http://www.bbc.co.uk/news/world-south-asia-15363181

19 October 2011 Last updated at 17:08 GMT
[image: Soutik Biswas]Article written bySoutik
Biswas<http://www.bbc.co.uk/news/correspondents/soutikbiswas>Delhi
correspondent


Ramayana: An 'epic' controversy

"How many Ramayanas <http://en.wikipedia.org/wiki/Ramayana>? Three hundred?
Three thousand? At the end of some Ramayanas, a question is sometimes asked:
How many Ramayanas have there been?" wondered the late poet and scholar AK
Ramanujan  <http://en.wikipedia.org/wiki/A._K._Ramanujan>of the Indian epic
in a compelling essay he wrote for a University of Pittsburgh conference in
1987.

Twenty four years later, the essay, Three Hundred Ramayanas:Five Examples
and Three Thoughts on
Translation<http://publishing.cdlib.org/ucpressebooks/view?docId=ft3j49n8h7&chunk.id=d0e1254>,
finds itself at the centre of a fresh
controversy<http://www.bbc.co.uk/news/world-south-asia-15347430>.
It has been dropped from the history syllabus of Delhi
University<http://www.du.ac.in/index.php?id=4> after
protests from hardline Hindu groups and a number of teachers. They believe
the many versions recounted in the essay offend Hindu beliefs.

As Dr Ramanujan tells the story, the number of versions of the epic which
have existed in India and the rest of south-east Asia for the past 2,500
years or more is simply "astonishing". Though
Valmiki's<http://en.wikipedia.org/wiki/Valmiki> Sanskrit
poem Ramayana is the most influential among Indians, Ram's story is
available in at least 22 languages, including Chinese, Laotian, Thai and
Tibetan. Many of these languages have more than one telling of the epic.
Popular epic

Twenty-five or more renditions of the epic in various genres - epics, poems,
mythological stories - have been in Sanskrit
<http://en.wikipedia.org/wiki/Sanskrit>alone,
wrote Dr Ramanujan. There are sculptures, mask plays, puppet plays and
shadow plays around the epic. One researcher, Camille
Bulcke<http://en.wikipedia.org/wiki/Camille_Bulcke>,
counted 300 tellings of the epic.

Millions of Indians have read and "watched" the epic in a popular
comic book<http://www.amarchitrakatha.com/products/Ramayana> and
a hit TV series <http://en.wikipedia.org/wiki/Ramayan_(TV_series)>. I
remember the soap nearly shutting down India on Sunday mornings in the
mid-1980s - streets would be deserted, shops would be closed and people
would bathe and garland their TV sets before the serial began.

Hindu groups first protested
<http://communalism.blogspot.com/2008/03/crying-wolf-ramayana-ramanujan-and-abvp.html>against
the inclusion of Dr Ramanujan's essay in the syllabus in 2008. At that time,
the head of Delhi University's history department was also assaulted by some
hot heads. But the teachers had stuck to their guns and refused to drop the
essay.

Three years later, bowing to renewed pressure, the university's top academic
body decided to take the essay out of the history syllabus, though,
reportedly, a minority of teachers
protested<http://www.thehindu.com/news/cities/Delhi/article2550965.ece?homepage=true>
against
the decision. One of them, Abha Dev Habib, described the decision as "very
regressive and unfortunate".

So why have the right-wing groups railed against Dr Ramanujan's essay?

Journalist Sugata Srinivasaraju suggests that the groups love the "soap
telling" <http://www.outlookindia.com/article.aspx?236875> of the epic poem
which iconises Ram and "want the narrative to retain the structure and
simplicity of a bedtime story so that you fall asleep in consent and total
belief as you listen to it". Literary critic Nilanjana S Ray writes in her
blog <http://akhondofswat.blogspot.com/> that this may "have been part of
the general climate of intolerance and the battle over who had the right to
tell the country's history and its myths that was part of the Indian
landscape between the 1980s and the 2000s". She talks about how
self-appointed censors wilfully scan texts for "offensive" phrases.

Ms Ray is correct. Last year Mumbai University withdrew Rohinton Mistry's
novel <http://www.bbc.co.uk/news/world-south-asia-11572445> Such a Long
Journey - shortlisted for the Booker Prize in 1991 - from its curriculum
after the nationalist Shiv Sena <http://www.shivsena.org/> staged protests
against its "derogatory" references to party members. Mr Mistry said the
move was "a sorry spectacle of book-burning".

Last year the state of Gujarat
banned<http://www.bbc.co.uk/news/world-south-asia-12930427> Pulitzer
Prize-winning author Joseph Lelyveld's incisive Great Soul: Mahatma Gandhi
and His Struggle With
India<http://www.nytimes.com/2011/03/30/books/in-great-soul-joseph-lelyveld-re-examines-gandhi.html?_r=1&pagewanted=all>
long
before it had been released in India. Gujarat's ruling Hindu nationalist
politicians had been told that the book sensationalised Gandhi's friendship
with a German man, who may have been homosexual. All this was far from true,
but the ban stayed.
'Humiliated'

And everybody remembers how India swiftly banned Salman Rushdie's Satanic
Verses <http://www.bbc.co.uk/2/hi/south_asia/190588.stm> in 1998 because
some clerics said it had insulted Islam. The Indian-born Rushdie had said he
was "hurt and humiliated" by the decision.

The attacks on freedom of expression by the right-wing fringe extend beyond
India. This July, a screening of Sita Sings the Blues, an award-winning take
on the epic by American animator Nina Paley <http://blog.ninapaley.com/>, in
New York was 
cancelled<http://www.mumbaimirror.com/article/54/2011080720110807052728135114f274a/Battling-for-free-speech.html>
after
a local Hindu group bombarded the organisers with hundreds of protest
emails. A man attending a lecture by American Indologist Wendy
Doniger<http://divinity.uchicago.edu/faculty/doniger.shtml> in
London in 2003 threw an egg at her. He was apparently incensed "by the
sexual thrust of her paper on one of our most sacred epics".

Salil Tripathi, who has written a book on Hindu nationalist attacks on free
expression, finds Hindu groups engaging in "competitive
intolerance"<http://www.thedailybeast.com/articles/2011/07/24/sita-sings-the-blues-hindu-film-causes-a-stir-in-queens.html>
after
realising that other faiths are able to "attract attention by challenging
text, interpretations, films, books, music and imagery".

Many would agree with this. But the ease with which attacks on free
expression can be mounted in a country which never tires of calling itself
the world's largest democracy betrays a weak and inffectual state, which
often fails to respect and protect dissenters. That, many believe, means
mischievous, trouble-making minorities can easily subdue and attack dissent.


-- 
Peace Is Doable

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