http://www.countercurrents.org/sasi080615.htm

*Freedom Of Expression: A Victory In IIT-M, Now Stand In Solidarity With
Kancha Ilaiah*

*By K.P. Sasi*

08 June, 2015
*Countercurrents.org*

*Photo Credit: Outlook Magazine
<http://photos.outlookindia.com/images/gallery/20100310/kancha_ilahi_20100322.jpg>*

*T*hose who have experienced and gone through the students’ movement in the
late sixties, seventies and early eighties may argue on the political
limitations of the present day student community as well as youth. The
changes in the political character of the youth and students are also
determined by the social contexts in which they are placed in history,
apart from various subjective factors. The consolidation of globalisation
and communalism coupled with a slow and steady emergence of a Silent
Emergency have also played a role in the non-articulation of the students
and youth in many occasions. However, the same experiences of the same
tendencies today are also causing a radical shift in the political
character of the students and youth, forcing them to articulate crucial
social issues in a more radical but yet in a more practical manner, which
was more or less limited among the young dreamers of the seventies. The
recent developments, debates and protests on the freedom of expression and
organisation of Ambedkar-Periyar study circle is one such example, whereby
the students and youth all over the country forced the HRD Ministry as well
as the management of IIT-M to bend down, through the sheer consistent
activities, skills, energies and protests of the young blood in this
country. `Following Furore, IIT-M Lifts Ban on Ambedkar-Periyar study
circle’, reported The Hindu newspaper dated June 8, 2015. This is certainly
a victory, not only for the Ambedkar-Periyar study circle IIT-M, but also
for all those in India who have collectively asserted on academic freedom
and freedom of expression, demanding lifting of the ban. It has also
exposed the character of casteist and communal forces.

Around the same time of banning Ambedkar-Periyar study circle, IIT-M, cases
has been filed by the Hyderabad police against well known Dalit writer and
academic Kancha Ilaiah on a complaint by Vishwa Hindu Parishad. The
complaint was filed on the basis of Ilaiah’s article Devudu Prajasamya Vada
Kada? (Is God a democrat?) published in a Telugu daily on May 9. The VHP
activists have pressurised the police to file cases against Kancha Ilaiah,
on the basis that his writing hurt their religious sentiments. The cases
have a potential to imprison Kancha Iliah up to a period of three years.

Whether people agree with everything that Kancha Ilaiah says or not, is
immaterial. The action undertaken by the VHP-Police duo is a clear and
strong representation of the growing fascism in the academic circles as
well as in intellectual and cultural fabric. Prof. Kancha Ilaiah, 63, is
certainly one of the most prominent Dalit intellectuals in India today. His
books include `Why I am not a Hindu’, `Post-Hindu India: A Discourse in
Dalit-Bahujan, Socio-Spiritual and Scientific Revolution’, `God As
Political Philosopher: Budha's challenge to Brahminism’, `Democracy in
India: A Hollow Shell’, `Manatatwam’ (in Telugu), and `Buffalo Nationalism:
A Critique of Spiritual Fascism’.

Why do the Sangh Parivar activists get so threatened by the academic
questions raised by Kancha Ilaiah? Do they feel that the Hinduism will
collapse with such questioning? Is it not a symptom of the lack of faith
and convictions of the Sanghis on their own religion? And to be fair on the
situation, such criticisms on Hinduism were raised not just by Kancha
Ilaiah, but also by stalwarts like Babasaheb Ambedkar and Periyar. Will the
police slap cases under sections 153A and 295A on Ambedkar and Periyar?
Will the Sangh Parivar have the guts to demand the ban of such writings by
Ambedkar and Periyar?
The intellectual arguments placed by Prof. Kancha Ilaiah are to be dealt
with counter arguments intellectually. These discussions are not something
to be dealt in a police station. Time and again the Sangh Parivar has
proved its incapacities to confront intellectual arguments on intellectual
terms itself. Therefore, they are forced to resort to violence and the use
of police force.

The police cases on Prof. Kancha Ilaiah are symptoms of a larger disorder.
Many writers, artists, film makers and theatre personalities have been
victims of the growing disorder of violation of freedom of expression. When
Anand Patwardhan’s documentary film `Ram Ke Naam’ was blocked both by the
State as well as the cultural fascists on many instances, it was this
expression of freedom that was expressed by many individuals, groups and
even a large section of the media. Such violations on freedom of expression
only resulted in wider screenings of Anand’s film. The members of the
theatre group Kabir Kala Manch were harassed with fabricated cases
restricting their freedom of expression on social issues. Modi Government
even tried to arrest the editor of Communalism Combat, Teesta Setelvad on
fabricated charges, for having spoken the truth about Gujarat.

Even when the cultural fascists tried to block the mainstream film PK which
had a ninety per cent Hindu crew and a Muslim film star Ameer Khan, the
people of this country rejected such imposition on freedom of expression
and the film became a hit. The feature film `Fire’ directed by Deepa Mehta
and acted by Nandita Das and Shabana Azmi also faced the same threat. But
with the active participation of the sexuality groups, women’s groups,
secular forces and human rights groups, such violations were overcome. When
journalist KK Shahina, who is the assistant editor of Open magazine today,
was hunted for speaking the truth, there were not too many people in the
initial stages to support. Some of the journalists in the mainstream media
even tried to implicate that she was a terrorist. However, people realised
the truth in a short span of time.. The screening of Sanjay Kak’s film was
attacked by the Sangh Parivar in Hyderabad some time back. The screening of
the film `Shit’ on the plight of manual scavengers in Tamil Nadu, by well
known documentary film maker Amudhan, was attacked by the Sangh Parivar in
Thrissur. The unity and strength expressed by various activists among the
audience, forced them to retaliate. On another occasion in Thrissur, the
BJP leader Gopalakrishnan lied in public that a film by a Kashmiri
director, which was screened in the VIBGYOR International Film Festival,
was funded by Pakistan and the Sangh Parivar destroyed the festival office
and tried to stop the screening. Again, due to the unity and strength of a
conscious crowd, they were forced to retaliate. Recently, the well known
Tamil writer, Perumal Murugan had to withdraw his books from being
distributed, out of sheer frustration due to such communal fascist attacks.

One of the most shameful among the fascist attacks on the freedom of
expression was on India’s most well known painter MF Hussain, who had to
leave India due to such threats, expressing his sorrow and difficulty in
proving himself to be an Indian, since he was a Muslim. Gyanpeeth Award
winner UR Anantha Moorthy was asked to go to Pakistan by the Sangh Parivar
for his critique on Modi. Journalist Syed Mohammed Kazmi had to spend time
in jail as an undertrial charged with the draconian law, Unlawful
Activities Prevention Act (UAPA). Since there were no proper evidences for
his fabricated case, the judge had to give him bail. The evidences and
witnesses in many of these cases are least intelligently cooked up by the
police. However, it has become a rule if not a norm, that most of the
journalists wrote on the basis of the false information projected by the
police and the Sangh Parivar. Sometimes, the possession of a mainstream
Urdu newspaper is taken as an evidence to prove the terrorist links of a
media person and some times a book written by Mao Tse Tung which is
available in book stores is taken as a proof to establish that somebody is
a violent Naxalite. In the case of Yahya Kummukkutty, who suffered in jail
under UAPA without trial for so many years, the evidences were even more
funnier. One of the evidences to be branded as a terrorist was that he had
a book written by internationally well known writer Kahlil Gibran! Yahya
got a bail recently.

Well, the list of attacks by the communal fascists on culture and freedom
of expression is endless in recent times. These are only some of the
examples of denial of freedom of expression by the communal forces and the
state. But if you explore properly, you will be surprised to see that the
list is fairly huge, especially in recent times. And with the arrival of
Modi, both the Sangh Parivar and the executive machineries of the State
became more assertive and more aggressive, with full confidence that there
would be nobody to question the misuse of their powers.

The violation of freedom of expression of Prof. Kancha Ilaiah, however
seems to be one of the latest on this list. But what is most significant
here in all such cases is the fact that the freedom of expression is also
linked to the freedom of people to receive such a communication process.
Secondly, it is also being proven again and again that only with such
assertions of the fundamental rights on freedom of expression by the people
themselves, that these basic democratic rights can be protected in this
country. Democracy does not exist if people do not assert their rights.

My own personal experiences on freedom of expression as a film maker are
also not very different, if not with such intensity of issues involved as
in the above cases. Our documentary film `Fabricated’ on the fabricated
cases and under trials was blocked by the Sangh Parivar using the police
machinery in Alwaye around eight months back. Though they were successful
in blocking that particular screening, I was delighted to hear that the
organisers organised several screenings of the same film immediately after
that in the same district. In Chennai, when I was invited to screen the
film `Fabricated’ by the well known documentary film maker Amudhan, I
received a call from the Times TV saying that the Sangh Parivar had filed a
complaint with the Police Commissioner that the screenings of this film
must be blocked. They wanted my responses following which both Amudhan and
I spoke on the channel. The support from the mainstream media on this issue
was good. Perhaps due to such a support, the behaviour of the police was
very decent in Chennai. There were five screenings and the police came for
every screening without disrupting. The first screening was organised in a
hall which belonged to a book shop and the police came to me and requested
for a CD of the film. I told them to watch the film and we could give them
a copy after the screening. They said, `No, sir. We will stay here and wait
in the book shop itself till the screening ends.’ Anyway, the intelligence
people were also there in the hall, watching the film. The police did not
know what to do with their time for spending one and a half hours of the
screening time. So, they started looking at the books and started reading
them casually. After the screening, we gave them a copy of the film. One
member of the organising team told me with great excitement: `Sasi, you
have made history. You made the Tamil Nadu police read books!’

At another level, the Muslim fundamentalists have been doing similar
violation of freedom of expression in many Muslim countries. The cases like
the attacks on writer Taslima by the Muslim fundamentalists only helped to
provide a justification for the Sangh Parivar for their own actions. A
section of the liberal forces got swayed by their campaigns and tried to
articulate the issue in such a manner that: `If there are Hindu
fundamentalists violating the human rights, so are the Muslim
fundamentalists.’ Needless to say that the communal articulation by a
section of the Muslims on such issues, could only strengthen the Sangh
Parivar, instead of weakening it. But what is most significant in this
context, is to evaluate the strength of the majoritarian communal forces in
relation to communal forces within the minority communities in any country.
The equation for justice changes drastically from such an evaluation.

The violation of human rights and freedom of expression of Prof. Kancha
Ilaiah, also indicates another grave reality today. There is also an
increasing suppression on the right to dissent, a right that is being
violated in many Universities and academic institutions in India, where
surveillance is used as a weapon to crush dissent. I am only too relieved
to find that many students and teachers have started asserting their rights
in many places in India. The assertion of Ambedkar-Periyar study circle,
IIT-M, and the wide solidarity actions all over the country, indicate this
extremely positive trend. And I am sure, that if the students and teachers
express their own freedom, they can play a major role in subverting the
entire Silent Emergency that is creeping into our lives in recent history.
This community will have to play a central role in the protection of
freedom of expression that is enshrined in our Constitution. And I hope
that in the coming future, the youth in this country will articulate more
strongly against the growing fascism. Remember, it is mainly this same
section of youth which was primarily responsible for resisting and removing
Emergency of the seventies in India.

It is true that the students and youth during the initial stages of the
last three decades have been more or less caught unaware about the erosion
of freedom from their own feet. While the public spaces for protests shrank
during this period, the right to organisation, the right to unionisation
and the right to public discourses in campuses were tightened by a
collaboration of the State along with the management of the educational
institutions. The loss of values among the political party leaderships
provided a public image that politics itself was a dirty word. This also
accounted for the lack of strong questioning and protests from the side of
the students and youth against the efforts of the State to reduce their
political spaces. However, it is becoming more and more clear today that
while the teenagers focused their energies on the violations by the State
during the seventies, now they are forced to respond more assertively
against three forces – the State, global capital and communal forces. For
the youth today is under realisation that if they do not respond now, there
will be no space to respond tomorrow. The radicalisation of the present day
student community and youth will have to be seen from this context.

Back in history, the fascist forces in Germany also tried to do the same.
Hitler knew very well that if the artists, writers, academics and cultural
personalities enjoyed freedom of expression, he would never be able to
maintain his power. Therefore, the first attacks always were on those who
shaped the minds of the civil society so that there was no space for
criticism or questioning. The idea was to shape a society under a false
ideology and do everything possible to convince the people about this false
ideology. And those who did not believe in such a false ideology of
fascism, Hitler made sure that their lips were sealed. The Sangh Parivar is
repeating the same history in India today.

Now it is time to work on the human rights violation and violation of
freedom of expression of Kancha Ilaiah. Prof. Kancha Ilaiah is certainly
one of the most prominent Dalit intellectuals in India today. The
harassment on Kancha Ilaiah indicates another important signal. The message
is loud and clear: `If we can do this to Kancha Iliah, then we can do it to
any ordinary Dalit, Adivasi or Muslim.' It is high time that the same
collective energy all over India which was expreessed in the case of
Ambedkar-Periyar study circle, IITM, is exhibited on the issue of police
cases on Kancha Iliah. What should be spoken, written, discussed, debated,
painted or filmed can not be dictated by the Sangh Parivar. That also at a
time when many of their speakers are spitting venom against the minorities
openly and publicly. While the list of writers, artists, theatre
personalities, film makers and academic personalities who have been
targeted so far is quite long, Kancha Ilaiah is the most recent victim and
appropriate symbol to take up all other such issues of violation of freedom
of expression. No democracy will survive without freedom of expression.

*K.P Sasi *is an award winning film director and a political activist. He
is also an Associate Editor of Countercurrents.org. He can be reached
at *[email protected]
<[email protected]>*
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