[<<To begin with, the majority community is made to feel threatened and
victimised by minority groups. Once this seed is planted, it breeds
resentment, anger, and a mood of vengeance mounting to hysteria against
those named as offenders. They are classed as outsiders (to the religion
and culture of the majority) and usurpers who are preying upon the rights
and privileges of the dominant community. The definition of outsider covers
socialists, communists and atheists, and all differences of opinion from
the ruling view. These citizens, branded anti-national, are therefore to be
feared as enemies of the state. Fear is spread by cutting out all rational
argument and appealing to the emotions for an emotional arousal. The next
step is then taken.

Step two warns that the nation is in danger from the designs of its
internal and external enemies. Conspiracy theories are manufactured to
prove the point. Citizens labelled anti-national are accused of conspiring
against the state. The focus is on defending the nation from its enemies.
In this atmosphere, the need of the hour is a “strong” militant leader who
alone can protect the country and the people. The nation’s leader is
glorified. The military takes centrestage and pride of place alongside him
and shares his glory.>>]

https://indianexpress.com/article/opinion/columns/2019-election-outcome-once-upon-a-time-a-nation-5787244/?fbclid=IwAR0Pmtgwlw03QCnOQABydmTO2SYGbImOa_h3bwAmG2_TxHfA8OvIcJQjzUI

In the 2019 Lok Sabha polls, story-telling took precedence over reality
Unemployment, rural and urban distress, well-documented corruption and
whatever ails the nation fade into the background.

Written by Nayantara Sahgal |

Updated: June 19, 2019 11:52:48 am

The 2019 election has been the same kind of fascinating exercise whose
outcome could not have been otherwise, given the precise path that was
taken to achieve it. (Illustration by C R Sasikumar)

Now that the dust has settled on India’s most hard-fought national
election, and it has been hailed as a spectacular democratic victory, it is
possible to take a quiet look at the election result. It was no surprise to
me for I had not only expected it but realised it could have gone no other
way. I had the help of literature in seeing it as a story with only one
possible ending. My favourite novel by Gabriel Garcia Marquez is titled The
Chronicle of a Death Foretold. With the ending already known, the novel
goes backward to unravel the path that makes it inevitable. The 2019
election has been the same kind of fascinating exercise whose outcome could
not have been otherwise, given the precise path that was taken to achieve
it.

The other help I had in foreseeing the result came from a philosophy
professor. As Marquez’s novel spells out the sequence of events that lead
inevitably to the “death foretold” in his story, a philosophy professor at
Yale University, Jason Stanley, has made a study of the swing to right-wing
extremism and the resulting breakdown of democracy in countries across the
world. He has found that there is a standard formula by which democracy is
broken down and a climate of intolerance built up in its place in which
hatred, violence and criminal behaviour become acceptable to people. On
this prepared ground, an ideology such as fascism, or any other similar
doctrine, takes over unopposed. The professor has found this formula common
to all breakdowns of democracy wherever they have occurred or are now
occurring, and he spells it out in two books: How Propaganda Works and How
Fascism Works.

To begin with, the majority community is made to feel threatened and
victimised by minority groups. Once this seed is planted, it breeds
resentment, anger, and a mood of vengeance mounting to hysteria against
those named as offenders. They are classed as outsiders (to the religion
and culture of the majority) and usurpers who are preying upon the rights
and privileges of the dominant community. The definition of outsider covers
socialists, communists and atheists, and all differences of opinion from
the ruling view. These citizens, branded anti-national, are therefore to be
feared as enemies of the state. Fear is spread by cutting out all rational
argument and appealing to the emotions for an emotional arousal. The next
step is then taken.

Step two warns that the nation is in danger from the designs of its
internal and external enemies. Conspiracy theories are manufactured to
prove the point. Citizens labelled anti-national are accused of conspiring
against the state. The focus is on defending the nation from its enemies.
In this atmosphere, the need of the hour is a “strong” militant leader who
alone can protect the country and the people. The nation’s leader is
glorified. The military takes centrestage and pride of place alongside him
and shares his glory.

In this wholesale absence of facts, the disappearance of truth is complete.
Democracy fights for survival and loses. Long held values — freedom of
expression, equality, fraternity, human rights — are discarded as being of
no use. In fact, they are seen as a hindrance in dealing with the dangers
the nation faces. Authority and hierarchy take their place. The hierarchy
can be ethnic, or religious, or gender-based. One ethnic group gets placed
over others, one religion over others, men over women. And the yawning
vacuum, where truth used to be, is filled by myth. Fantasy now substitutes
as reality. In Stanley’s words, the myth that replaces reality is one “of a
glorious bygone era, where the nation was supposedly ethnically or
religiously pure, and rural patriarchal values reigned supreme”. To this
description, I am adding “racially pure” since racial purity has loomed
large in right-wing extremism. In a chilling conclusion Stanley adds,
“History shows that such propaganda licenses extreme brutality”.

The standard formula he describes has an uncanny resemblance to the path
India has followed since 2014, including the “extreme brutality” the path
licenses. Writers, artists, students, teachers and journalists have been
punished for their independent views. Four famous writers have been
assassinated. On television, we have seen the torture and murder of workers
by “gau rakshaks” and other armed vigilante mobs, with the police and
public standing by. We have heard these crimes being justified on the
grounds that they were committed by patriots against the nation’s enemies.
In some cases, alleged acts of terror have been rewarded, as recently with
a seat in Parliament. Such behaviour towards fellow citizens, and brutality
against them, doesn’t just happen. It is taught. It is the end result of
the indoctrination that has taken place.

The formula has been faithfully followed in other respects. In a democracy
the military stays out of politics and out of the public eye, and war is
not celebrated. The nation’s leader is not held in awe. He is held
accountable. He is required to face the press and answer questions. The
leader of a democracy who does not uphold and nurture this democratic
tradition, shows himself to be above it, as has been evident here.

>From what we have seen here, it is clear that the formula works and that
story-telling takes precedence over reality. Unemployment, rural and urban
distress, well-documented corruption and whatever ails the nation fade into
the background. They are no match for the story-teller’s fine art of
invention; no match for the mood of involvement, expectation and
enthrallment a story builds up in its readers/listeners as it unfolds; and
no match for the ageless allure of “once upon a time”. Those who master the
art of story-telling create the mood of their choice — as music and all
forms of art also do in their different artistic mediums.

Could this be why art and literature are deemed dangerous and why they must
be controlled to ensure that they create the mood a regime desires and no
other?

Sahgal is a novelist and a commentator. Her latest work of fiction is The
Fate of Butterflies

— This article first appeared in the June 19, 2019 print edition under the
title ‘Once upon a time, a nation’.
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