Thank you Heather - your figures 9 to 12 and 19 through to 21 are most
useful.  Your figure 14 is essentially what I have done with the linen tunic
- but it would be too bulky on the wool I have.  I may use number 10 - it
looks like the running stich is designed to be seen from the face as Sunny
said in an earlier post.

Jean I'd forgotton about the felting aspects - you are right we should wash
wool only sparingly.  Having said that I have a woollen cloak I only ever
air and brush becaus it is simply too big to wash.

On 03/12/05, Heather Rose Jones <[EMAIL PROTECTED]> wrote:
>
>
> On Dec 2, 2005, at 9:39 AM, Caroline wrote:
>
> > I have just finished the long seams on a new 10th/11th century
> > woollen tunic
> > for my husband.  In the past  I would now switch on the zig zag and
> > do the
> > bits that are likely to fray with that. I've only ever hand sewn
> > hems before
> > (what the public can't see etc)   However,  I have just spent a
> > month doing
> > run and fell seams on a linen tunic and it would be nice to finish the
> > woolly one also by hand.
> >
> > I have had a look at the York and London stiches and the main
> > option seems
> > to be to flatten the seam and put a running or whip stich up the seam
> > allowance.  The running version would I think leave two parallel
> > lines on
> > the front of the garment (either side of the seam) and the whip
> > stich might
> > leave a series of diagonal lines on the front.
> >
> > Does anyone have any other techniques they know about or have
> > tried.  I
> > don't think run and fell is particularly aproproate the seam would
> > probably
> > be rather bulky.
>
> I'm not sure if this will work with the sewing you've already done,
> but when I was researching my article on seam types found on
> surviving textiles <http://www.heatherrosejones.com/
> archaeologicalsewing/index.html> by far the "standard" wool seam
> treatment from the iron age through the medieval period seems to have
> been a fell-type seam.  Often these seem to have been designed so
> that there was never more than three layers of fabric at any one
> point.  But the diagrams at the article may give you some other
> inspirations.
>
> If the wool is fairly springy or has much of a nap, I wouldn't expect
> the stitches to show unless they're fairly big.  On the other hand,
> you could always treat any visible stitching as a deliberate design
> element!
>
> Heather
>
> --
> Heather Rose Jones
> [EMAIL PROTECTED]
> http://www.heatherrosejones.com
> LJ:hrj
>
>
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--
Caroline
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