When the Kinsale cloak FolkWear pattern was bran-new I made one for my sister, 
who was a professional musician at the time and traveled in various weathers 
when her symphony orchestra did "run-outs" into the state's hinterlands. I used 
black cotton velveteen and lined it with a shiny silver polyester that was 
backed with flannel, clearly intended as a coat lining. Black frogs for 
closure, plus of course a big black tassel at the point of the hood (because 
who can resist tassels?). Yes, gathering all that fabric (body and hood) at the 
neck was hard--I had to sew all the neck seams by hand. But my sister wore it 
many, many times (both on run-outs and to the orchestra's home theater) and 
said it was warm, comfortable, and of course very elegant. On run-outs, the 
copious fabric gave her the equivalent of a big blanket to curl up inside of in 
the orchestra's bus.
--Ruth Anne Baumgartner
scholar gypsy and amateur costumer

->It is my impression that the Kinsale cloak in its present form started to be 
>seen sometime in the 18th century.  Never having researched the subject, I'm 
>not certain of that, but based on what I know about 18th c clothing, it seems 
>likely to me.
>
>I have one.  I made up the Folkwear pattern (without the hood, because I was 
>having a hard enough time gathering the cloak enough to sew the collar on) in 
>a lightweight wool/silk twill blend.  I wore it occasionally in fall weather 
>while I was in college.  It was a wonderfully fun garment, but I can 
>understand that many people might not want to be burdened with so much 
>material.
>
>
>
>-- 
>Cathy Raymond <[EMAIL PROTECTED]>
>
>"It is better to keep your mouth closed and let people think you are a fool
>than to open it and remove all doubt."-- Mark Twain
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