It's also inexpensive. I generally do only a few layers-paper, cloth and
paper again. I use vaseline on the mold, so I put cleaner paper on the
inside, however with a mold release spray, maybe I wouldn't have to do that.
I build details with the paper.

-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Rachel Sampsel
Sent: Thursday, March 30, 2006 1:01 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] venetian masking


Message: 2
Date: Wed, 29 Mar 2006 21:53:42 -0800
From: "Sharon at Collierfam.com" <[EMAIL PROTECTED]>
Subject: RE: [h-cost] Venetian Masking
To: "'Historical Costume'" <[EMAIL PROTECTED]>
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain;        charset="us-ascii"

Sorry if I'm confused. Is your mask made of plaster? Or just the mold? When
I make masks, I use alternate layers of cheesecloth and paper, in glue. It
makes a lightweight, slightly flexible mask. Then I glue pieces of leather
at contact spots for comfort. Does this sound like what you do? Sharon

*********************
Patches writes:

No.  I literally make the mask form or frame of plaster and cloth.  When
dry, I then cover the form in another piece of cloth that I have choosen as
my "backround".  I then decorate the mask however I want and then slap a
felt piece of cloth on the interior of the mask to cushion the face.

It doesn't have the flexibility of your style, and will only fit the face of
the original model comfortably, but it doesn't loose the shape and
decoration display like some of the flexible masks do.  It's also a little
heavier, probably.

But I will have to try your idea on the castings of my face to see how it
works.  It sounds interesting.

I'll be sending the handouts via my work account, because my personal one
right now is giving me attitude about attachments. Patches
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