That would soooo compliment:
"The Silk Industry in Renaissance Venice" by Luca Mola
It is on my list of books to get. I also would like to know more about the
one from Lisa Monnas. :)

Chiara Francesca


-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Sunday, November 25, 2007 7:17 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] New Book on Silk Fabrics in Paintings

This was in the latest new book listing from Michael Shamansky, and I would

like to know if anyone has had a chance to see a copy yet or had heard 
anything  about it (realizing it is not set to come out until February).
 
Thanks,
 
Nancy
 
Catalog Number: 53524
Title: Merchants, Princes and Painters Silk  Fabrics in Italian and Northern

Paintings, 1300-1550 
Author: Monnas,  Lisa
Price: $75.00 
ISBN: 9780300111170 
Description: New Haven  and London: Yale University Press, 2008. 28cm., 
hardcover, 352pp., 150 color,  100 b&w illus. Covering a period that
witnessed the 
flowering of the  Renaissance and the major expansion of the Italian silk 
industry, this volume  examines the Italian silk fabrics depicted in
paintings 
from Italy, England and  the Netherlands over the course of 250 years.
Through a 
close study of the  workshop practice and techniques of the artists who 
represented these fabrics,  Lisa Monnas offers a masterly evaluation of the 
paintings as source material for  classifying surviving textiles. Dealing
with an 
exceptionally long period, she  considers a large number of examples in
greater 
depth than has ever been  attempted, and gives particular attention to the 
identification of historic  textile types and their weave structure. Monnas 
examines a wide range of  subjects, including silk as a marker of social
status, the 
material possessions  of artists and their ownership of textiles as props,
the 
involvement of painters  in silk design, and the repetition and transfer of 
patterns. She considers the  evidence of paintings not only for the veracity

with which the silks are  depicted but also for their value as a historic
source 
concerning the use of  fabrics. Over a period of two and a half centuries, 
tastes and patterns of  consumption altered, and these changes, which can be

traced through documentary  sources, are reflected in the paintings. The 
conclusion of this impressive  analysis brings the discussion full circle by
looking 
at the reincarnation,  during the nineteenth and early twentieth centuries,
of 
silk patterns taken from  late-medieval and renaissance paintings,
reproduced 
as wallpapers or woven as  new fabrics (some of which are still in
production 
today). This important and  desirable book - beautifully illustrated with
many 
unfamiliar paintings and with  surviving fabrics, some of which have never 
been reproduced before - not only  re-evaluates the dating and
identification of 
individual textiles, but also  brings fresh insights into the material
values 
of the artists and their clients.  Its authoritative and original approach
to 
both fabrics and paintings makes it  of inestimable value to historians of 
textiles, art and material culture alike.  ^Available February 2008^. 




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