When did the French Seam as we know it come into use historically?  

Catherine 


 


 

-----Original Message-----
From: Carol Kocian <[email protected]>
To: Historical Costume <[email protected]>
Sent: Sat, 9 May 2009 10:43 am
Subject: Re: [h-cost] CC27 historical judge talks about workmanship and 
historical










On May 9, 2009, at 8:11 AM, [email protected] wrote: 

> But period correct fabrics are more than available (easily), like > fulled 
> wools, (admittedly I do live near several of the best wool > mills in 
> Europe), 
 

     Must be nice!   :-) 
 

     It's all a matter of compromise — the correct fulled wools may be more 
expensive, or perhaps someone wants a particular color and can't find it in the 
right weight. I've thrown wool into the dyepot and then had it come out fuzzier 
than it started. 
 

> and  flat felled seams are just as easy as french on a sewing machine. 
 

     However there is the idea that machine sewing should not be visible in 
pre-machine tie periods. Of course there is also the argument that good 
backstitching looks like machine sewing on the top side.  :-)  And then there 
is finding a linen thread smooth enough to run through a machine. 
 

> Overlocking may be necessary, but only if you're using the wrong > finish or 
> technique, and hand overcasting using something like > whipstitch is just as 
> easy,  if a little more time consuming
 (not > much when you take into account the setting  up of the machine) - > and 
I can't think offhand of a period when overcasting  wouldn't be > correct - it 
was around during early medieval times and tudor > times,  and it still was by 
victorian and mid 20th century. 
 

     While overcasting can be found, it still depends on which garment and/or 
which fabric. 18th century shifts and shirts were flat-felled, for example. 
 

     In reenactment, we have the luxury of concentrating on one time period and 
can learn the details. I'm a big fan of basic standards for groups. Within 
that, individuals learn and make their own compromises. There may be a conflict 
of technique vs. the overall look — the machine French seam with the 
non-offensive exterior appearance. 
 

     Judges of competitions have a difficult job of determining which 
compromise is better than another, not to mention comparing work portraying 
different time periods! 
 

     -Carol 

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