[Just watched the film today.
After a pretty long while.
It was worth it.
The last movie was perhaps the Ship of Theseus.

Very strong poerformance by Swara Bhaskar.
Also impressive performances by Pankaj Tripathi, Sanjay Mishra and
Vijay Kumar. Arguably, in that order.

The story line has some obvious gaps, make-believe elements and,
finally, a wish-fulfilling ending (almost), with a hint of
open-endedness.
But it's unamibiguously feminist, moving around a strong female
characterwith an intelligent, even if not much literate, and
independent mind, admittedly trapped in a difficult and an overtly
patriarchal order. (The state power plays an important role to uphold
it.)
That, at the very end, Anaarkali walks down the lonely road all alone,
with no male companion, not even his supportive and besotted
boyfriend, tells its own tale.
Yet no flag waving. No high sermons.
At least two positive male characters. Harishankar Tiwari(?) and his
boss. Not all are bad. Of course, there are: good, not-so-good and
outright ugly.

The songs are raunchy and good. The Bhojpuri lingo make them even more enticing.
Overall, worth a watch.

Here is a reasonable review.]

http://www.firstpost.com/entertainment/anarkali-of-aarah-movie-review-swara-bhaskar-champions-this-fiesty-film-with-a-message-3350484.html

Anarkali of Aarah movie review: Swara Bhaskar champions this fiesty
film with a message

Udita JhunjhunwalaMar, 24 2017 15:12:03 IST

Cast : Swara Bhaskar, Sanjay Mishra, Pankaj Tripathi

Director
Avinash Das

Writer-director Avinash Das’s film Anarkali of Aarah is not a
comfortable watch. It starts with the bawdy song and dance numbers
associated with the fame, (or infamy) and adoring fan following, for
Anaarkali Aarahwali, and expands to the themes explored in this drama.

anarkali-of-aarah_640x480_71488882343
Swara Bhaskar in Anarkali of Aarah
.
Das takes us deep into small town Bihar and works hard to deliver a
kind of authenticity that makes you almost feel the dust under your
feet. Sure you are often distracted by the over-dependence on songs,
which do not move the narrative along, but you make concessions there
since this is a film about a live singer.

Swara Bhaskar breathes life and soul and defines chutzpah as the
feisty singer who remains scarred by memories of her childhood but
wears her trade proudly on her blingy blouse sleeves.

Her over-made up Anaarkali walks the streets of Aarah with a swagger
that comes from knowing you are queen bee. This is a town of double
standards where the men revel in Anaarkali’s songs replete with double
innuendos. But for all Anaarkali’s strength and determination, the men
around her let her down, showing neither spine nor any real purpose.

An enamoured young man Anwar, for example, follows her around like a
lost puppy but shows no bite, while the head of the music troupe
Rangeela (Pankaj Tripathi), pathetically flip-flops. Indeed most of
the men who encounter Anaarkali become enamoured by her but Das gives
none of them a complete graph.

The privilege is reserved for Anaarkali only, and fortunately
Bhaskar’s energetic and whole-hearted performance fills in several of
those blanks space with equally commendable support from Tripathi,
Mishra and Vijay Kumar, who plays the local head cop.

Anaarkali’s peaceful existence is shaken when the powerful university
Vice Chancellor (VC), played by Sanjay Mishra, outrages her modesty
publicly. Her equally public reaction is humiliating for the VC and as
the local forces begin to close in around Anaarkali, she’s forced to
run away from Aarah.

She doesn’t go far and she doesn’t hide much. The climax ties
everything up too tidily including delivering a social message on
women’s rights (there’s even a placard-waving NGO group protesting
these troupes). But it’s not preachy in the least. To Das’s credit, he
works in the right balance in Anaarkali’s character of someone who
exactly knows her position in society, is not ashamed of her
profession but is confident and strong enough to know that there are
boundaries and it’s as much her right to draw those, even if it is in
the dusty streets of the chauvinistic hinterland.

Swara Bhaskar has you rooting for Anaarkali with all her strengths,
weaknesses, loneliness, talent and flaws.


-- 
Peace Is Doable

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