I've costumed a lot of period style operas-- for me the best way was to
lightly bone the bodice of the gown so it gives the look , but doesn't drive
the singers crazy...
Dame Catriona MacDuff

-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Behalf Of Caroline
Sent: Monday, November 28, 2005 1:43 PM
To: Historical Costume
Subject: Re: [h-cost] Re: opera


I have come to this thread late so do appologise if this sorth of
thing has been mentioned before.  As a singer putting on a proper
corset to sing means you can't get the air in nearly so well as
without.  The notes are then naturally shortened, compressed and
quiter.  Now perhaps the very 'big' singing of modern days would not
sound so full or loud sung by women in corsettry.

Alternatively - did opera singers wear corsets - I can't even begin to
think how to sing something like the Queen of the night aria in a
corset.

On 28/11/05, Mia Dappert <[EMAIL PROTECTED]> wrote:
> And not only do you have to consider the costumes and the direction of the
production, with opera and any other "Period  Music", You have to consider
whether it is one with period instruments and sensibilities, or if it is
done with a modern orchestra.  (and vocal talents...were there castrati or
at least male altos singing some of the parts?)  There are some groups that
head in this direction, and the sound is very different.  Modern music is
often times very different from the intent of the composer.
>
>   And thanks for some of the DVD suggestions
>
>   18th c Mia in Charlotte, formerly Baroque Mia from the University of MD
Chorus, who was lucky enough to sing with some male altos and instruments
from the Smithsonian instution and Barouge performance artists from many
places at the Handel festival
>
>
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--
Caroline

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