[The fact is many among the writers in focus — from Malayalam writer
Sarah Joseph to Punjabi writer Baldev Singh Sadaknama — do have a
history of questioning the state. Take the case of Ajmer Singh Aulakh,
a 73-year-old Punjabi writer from Mansa, a town in Punjab’s cotton
belt. Aulakh, who was jailed during the Emergency and whose plays on
the agrarian crisis offer a sharp critique of the State, feels “our
freedom of speech and independent thinking has been violated”. He
wants writers to come together and speak out against religious
intolerance. Anil Joshi, a Mumbai-based Gujarati writer, had returned
the Gujarat Sahitya Akademi award he won in 1990 when a schoolgirl was
set afire by her classmate in the presence of teachers. Joshi seems to
think there is a pattern in the murders of M M Kalburgi, Narendra
Dabholkar and Govind Pansare. Others like Punjabi author Waryam Singh
Sandhu, who was jailed by the Congress government during the
Emergency, believe “these are dangerous times” and writers must join
hands and fight.]

http://indianexpress.com/photo-news/india/here-are-the-33-writers-who-returned-their-sahitya-akademi-awards/

Here are the 33 writers who returned their Sahitya Akademi awards

Amrith Lal
October 25, 2015

It started in early September when Hindi writer Uday Prakash returned
the Sahitya Akademi award he won in 2010 for the novella Mohandas, to
protest against the Akademi’s “indifference” over the murder of
intellectuals such as M M Kalburgi. Nearly three dozen writers have
since returned their prizes to the Akademi. Punjabi writer Dalip Kaur
Tiwana has returned her Padma Shri. It has been called a manufactured
“paper rebellion against the government in the wake of a manufactured
crisis”. Did these writers protest against the Emergency, 1984
anti-Sikh riots, Bhagalpur riots of 1989, or the UPA corruption, they
have been asked.

***The fact is many among the writers in focus — from Malayalam writer
Sarah Joseph to Punjabi writer Baldev Singh Sadaknama — do have a
history of questioning the state. Take the case of Ajmer Singh Aulakh,
a 73-year-old Punjabi writer from Mansa, a town in Punjab’s cotton
belt. Aulakh, who was jailed during the Emergency and whose plays on
the agrarian crisis offer a sharp critique of the State, feels “our
freedom of speech and independent thinking has been violated”. He
wants writers to come together and speak out against religious
intolerance. Anil Joshi, a Mumbai-based Gujarati writer, had returned
the Gujarat Sahitya Akademi award he won in 1990 when a schoolgirl was
set afire by her classmate in the presence of teachers. Joshi seems to
think there is a pattern in the murders of M M Kalburgi, Narendra
Dabholkar and Govind Pansare. Others like Punjabi author Waryam Singh
Sandhu, who was jailed by the Congress government during the
Emergency, believe “these are dangerous times” and writers must join
hands and fight.*** [Emphasis added.]

As the accompanying profiles [at
<http://indianexpress.com/photo-news/india/here-are-the-33-writers-who-returned-their-sahitya-akademi-awards/>]
reveal, there is very little in common between, say, Kannada author
Rahamat Tarikere and his better known peers such as Nayantara Sahgal
and Kashinath Singh other than their  questioning the immorality of
the politically and socially powerful people. Every Indian language is
a little India home to many such instinctively rebellious writers who
believe it is their duty to respond when there is injustice.
Rajasthani writer Ambika Dutt recalled Munshi Premchand’s words to put
the protests in perspective: “Literature is not something which
follows politics, but leads it like a torch”.

-- 
Peace Is Doable

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