The smocking would not change the distance of the "spangles" if you are
using the Latticework smocking.
http://www.savvyseams.com/techniques/canadian.php

The "spangles" would be running along the ridge of the lattice.

http://www.tudor-portraits.com/Elizabeth12.jpg

I guess why I am stuck on the notion that this is latticework is because
twenty years ago I saw a dress in dark blue velvet, sleeves and bodice done
in latticework and it looked similar to EI's sleeves. I remember this
because the only time prior to that I saw it on pillows that my Aunt Betty
made back in the 70s.
De
-----Original Message-----
If you look at the bodice, which is not slashed, you see the pattern of the
material is the same as the sleeves and skirt, same spacing of large and
small dots. That argues for slashing, since the smocking would have changed
the distance between dots.

-----Original Message-----
De,

I'm afraid we must agree to disagree.  To my eyes this is definitely
slashing or embroidery meant to look like slashing.  If you look at
other depictions of slashing, you'll see the same look--lines that are
heavier in the middle, narrower on the ends, and not connected:
http://www.tudor-portraits.com/UnknownMan11.jpg
http://www.tudor-portraits.com/EdwardHoby1.jpg

Also, sleeves of strapwork (or even lattice smocking, should it turn out
to have existed) are one thing, but a whole skirt of it seems less
plausible.

If you look at depictions of strapwork, on the other hand, you see a
completely different look.  The lines for the edges of the straps are
even in thickness and connect to the next perpendicular strap so that
it's clear they're passing over and under each other:
http://www.tudor-portraits.com/UnknownMan2.jpg
http://www.tudor-portraits.com/Elizabeth4.jpg  (side of the bodice)

Melanie Schuessler


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