The white on the black is either slashes or embroidery, so we agree on
that. What we don't agree with is the smocking and the gold bits.  Spangles
were used in period and I believe that there are a few garments that
Elizabeth I wore that had them.
I believe that they are spangles (there were different sizes) because you
can see them under the lace cuffs. As if they were polished metal and not a
cloth of gold shimmer.
If supported correctly the lattice work can be used in a skirt.
If you look at
http://www.savvyseams.com/techniques/canadian.php
Imagine the raised bars closer together (this can be done) and done in a
little heavier material that is supported in back. Then take every other
raised bar and embroider/pink it and the others spangle it and you have the
design pattern of the portrait.
http://www.tudor-portraits.com/Elizabeth12.jpg
The sleeves are what convinces me that they are latticework because of the
way the design lays. So I guess agree to disagree.
De

-----Original Message-----
De,

I'm afraid we must agree to disagree.  To my eyes this is definitely
slashing or embroidery meant to look like slashing.  If you look at
other depictions of slashing, you'll see the same look--lines that are
heavier in the middle, narrower on the ends, and not connected:
http://www.tudor-portraits.com/UnknownMan11.jpg
http://www.tudor-portraits.com/EdwardHoby1.jpg

Also, sleeves of strapwork (or even lattice smocking, should it turn out
to have existed) are one thing, but a whole skirt of it seems less
plausible.

If you look at depictions of strapwork, on the other hand, you see a
completely different look.  The lines for the edges of the straps are
even in thickness and connect to the next perpendicular strap so that
it's clear they're passing over and under each other:
http://www.tudor-portraits.com/UnknownMan2.jpg
http://www.tudor-portraits.com/Elizabeth4.jpg  (side of the bodice)

Melanie Schuessler



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