Yes, but I was judging just by the general cut of the pattern pieces.
Most of the commercial patterns are designed for the non SCA, non
historically accurate people who want to dress in an approximation, and
the fewer layers they wear, the more comfortable they are. I wasn't
going to slavishly copy View B or A, but use them as a guide. I usually
just get something in a modern pattern(those $1.99 pattern sales!)alter
to fit me, and then haul out Arnold and Hunnisett as help to get the cut
accurate. 

Now if we could get some last quarter of the 18th century good patterns
from Simplicity(et.al).

Cindy Abel

 

The drawback is that there isn't a smock to go under it. sleeve of "A"
has the "smock" sleeves sewn in.
Dress "B" if worn this way is closer to a Civil War gown (think
Scarlet's curtain dress) then Renaissance as the gown is suppose to be
worn over dresses like dress "A"
ex:
http://tinyurl.com/ywzo36
http://realmofvenus.renaissanceitaly.net/wardrobe/Veronese1560.jpg

http://www.tudor-portraits.com/ElenoraToledo2.jpg

http://www.tudor-portraits.com/MargaretAudley.jpg

http://www.tudor-portraits.com/AnneAustria.jpg

http://www.tudor-portraits.com/UnknownLady39.jpg

There are a few portraits showing the dress under the style "B" type to
have a similar neckline as dress "A" but I can't seem to find them. Most
were "Italian"

De
-----Original Message-----
Personally, I rather like View B, which is a simpler gown and plan to
first use the direction diagrams enlarged and the "Tudor Tailor"
to try this out on my new 16" Ellowyne Wilde" doll. I am not good at
drafting patterns from scratch, so I use something close(a pattern that
fits me or the doll I'm dressing, the historically correct pattern, and
go laborestly from there.

Cindy Abel



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