the re-incarnations of those outfits
which believed in exclusionary majoritarian nationalism.

One is left wondering, was there any immediate provocation? Was it really
required by the Jamiat-Ul-Ulema-e-Hind to issue any *fatwa* against *Vande
Mataram*? (After all, those political formations which are identified as
representing majoritarian nationalism, are already electorally decimated,
and afflicted with disarray in its leadership. They haven't provoked them on
the issue in the recent past). If not, then one may read some diabolic
attempt at polarising society and the polity. Presumably, that is the cause
of the furore in response to the *fatwa*.

Being a student of modern Indian history, I am particularly more surprised
at this kind of gesture of the Jamiat. Why? Because one of the Jamiat's
founding fathers, Maulana Abul Mohasin Mohammad Sajjad, was also the founder
of the Imarat-e-Sharaiah (Patna), and the Muslim Independent Party, which
formed its ministry in Bihar (April-July 1937), took some bold and 'radical'
agrarian measures, and kept confronting the League's separatism till the
very end.

His correspondence with M A Jinnah, testify how this 'Maulana's' reasonable
arguments put the London-educated advocate, Jinnah, in great discomfiture.
His essays in *Naqeeb*, the Urdu mouth piece of the Imarat-e-Shariah, raised
remarkably convincing questions against dividing the country merely on
religious grounds.

In one of his essays, he even talks of pushing back all religious practices,
rituals, processions etc in private/domestic domains, rather than in the
public sphere. He proposed that such display of religion in public should be
strictly banned. He put this proposal precisely to avoid the religious
confrontations, one of the greatest banes of modern India. Has the Jamiat
forgotten these words of Maulana Sajjad?

Having said this, one should also try to understand another aspect of *Vande
Matram*. Besides its text, the context of the poem is also 'offensive'
because of the fact that the whole narrative and the story-line of the
novel, *Anand Math*, is full of hatred against Muslims. Moreover, it is also
appreciating and welcoming of British rule in India.

In the story of the novel, there is a group of saints (*sadhus*) who call
themselves *santan*, the children of Bharat Mata (Mother India). Its leader
Satyanand is imprisoned by the (Muslim) ruler. Satyanand's disciple Gyanand
vows to set his guru free, and shouts that they should destroy the cities of
the Muslims and that these dirty people should be thrown away into the
rivers. The sadhus succeed in their effort, set their guru free, and set all
Muslim houses in their way on fire.

In short, atrocities against Muslims, is a recurrent theme in the story of
the novel. The story is preferred to be concluded in a way, which is worth
noticing: The mission of the *santan*s succeeds, they assemble around their
guru and ask that even though they had succeeded in overthrowing the Muslim
rulers, they failed to replace them by Hindu ruler; rather the British
occupied Calcutta.

The guru consoles his disciples by saying that Hinduism is rich in spiritual
strength but deficient in material strength, they would overcome this
deficiency with the help of the British, they should therefore welcome
British rule. (*See Sukumar Murlidharan, 'Patriotism without People' in
Social Scientist, May-June 1994; and my essay, 'Kyon ham gaayen Bande
Matram?', in Tahzibul Akhlaq, Urdu monthly, Aligarh, February 2003)*.

As against it, Rabindranath Tagore's [
Images<http://search.rediff.com/imgsrch/default.php?MT=rabindranath+tagore>]
novel
*Ghare Baire*, has a character, Nikhil, who is uncomfortable with *Vande
Mataram*, its exclusionary notion of nationalism, as it displays hatred
against a particular group of people.

India's pluralist character, vibrant democracy, assertive intelligentsia and
all attendant principles/institutions are the best assurance to allay the
misgivings of the minorities and other weaker sections.

Any attempt at vitiating such an atmosphere won't be allowed to succeed. No
group/organisation, outfit should try to create a fear psychosis.

Let us build a new India together. One particular song cannot make or mar
the future of a nation or its people.

*Dr Mohammad Sajjad is an assistant professor, Centre of Advanced Study in
History at the Aligarh Muslim University.*

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