*The Mevlevi Ensemble - Returning, The Music of the Whirling Dervishes*

The Mevlevi Ensemble
Returning. The Music of the Whirling Dervishes, 1994




Whirling Dervishes: Known to the west as Whirling Dervishes, the members of
the Mevlevi Order (named for their founder Mevlana) from Konya lived in what
we might call coisters or monasteries - what to them was a Mevlevihane. The
one at Galata in Istanbul is a product of late Ottoman architecture, and
quite elaborate in having a tomb, a large chamber for the ceremony of the
whirling dance (Sema), a fountain from which water was charitably
distributed to the public, a time keeper's room, cells for the dervishes,
separate quarters for the Master, a section for women, a chamber of silence,
a large ornate fountain for ablutions, and a laundry room. The Mevlevi Order
founded by Mevlana in Konya during the Seljuk period is made up first and
foremost of tekke analogous to the monasteries of the West. The first of
these tekkes is named for Mevlana and was considered as the originator of
all the rest. One figure stands out in the early spread of the order: Divani
Mehmet Celebi. The celebis or gentle ones who went out to break new ground
and make converts saw themselves as disciples of this great master, and an
astonishing number of tekkes were established during Divani Mehmet Celebi's
lifetime and thanks to his efforts; in Aleppo, Egypt and Algeria, on the
islands of Chios (Sakiz) and Mitilene, and of course on the Turkish
mainland. The Galata Mevlevihane is among these latter. The rituals of the
Rumi's followers (Whirling Dervishes) are among the enduring as well as the
most exquisite ceremonies of spirituality. The ritual whirling of the
dervishes is an act of love and a drama of faith. It possesses a highly
structured form within which the gentle turns become increasingly dynamic as
the individual dervishes strive to achieve a state of trans. The music that
accompanies the whirling from beginning to end ranges from somber to
rhapsodical; its effect is intended to be mesmerizing. Chanting of poetry,
rhythmic rotation, and incessant music create a synthesis which, according
to the faithful, induces a feeling of soaring, of ecstasy, of mystical
flight. The Mevlevi sect belongs to the Sunni or orthodox mainstream of
Islam. Its doctrine never developed a revolutionary strategy - and although
it was occasionally criticized for its heretical ideas, it always enjoyed
the respect of the officialdom. Many later Ottoman Sultans, including
Mehmed, the Conqueror of Istanbul, were enamored of Mevlevi ideals. The
reformist Sultan Selim III was virtually a member. Suleyman, probably the
greatest of the Sultans, held the Mevlevi dervishes in high esteem and their
semahane (whirling hall) constructed for them as his imperial gift. The
hall/mosque stands next to Rumi's mausoleum in Konya. The Whirling Dervishes
played a vitally important part in the evolution of Ottoman high culture.
>From the 14th to the 20th century , their impact on classical poetry,
calligraphy, and the visual arts was profound, while music was perhaps their
greatest achievement. Since the dogmatists of Islam's orthodoxy opposed
music as being harmful to the listener and detrimental to religious life, no
sacred music or mosque music evolved except for the Mevlud, a poem in praise
of the Prophet Muhammed, chanted on high occasions or as a requiem. Rumi and
his followers integrated music into their rituals as an article of faith. In
his verses, Rumi emphasized that music uplifts our spirit to realms above,
and we hear the tunes of the Gates of Paradise. The meeting places of the
dervishes, consequently, became academies of art, music, and dance. Today,
the performances of The Whirling Dervishes includes twelve musicians (on
traditional Turkish instruments) and 12 dancers. There is also a master of
ceremony. A performance is broken into two parts with the introduction
conducted by the master followed by 3 or 4 pieces of music. This is followed
by a 4-part whirling ceremony.

01. Naat-i-Mevlana
02. Ney Taksim
03. Sultan Veled Peshrev
04. First Selâm
05. Second Selâm
06. Third Selâm
07. Fourth Selâm
08. Son Peshrev & Son Yuruk Semai
09. Kanun Taksim
10. Quranic Recitation - Surah Rahman

Directed by Dogan Ergin. Solo vocals by Kani Karaca. For further information
please refer to the booklet.

320kbps mp3, including full booklet scans

http://www.4shared.com/file/tRnkNu0f/Mevlevi94.html

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