Sounds oh so Gothic to me. (everything old is new again...)

Sheridan P. :-)

> 
> From: Gail & Scott Finke <[EMAIL PROTECTED]>
> Date: 2006/08/25 Fri PM 10:16:06 EST
> To: <[EMAIL PROTECTED]>
> Subject: [h-cost] Re: aesthetic dress
> 
> 
> Lovely as it may seem now, aesthetic dress was considered strange and
> subversive at the time. Gilbert and Sullivan had a great show (I have never
> seen it, unfortunately) about the aesthetic movement -- "Patience; or,
> Bunthorne's Bride." The heroine is a young girl who thinks she can't be in
> love unless she's suffering, so she ignores the nice young man who loves her
> in favor of the Oscar Wilde-ish poet whom she can't stand. Whenever she's
> around him, she suffers, so she thinks she must be in love. During the
> operetta, all the young soldiers give up their uniforms for velvet suits and
> lilies, to catch the women who are swooning over poets.
> 
> "When I Go Out the Door" is the final song describing the poet and the hero.
> The poet is:
> 
> "A most intense young man,
> A soulful-eyed young man,
> An ultra-poetical, super-aesthetical,
> Out-of-the-way young man!
> 
> and 
> 
> "A pallid and thin young man,
> A haggard and lank young man,
> A greenery-yallery, Grosvenor Gallery,
> Foot-in-the-grave young man!"
> 
> Of course, the aesthetic folks didn't see themselves that way.
> 
> There's also a great cartoon by G.K. Chesterton called "Vision in Bedford
> Park." I can't find it online, unfortunately, but it's in the edition of
> "The Man Who Was Thursday" published by Ignatius and annotated by Martin
> Gardner. It shows a "pallid and thin" man carrying a lily and a woman in a
> loose, aesthetic gown staring in shock at the shadow of a man in a
> respectable coat, carrying a prayer book. The caption is "Bedford Parkers
> see a Dreadful Vision of the Future: an old acquaintance going to Church."
> Bedford Park was an artsy area of London where poets and the like hung out,
> and Chesterton was an old "Bedford Parker" himself, before his famous
> conversion, after which he preferred common sense and religious orthodoxy to
> aesthetic movements, atheism, and intellectual fads. But his associating
> aesthetic dress to these things gives you an idea of the way it was
> regarded.
> 
> Gail Finke
> 
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