I learned through lots and lots of trial and error, and staring at extant corsets and ads, magazines, etc until my eyes bled. For years. I don't think you can really come up with a formula for drafting them, and that's not how I do it, anyway. You get to know the shape the pattern pieces should be, and how that shape changes when the hips are larger or smaller, when the waist is high or low, and so on. I look at the measurements, build a mental picture of the person's figure, and then just ... adjust. Kinda but not exactly like those scary tailors who can take 2 measurements and then make you a suit that fits like a glove. (If only I could do it with other garments.)

It's been a long time since I glanced through the waisted efforts book, so I won't really give a critique of it, but I'll say this: you do not fit a corset to the wearer's skin. A corset reshapes, rather than matching, the figure; therefore, you should instead fit the corset to the parts of the wearer that are NOT reshapeable. In other words, you fit the muscle and the bone, and let the fat fall where it may. I won't categorically reject the possibility of drafting a well-fitting corset from a pattern block, but I will dogmatically state that it's impossible unless you stop looking at it as being like any other garment. The results I see from those who use the pattern block approach are often beautifully designed and constructed, but the fit is that of a skin-tight bodice with the shoulders cut off, which misses the point entirely! One look at the sides of the waist gives the show away, and my goodness, those things must be uncomfortable.

That sounded really, really, rude, so I'd like to apologize now and avoid the rush. =} I'm passionate about the fit of corsets, and when I see people wearing ill-fitting corsets and then going on and on about how uncomfortable and torturous corsets are, it makes my teeth itch.

As to the Waugh corset, again, I'm not saying it's inaccurate; I'm saying it's not representative. The straight front was technically invented in 1900, but there are corsets that provided a straight front from before then, and corsets that didn't after then. In those first couple of years, there was a LOT of experimentation with the general idea; the Waugh corset is clearly from this era, and is one of the dead-end lines of experimentation. It's really just not that well-designed a corset, since a horizontal seam all the way across the side of the waist is a Bad Idea when it comes to this sort of thing.

The early straight fronts were different in a lot of ways from what came about after the experimental period, and while they would have been considered real straight fronts in 1900 and 1901, by the latter half of 1902 they would have been completely out of step with the fashion and incapable of producing the fashionable silhouette. To go back to the original question, the silhouette desired was that of the middle of the decade, and the corset desired was one that would enforce that forward-leaning pose sometimes called an S-curve. The Waugh corset is not of the style used to create this silhouette. When I first saw it 15 years ago, I thought, "Wow, yep, that's a stereotypical Edwardian corset!" When I look at it now, I think, "Wow! What a weird example of an Edwardian corset! It must be from--yep, I knew it: 1901."

These are typical example of the seaming used to get that mid-decade silhouette:
http://ph.groups.yahoo.com/group/straightfrontcorsets/photos/view/3b35?b=7
http://ph.groups.yahoo.com/group/straightfrontcorsets/photos/view/3b35?b=17
http://ph.groups.yahoo.com/group/straightfrontcorsets/photos/view/3b35?b=15
(click large)

And for fun, this is from bizzaro-world (thank you, Lib of Congress):
http://ph.groups.yahoo.com/group/straightfrontcorsets/photos/view/3b35?b=5

-E House
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