>I can understand from the many posts about this new book, that many are
>making this period.
>May i ask you, have you considered to make something new from the book?
>Is it going to be another style, than you normally do?

>Bjarne

I got the book as a gift, partly because I've already made several
gowns in the "Holbein" and drum farthingale styles.  I've also done a
few doublets, trunkhose, venetian & hats.

Like everyone else, I have a few comments on the book, ifi you'll
allow me. It's a good book that I'd loan or recommend to any
intermediate sewer.  It's light on clear date ranges for specific
garments & styles. Of the recreations, some are better than others. 
In many cases it's the lack of surface decoration that makes the
resulting garment look theatrical.  However, the clean surfaces make
it clearer how the pattern shapes become the finished garment.

There are few compare & contrast illustrations.  I found the orange
(tawney p. 130) drum farthingale recreation to be completely evocative
of the Mary Fitch and Eleanor Herbert (Lady Powis) portraits.  To show
the source picture & the recreation would really have enhanced the
book. On the other hand, the extant hose & finished recreation serve
admirably to validate Ms Mikhaila's methods.

>From the name, I was expecting Tudor tailoring techniques, of which
very little is presented.  There is plenty on structure, pad
stitching, interlinings, etc, but it's all modern techniques. (see the
machine stitched linen buckram in the bodice on p.65)

One enjoyable feature of the book is the recreated accessories.  I'm
particularly fond of the repro busks. The Square rigged ship brooch
(p.98) is delish!

Tudor Tailor is among the new group of costume books that like to show
patterns, research material, original garments and/or garments from
the patterns.  (Hurray for that! )  It's not quite up to the high
standards of "Costume Close-Up" (Baumgarten) with it's patterns and
tailoring techniques, and inside views of original garments from the
Williamsburg garment collection. Neither does it stoop to the "trust
me" croquis & psuedo-pattern layouts of so many like "Medieval
Tailor's Assistant", "Evolution of Fashion".

Tudor Tailor is, for intermediate sewers, tailors & cutters a much
better buy than any of the patterns out there.  If you can work from
Linda Baumgarten's, Blanche Payne's or Norah Waugh's books, this one
will suit your style.  For advanced 16th tailors & cutters who can
glance at a painting or Patterns of Fashion and "rock of eye" start
patterning, dont bother with this book.

--cin
Cynthia Barnes
[EMAIL PROTECTED]

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