Dear Andrew, This looks very helpful. Is there any way to use the sed command to create a new file, just like gregorio turns a .gabc into a .tex? With the "sed -f" do you always have to just copy and paste it into the new location? Please forgive my ignorance of command lines.
Yours, br Innocent, op On Thu, Jun 3, 2010 at 9:20 AM, Andrew Hinkley <[email protected]>wrote: > Hello, > > I'm in the process of resetting all the Psalms for Sunday for the Choir I > sing in. In order to make my life a little easier, especially when setting > to a different tone, I wrote up a bunch of sed scripts and some codes. To > use them, create a file with the extension ".tone", and add the line(s) of > the Psalms, and insert the codes the same way you would with a gabc. Then > process the file with the appropriate script (see Liber Usualis, from > pp113), and the result will be gabc code. > > The gzipped tar contains all the sed scripts. I'm working on uniting them > into a single Perl file, though it still has a few issues to iron out. > > I'm going to upload .tone files of all the Latin Psalms (first lines only > at this stage, unless the Liber Usualis has it in several parts) to the > Caecilia Project shortly (www.caecilia-project.org). I'm also working on a > script that will automatically boldface and italicize the appropriate > syllables for the text of the Psalms. Because of the amount of time that > will involve I'm only doing the first lines at the moment (any volunteers > for rest of the text? :) Once I've done all the Psalms from the Liber > Usualis and I intend to do the same for the Psalms for the Mass. > > > > so, for an examplle from Psalm 109: > > (\key)(\x) Di(\i1)xit(\i2) Dó(\i3)mi()nus() > Dó(\mm\3m)mi(\mm0\2m)no(\mm1\1m) me(\m)o:(\m1) *(:) Se()de() a(\3n) > dex(\nn\2n)tris(\nn1\1n) me(\n)is:(\n1) (::) > > and to set it in tone 8g, (in this instance the file is called 109.tone) > > sed -f 8g.sed 109.tone > > will output > > (c4)() Di(g)xit(h) Dó(j)mi(j)nus(j) Dó(j)mi(j)no(j) me(k)o:(j.) *(:) > Se(j)de(j) a(j) dex(i)tris(j) me(h)is:(g.) (::) > > > Here's a brief explanation of how the codes work: > > \key - c3/c4/f3 (In hindsight I should have called it \clef) > \i1 - first syllable > \i2 - second syllable > \i3 - third syllable > \t - 'tenor' or default note > > \f - flex > > \mm - penultimate stress (first part/cantor part) > \mm0 - (optional) additional syllable(s) in section \mm (section \mm > being from syllable \mm up to but not including \m) > \mm1 - final syllable in section \mm > > \3m - third syllable before \m > > \m1 - end of \m section (from \m to end of part) > \m - final stress in cantor part > > \nn - penultimate stress > \n - final stress > > \x - placeholder to prevent sed removing empty brackets > > > Empty pairs of brackets will default to \t. I don't see a point in entering > \t when I can do it automatically :) > > Some brackets contain more than one code. This causes no problem - the sed > scripts ignore all codes that are not relevant to the tone. > > > HTH, > > Andrew. > > _______________________________________________ > Gregorio-users mailing list > [email protected] > https://mail.gna.org/listinfo/gregorio-users > >
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