Sorry!

Read "bedrocks" as "bedrock".

Sukla

On 22/03/2015, Sukla Sen <[email protected]> wrote:
> Dear Peter Waterman,
>
> Thanks for responding.
>
> I've a slightly different take.
>
> Xenophobic nationalism, cloaked as "anti-colonialism" /
> "anti-imperialism", is of course a bedrocks underlying the arguments
> put forward by this section of feminists.
>
> But while the Modi regime is ideologically rooted in xenophobia,
> though only selectively - no problem with inviting foreign capital
> with open hands but criticism by a foreigner (if s/he is no Barack
> Obama) is a strict "no-no"; *these feminists are only making
> instrumental use of this element* in which, to my mind, is essentially
> a turf war. They just won't tolerate any encroacher.
>
> Sukla
>
> On 22/03/2015, peter waterman <[email protected]> wrote:
>> The giveaway, Sukla Sen, seems to me to lie here:
>>
>> 'It was on March 3, an online site carried an article by Kavita
>> Krishnan, a leading Indian feminist, wherein she, inter alia, opined:
>> I have tried to convey that while we in India are in fact engaged in
>> confronting the violence and discrimination against women here, it
>> does not help for people in other countries to imagine that such
>> brutality is India's "cultural" problem; that India's "backwardness",
>> etc...'
>>
>> She, at least, seems to be primarily concerned with India's image here.
>> Yet
>> the film (which I have not seen) is part of a global campaign, in which
>> rape culture and sexual aggression  - usually in the film-maker's own
>> country - is the subject of exposure.
>>
>> I would have thought that, contrary to her argument, the film will
>> strengthen solidarity with the victims/survivors of sexual assault in
>> India, and with campaigners like the author.
>>
>> Best,
>>
>> PeterW
>
>>
>> On Fri, Mar 20, 2015 at 1:48 PM, Sukla Sen <[email protected]> wrote:
>>
>>>                                             'India's Daughter'
>>>               Hostile Responses from the State and a Section of Indian
>>> Feminists
>>>
>>>                                                  Sukla Sen
>>>
>>> It was on March 3 last, the Union I&B Ministry "issued an advisory
>>> preventing the documentary from being aired keeping in mind the
>>> implications of the programme." (See:
>>> <
>>> http://www.newindianexpress.com/nation/IB-Ministry-Stops-BBC-Documentary-on-Nirbhaya-Rapist-From-Being-Aired/2015/03/03/article2696363.ece
>>> >.)
>>> The same day, at 9:57 AM,  it had been reported: "Delhi Police obtains
>>> restrain orders barring media from broadcasting and publishing the
>>> interview of December 16 gang-rape convict: Police." (See:
>>> <https://twitter.com/pti_news/status/572818103131750401>.)
>>> Quite in tandem, it was on March 5, Indian parliament discusses the
>>> film, and its scheduled airing on March 8 - the International Women's
>>> Day, "with women MPs registering strong protest even as home minister
>>> Rajnath Singh promised that the film will not be telecast in India. "
>>> (See: <
>>> http://www.dailymail.co.uk/indiahome/indianews/article-2979766/Gang-rape-documentary-sparks-uproar-Parliament-Home-Minister-vows-NOT-aired-India.html
>>> >.)
>>> "The home minister [further] said the government would investigate why
>>> and how the permission was given to British broadcaster the BBC to
>>> make the documentary with one of the four rapists who are on death
>>> row. " (See: ibid.)
>>>
>>> It was on March 3, an online site carried an article by Kavita
>>> Krishnan, a leading Indian feminist, wherein she, inter alia, opined:
>>> I have tried to convey that while we in India are in fact engaged in
>>> confronting the violence and discrimination against women here, it
>>> does not help for people in other countries to imagine that such
>>> brutality is India's "cultural" problem; that India's "backwardness"
>>> is the problem; or that gender violence is "worse out there in India".
>>> She also added:
>>> Mukesh Singh's and Sharma's words are instances of rape culture - rape
>>> culture that is widespread, in India and all over the globe. But the
>>> stories that focus on Singh's and Sharma's interviews are framed to
>>> take away from that realisation. Instead, the responses they invoke
>>> are about how these men are brutes, animals, vile beasts and so on.
>>> And, further:
>>> Mukesh Singh's and Sharma's words are instances of rape culture - rape
>>> culture that is widespread, in India and all over the globe. But the
>>> stories that focus on Singh's and Sharma's interviews are framed to
>>> take away from that realisation. Instead, the responses they invoke
>>> are about how these men are brutes, animals, vile beasts and so on.
>>> (See: <
>>> http://www.dailyo.in/politics/kavita-krishnan-nirbhaya-december-16-indias-daughter-leslee-udwin-mukesh-singh-bbc/story/1/2347.html
>>> >.)
>>> The same day, on her FB page she writes:
>>> I like others will wait to watch the film before commenting on it. But
>>> since a very high voltage campaign has taken shape around it, and it's
>>> shaping our response to rape and rape culture, I would like to put on
>>> record ....
>>> (See:
>>> <https://www.facebook.com/kavita.krishnan/posts/10205641738624330>.)
>>>
>>> And, on March 5, eight prominent feminists, including Indira Jaising,
>>> Kavita Krishnan and Vrinda Grover, apparently at the initiative of the
>>> first-named, wrote a rather longish letter (see:
>>> <
>>> http://feministsindia.com/activists-discuss-concerns-over-indias-daughter/
>>> >)
>>> to the NDTV Chief urging him not to air the film on 8th March as
>>> originally scheduled: "we write this letter to seek a postponement of
>>> the telecast, till the appeal and all other legal processes and
>>> proceedings relating to the 16 December 2012 gang rape and murder case
>>> have concluded.".
>>> Given the fact that the Union Ministry of I&B had already issued an
>>> advisory and the Delhi Police had obtained a restraint order against
>>> airing the film from a lower court, as noted above, this appeared to
>>> be in a way superfluous.
>>> Be that as it may, some of the the points made out by the letter were as
>>> under.
>>> 1. The film infringes upon and compromises the rights of both the rape
>>> victim and the accused men.  It vitiates the judicial process. 2.
>>> "Further the film makes a disturbing and direct incitement to violence
>>> [against potential rape victims]." Also: "This film gives
>>> disproportionate attention and significance to hate speech against
>>> women and here lie our deep concerns." The film " gives a platform to
>>> canvas misogynist views and hate speech." 3. The film has a pronounced
>>> class (and also racial?) bias.
>>> So, while the demand for "postponement of the telecast, till the
>>> appeal and all other legal processes and proceedings relating to the
>>> 16 December 2012 gang rape and murder case have concluded" is
>>> essentially based on the legal argument that the airing of it would
>>> vitiate the judicial process, the letter goes well beyond and opts to
>>> decry the film, inter alia, for being prejudicial to the interests of
>>> the "accused" and, all at the same time, for inciting violence and
>>> hatred against the potential rape victims  - women.
>>> It is specifically in that context, a tweet by one of these three, on
>>> March 5 itself, becomes highly relevant: "Rapist Lynched After BBC
>>> Rape Documentary
>>> Aired @sarahdevin http://voc.tv/1w87moo  This is wht we fought 2
>>> resist 1/n." (Look up: 'Kavita Krishnan @kavita_krishnan  ยท  Mar 5' at
>>> <https://twitter.com/kavita_krishnan>.)
>>> And a detailed examination of the sequence of events leading to the
>>> savage (racist) lynching in Dimapur clearly shows that the claim that
>>> the BBC film had triggered the ghastly murder was just a canard.
>>> (See: <
>>> https://groups.yahoo.com/neo/groups/india-unity/conversations/topics/55665
>>> >
>>> and <
>>> https://groups.yahoo.com/neo/groups/india-unity/conversations/topics/55684
>>> >.)
>>> And it is pretty much interesting to note that here the (main) ground
>>> for objection against the film is cited as the fight to resist
>>> (likely, or possible?) lynching of the rape accused. Not the narrow
>>> technical-legal justification!
>>> It is, of course, quite another matter that the long letter issued the
>>> very same day talked of incitement of violence against the potential
>>> rape victims, not the accused.
>>> And, this what Vrinda Grover, another prominent Supreme Court lawyer,
>>> posted on her FB page, the very same day: "I hold that the film should
>>> not be telecast till all legal proceedings have concluded. Also the
>>> film amplifies hate speech agianst (sic) women; misogyny and incites
>>> violence." (See:
>>> <https://www.facebook.com/vrinda.grover.56/posts/10153086132561358?fref=nf
>>> >.)
>>> (For evident reasons, this (weird) line of argument, identifying the
>>> subject documentary as the trigger for the lynching in Dimapur, was
>>> not understandably pursued much further.)
>>>
>>> In this context, also relevant are the two signed articles by Indira
>>> Jaising.
>>> The first one, 'Documentary Violates The Law, Does Nothing For
>>> 'Awareness'', (see:
>>> <
>>> http://www.huffingtonpost.in/indira-jaising-/documentary-violates-the-_b_6862010.html
>>> >),
>>> posted on March 14, goes on to harp on the legal arguments, just not
>>> only against airing the film but also the very process of ts making.
>>> It goes on to assert: "And how do we know that the convict Mukesh is
>>> telling the truth? ***How do we know that he is not performing for the
>>> benefit of the filmmaker or a larger audience on a predetermined
>>> script*** [emphasis added]? There is no way of knowing, which is why
>>> the interview with the convict is legally, and morally wrong." And,
>>> does not stop at that. It does pointedly tell, in so many words, that
>>> the film's claim of raising "awareness" about rape and misogynist
>>> attitude of Indian males is all bunkum: "Some believe the film should
>>> be shown to children. For what? Presumably to raise awareness and
>>> prevent violence against women. ***It will do no such thing***
>>> [emphasis added]. It contains no conceptual understanding within which
>>> to comprehend rape as an act of power within a patriarchal society."
>>> And, the longish harangue also includes: "Is this film part of that
>>> protest culture? Does it strengthen the rule of law, which in turn
>>> will end impunity for rape? Far from it.." Also: "The film trivialises
>>> the enormity of rape. It presents the rapist's point of view as a
>>> rationalisation." And, on and on.
>>> The second one, 'Crossing an ethical line: India's Daughter comes in
>>> the way of a fair trial for Nirbhaya convicts', datelined March 19
>>> (see: <
>>> http://blogs.timesofindia.indiatimes.com/toi-edit-page/crossing-an-ethical-line-indias-daughter-comes-in-the-way-of-a-fair-trial-for-nirbhaya-convicts/
>>> >),
>>> quite interestingly, as the caption suggests, pretty visibly shifts
>>> its weight. Here it is focused almost exclusively on the legality
>>> issue. Not only that, it no longer talks of the film allegedly
>>> promoting misogyny etc. It rather restricts itself to voicing concerns
>>> for the rights of the accused. And, consequently, the need to restrict
>>> "freedom of expression".
>>>
>>> These so very tangled arguments cannot but raise the suspicion the
>>> real reason for opposing the film is rather something else other than
>>> the publicly stated ones.
>>>
>>> Here, it would be rather unfair, if one does not mention that there
>>> were as well quite a few contrarian feminist voices out there. Here is
>>> a sample, not intended to be an exhaustive list: AIDWA statement,
>>> dated March 5th (see:
>>> <https://www.facebook.com/AIDWA/posts/779935928758615>); 'Face the
>>> truth', dated March 6th, by Brinda Karat (see:
>>> <http://indianexpress.com/article/opinion/columns/face-the-truth/>);
>>> 'India's Daughter: since the Delhi rape things have got worse', ated
>>> March 6th, by Jayati Ghosh (see:
>>> <
>>> http://www.theguardian.com/commentisfree/2015/mar/06/indias-daughter-delhi-rape
>>> >);
>>> 'Inside the minds of rapists', dated March 8th, by Flavia Agnes (see:
>>> <http://www.asianage.com/columnists/inside-minds-rapists-043>). If the
>>> first three in this list are connected with the CPI(M), the last one
>>> is not.
>>> (Two reviews of the ongoing controversy are particularly informative:
>>> <
>>> http://www.thethumbprintmag.com/indias-daughter-debate-a-struggle-over-gender-censorship-and-colonialism-toby-miller/
>>> >
>>> and <
>>> http://www.hopemonkey.org/pitch/7-must-read-articles-indias-daughter-controversy
>>> >.)
>>>
>>> The question that keeps coming back to one's mind is why a section of
>>> the Indian feminists is so very hellbent on running down the film and
>>> doing their utmost to have it gagged even at the risk of being seen to
>>> be on the same side as with the incumbent regime, a prospect which
>>> they evidently don't relish - just refer to the point 14 of the joint
>>> letter and Vrinda Grover's FB post in particular, and to be fair,
>>> which goes against the very grains of their respective public careers.
>>> There is no easy answer.
>>> To be fair, the legal argument that airing of the film while the court
>>> case is on amounts to contempt of court as it may prejudice the
>>> judges, this way or that way, is, on the face of it, a quite sound
>>> legal argument. And, the Delhi High Court has, in fact, (already)
>>> endorsed this line (see:
>>> <
>>> http://ibnlive.in.com/news/delhi-hc-refuses-to-lift-ban-on-nirbhaya-documentary-indias-daughter/533472-3.html
>>> >).
>>> But there is an obvious catch here, though not too visible to
>>> untrained eyes. The catch is that in India in the past on several
>>> occasions high pitched public campaigns - press conferences, newspaper
>>> articles, TV debates, public meetings, online and offline petitions,
>>> street demonstrations etc. - were conducted to influence the judicial
>>> verdict. None from those who're now indulging in legal nitpicking are
>>> known to have objected. A few of them, in all probability did even
>>> take part. (In fact, the public campaign to get the film gagged, while
>>> the Delhi High Court was examining the gag order, itself, by the same
>>> token, appears to amount to contempt of court!)
>>> So, coming back to the issue, the most plausible answer is perhaps  a
>>> sense of insecurity, a threat perception, the fear of loss of one's
>>> exclusive territory to a rank "outsider".
>>> The implicit message underlying the shrill campaign appears to be:
>>> "Keep off the grass! Trespassing is strictly prohibited!"
>>> That's, given the gravity and the salience of the issue concerned, is
>>> profoundly unfortunate.
>>>
>>> --
>>> Peace Is Doable
>>>
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>>
>
>
> --
> Peace Is Doable
>


-- 
Peace Is Doable

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