(At the risk of looking like I am siding with the other side...)

As much as we'd all love to see accurate costuming on TV, film or the stage, 
most times it just ain't gonna happen.

Costumers are restricted by budget, availability of materials, and time. Unless 
making a documentary on textiles or clothing, they are also restricted by the 
dramatic needs of the piece. The costumer's job is to add to the emotional 
atmosphere of the piece while melding with the production design, lighting and 
cinematography, make up, and a fountain of other aspects. For stage work, it is 
even more complex if quick-changes are needed.

All that said, I still wince every time I see the hook and eye tape in 
Gladiator,

-C.


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