it is also possible that she was dressing to Rolfe's income and station and
the fact that an American "princess" was not considered equal to a European
princess. Seeing as how they weren't quite civilized.
It should be noted that if a person was a "chief" or sachem it did not
necessarily mean that the children were princes and princess'. This was a
way that the Europeans seemed to identified the children of chiefs. Their
assumtion of how they thought things ranked. And usually the Europeans did
not understand how the system worked within a given tribe or nation. Among
the Akwesasne, you became a sachem by election.
There was one nation that had royalty/nobility, I think it was the
Narragansett but I'm not really sure.

De

-----Original Message-----
I'm going to use, if I do it, the usual feathers found in my local craft
hobby stores. Actually, the Europeans were really fascinated by the
so-assumed by them lesser civilized natives of other lands, so I thought
using feathers but making an Elizabethan/Jacobean surcoat was a clever,
if inaccurate idea.

Camilla Townsend's recent biog of Pocahontas does a great job of prising
out the real meanings behind the engraving of Pocahontas. She points out
that the costume she is wearing, is much more upper-middle class,
reflecting almost Puritan morales(the body modestly covered and the high
capitain hat, which Queen Anne wore, but few other noblewomen did so in
portraits at that time), despite Pocahontas'/Matoaka/Lady Rebecca's high
birth which entitled her to wear the full coat costume of low neck and
French farthingale.
Some authors have surmised that the all covering wear might have hidden
tatoos, but it is just as probable that Pocahontas, John Rolfe, the
Virginia Company sponsors or any combination of the three, would have
preferred a visual representation of the Christian convert Native
American "princess" as advertisement for prospective sponsors and
settlers not to be deliniated in full court costume(not only Puritans
railed against the extravagent required court costumes of the 16th and
17th centuries), thought by many as practically immoral, but in modest,
if expensive fabrics. Virginia needed hardworking serious-minded
investors and settlers, in order to succeed, not those who wanted to
find gold, get rich quickly, and return to Mother England.

Cindy Abel



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