[The number, as it appears, goes up to sixteen counting in Aman Sethi,
who had been awarded the Sahitya Akademi Yuva Puraskar.]

I/II.
http://indianexpress.com/article/india/india-news-india/9-writers-return-sahitya-awards-1-quits-akademi/

9 writers return Sahitya awards, 1 quits Akademi

The latest string of protests took to 15 the number of writers who
have returned their awards to the Akademi since Hindi writer Uday
Prakash first did so last month over the killing of Kalburgi.

Those who returned their awards on Sunday included Hindi poets
Mangalesh Dabral and Rajesh Joshi; Vadodara-based Ganesh Devy; Konkani
writer N Shivdas; Kannada writer Kum Veerabhadrappa; and Gurbachan
Singh Bhullar, Ajmer Singh Aulakh, Atamjit Singh and Waryam Singh
Sandhu from Punjab.

Nine writers returned their Sahitya Akademi awards on Sunday in
protest against the organisation’s silence on the recent killing of a
man in Dadri over rumours of cow slaughter and the murder of author M
M Kalburgi, allegedly for his rationalist views.

The latest string of protests took to 15 the number of writers who
have returned their awards to the Akademi since Hindi writer Uday
Prakash first did so last month over the killing of Kalburgi. Also on
Sunday, Kannada author Aravind Malagatti submitted his resignation
from the Akademi’s General Council.

Those who returned their awards on Sunday included Hindi poets
Mangalesh Dabral and Rajesh Joshi; Vadodara-based Ganesh Devy; Konkani
writer N Shivdas; Kannada writer Kum Veerabhadrappa; and Gurbachan
Singh Bhullar, Ajmer Singh Aulakh, Atamjit Singh and Waryam Singh
Sandhu from Punjab.

“We clearly see a threat to our democracy, secularism and freedom.
There have been attempts to curb free speech earlier also, but such
trends have become more pronounced under the present government. These
are visible all over,” said Dabral and Joshi in a joint statement sent
to The Indian Express.

In his letter to Akademi president Vishwanath Prasad Tiwari, Devy said
that he was returning his award “as an expression of solidarity with
several eminent writers who have recently returned their awards to
highlight their anxiety over the shrinking space for free expression
and growing intolerance towards difference of opinion”.

Questioning the silence of the Akademi on the killing of Kalburgi,
Devy wrote: “A week after his killing, I participated in a seminar
organised by the Sahitya Akademi. I was quite dismayed to see that the
seminar began without a word of reference to the recent attack on a
scholar honoured by the Akademi.”

Devy told The Indian Express that it’s ironical that the Akademi is
located in Rabindra Bhavan in New Delhi, named after Rabindranath
Tagore who wrote the poem titled “Where the mind is without fear”.

In his letter to the Akademi, he wrote: “That we have come to a stage
when the honourable Rashtrapatiji (President Pranab Mukherjee) had to
remind the nation that these must be seen as non-negotiable
foundations of India should be enough of a reason for the Sahitya
Akademi to act.”

Returning his award, playwright Atamjit Singh said that “whatever is
happening in the country is really painful”.

Calling on writers to join hands “against this religious and creative
intolerance”, playwright and theatre director Ajmer Singh Aulakh said:
“Our freedom of independent thinking has been violated, and the Prime
Minister, chairperson (Akademi) and others have remained silent.”
Bhullar said he was forced to return the award because “literature and
culture have become targets of calculated attacks which made me
concerned and restless.”

“This is true that in recent decades none of the governments have a
clean slate on this account. Still, it needs to be differentiated that
earlier governments… generally avoided being overt or covert agent
provocateurs. Now it has become crystal clear that violent regressive
forces dictating terms in the field of literature and culture are
implementing an undeclared agenda,” he said.

Konkani writer Shivdas said during a rally in Goa that he was
returning this award as no action was taken against Sanatan Sanstha,
an outfit whose members were allegedly involved in the killing of
rationalists Govind Pansare and Narendra Dabholkar.

Veerabhadrappa returned the award he won in 2007, saying he condemned
the Akademi’s “silence” over the killing of Kalburgi and the Dadri
lynching.

Several other writers expressed their concern over “the growing
intolerance”: Punjabi writer Megh Raj Mitter returned Shiromani
Lekhak, the Punjab government’s highest award for writers; English
poet Adil Jussawalla wrote a letter to the Akademi president
questioning his silence; Aman Sethi returned the Akademi’s ‘Yuva
Puraskar’; and Adabi Markaz Kamraz (AMK), a body of more than 1,100
writers in Kashmiri, asked Akademi award winners from the valley to
“stand up and support the writers who have emerged as a light at the
end of a dark tunnel”.

Sahgal hits back at Akademi chief
Meanwhile, author Nayantara Sahgal has responded to remarks made by
Tiwari on her returning the Akademi award by asking if the
organisation has, “like Pontius Pilate, washed its hands of its
responsibility to safeguard our Constitutional right to freedom of
speech?”
Sahgal was responding to Tiwari’s remarks published in The Indian
Express on October 7 that her “Award-winning book has been translated
into several Indian languages”. “She earned all the profits. She can
now return all the Award money, but what of the credibility and
goodwill she earned through the Award?” Tiwari had said.

Expressing her anguish over the comments, Sahgal wrote: “I have
considered the Award a high honour, but my ‘credibility’ had been
established decades before 1986 through my long career as a writer, as
had the ‘goodwill’ and recognition I have received over many years in
India and abroad.”

She added: “You have mentioned ‘profits’. The Award in 1986 would
perhaps have been Rs 25,000, but not more than Rs 50,000. In
consultation with Ashok Vajpeyi, who has also returned his Award, I am
enclosing a cheque for one lakh rupees,” she wrote.
(With inputs from ENS in Ahmedabad, Pune, Chandigarh and Srinagar)

II.
http://scroll.in/article/761515/your-moment-of-reckoning-has-come-writer-gn-devy-returns-his-sahitya-akademi-award

CONSCIENTIOUS OBJECTOR

'Your moment of reckoning has come': GN Devy, Aman Sethi return
Sahitya Akademi awards

Full text of their letters to the president of the literary
institution explaining their decisions to return the national honour.
Scroll Staff  · Yesterday · 07:33 pm

It is with utmost regret that I convey to you that I wish to return
the 1993 Sahitya Akademi  Award given in the category of books in
English to my  work After Amnesia (1992). I do this as an expression
of my solidarity with several eminent writers who have recently
returned their awards to highlight their concern and anxiety over the
shrinking space for free expression and growing intolerance towards
difference of opinion.

These eminent writers have already stated their concerns in statements
sent to you as well as through media interviews and discussions. I
need not, therefore, state again what has already been conveyed to
you. However, I would like to add that I visited Dharwad in the first
week of August, just three weeks before the shocking attack on the
late Dr MM Kalburgi which resulted in his death. I was there to
deliver the First VK Gokak Memorial Lecture.

You may recall that the high office that you hold at present, on
behalf of the literary community of our country, was at one time held,
among many other mighty predecessors, by VK Gokak. He was the
Principal of Willingdon College during the years of the Independence
movement. On one occasion, when the police came to arrest students, he
stood at the entrance of the college, blocked their entry and asked
them to first arrest him before they touched the students. It was this
kind of concern for freedom that he brought to the institutions he
headed. I hope you do not think that he was not sufficiently
pragmatic.

When I gave the Gokak lecture, Dr Kalburgi was still alive. Alas, he
had to fall to the forces of intolerance. A week after his killing, I
participated in a Seminar organised by the Sahitya Akademi. This was
in Nagpur. I was to preside over the Inaugural Session. I was quite
dismayed to see that the seminar began without a word of reference to
the recent attack on a scholar honoured by the Akademi. Therefore,
when my turn to speak came at the end of the session, I asked the
audience if they would object to my observing a two-minute silence to
mourn the dastardly killing. Please note that all of them stood up in
silence with me. If our writers and literary scholars had the courage
to stand up in Nagpur, I fail to understand why there should be such a
deafening silence at Ravindra Bhavan about what is happening to free
expression in our country.

I have personally known both of you as my seniors, and have admired
your writings and imaginative powers. May I make bold to say that your
moment of reckoning has come? I hope you will give this country the
assurance that it is the writers and thinkers who have come forward to
rescue sense, good-will, values, tolerance and mutual respect in all
past ages. Had this not been so, why would we be remembering the great
saint poets who made our modern Indian languages what they are today?
 The great idea of India is based on a profound tolerance for
diversity and difference.  They far surpass everything else in
importance. That we have come to a stage when the honourable
Rastrapatiji had to remind the nation that these must be seen as
non-negotiable foundations of India, should be enough of a reason for
the Sahitya Akademi to act.  – GN Devy

Aman Sethi's letter

In 2012, I was awarded the Sahitya Akademi Yuva Puraskar, an award
given by the Akademi for writers under the age of 35. At the time, I
was conflicted about accepting the award as I wondered if I should
accept an award conferred by the state.

I chose to accept the award as I believed the Akademi’s official
charter that states that the institution is an autonomous, publicly
funded body registered as a society under the Societies Registration
Act of 1980. Thus, the Akademi, to use an analogy, is an autonomous
institution much the same way that public universities are autonomous
– they are state-funded, i.e. they are run on public money, but are
not government run. The Akademi award is thus a state honour, not a
“government” honour – and this is an important distinction.

We, as citizens, have as much a claim on the Sahitya Akademi as any
government of the day. Accepting the award, I thought at the time,
would be a way of asserting our claim on this space of collective
articulation, and acknowledging the efforts of the Akademi’s members
in carving out an autonomous space for arts and letters in India.

Today, I would like to return my award and have sent an email to the
institution, informing them of my decision. While I believe the
arguments I have listed above are still valid, recent events suggest
that the Akademi is neither interested in supporting writers in their
fight to push the boundaries of expression and thought, nor in
asserting its autonomy at a time when the spirit of critical inquiry
is clearly under threat.

I am shocked by the Akademi’s refusal to take a firm stance on the
assassination of scholar, rationalist and Sahitya Akademi Award winner
M.M. Kalburgi (a condolence meeting is not the same as a statement of
solidarity) and its silence in the face of attacks on writers like
U.R. Ananthamurthy, and Perumal Murugan in the past. This appears to
be in line with what Akademi President Vishwanath Prasad Tiwari calls
the institution’s “tradition” of staying silent on “political
controversies”.

The Akademi cannot simultaneously draw its legitimacy of purpose and
existence by celebrating writers like Kaliburgi, while shying clear of
standing in solidarity when they are targeted. Here, the idea of a
workers union offers a useful analogy in that a union is relevant only
for as along it is autonomous and serves its members. When a union
becomes a tool for management – as many unions eventually become –
workers break away and form their own associations that may, or may
not, choose the union form.

In this instance, I think, a number of writers (some of whom have
written books I admire) feel that the Akademi has failed in its
primary purpose of supporting authors. While I may or may not agree
with all the views and politics of all those who have returned their
awards, I stand with them on this specific issue.

Institutions like the Sahitya Akademi need writers, authors, and
journalists much more than we need them. We are fortunate that our
primary loyalties reside with our readers. It is to our readers that
we are answerable, not to institutions of state.

For the reasons above, I am returning my award. – Aman Sethi

Update: This article has been updated to add Aman Sethi's resignation letter.

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