Someone used it on my daughter's renaissance skirt when I didn't have time
to finish it and another project in time. Someone I PAID. It was bulky, you
could see the sewing threads on the right side (not as big a problem from
stage) and, the worst issue, it hung badly and gave the wrong silhouette.
After one weekend of hating it, I ripped it out and redid the pleats. I'll
never use it.
LynnD

On Thu, Aug 18, 2011 at 10:25 AM, Sharon Collier <[email protected]>wrote:

> I've tried it, but as it makes tiny, 1/2 inch pleats and you have to sew
> all
> those on by hand, it's more hand sewing than doing it differently. Plus, it
> adds a lot of bulk, if you are trying to fit a large amount of fabric onto
> a
> small waistband, for example.
> Sharon C.
>
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On
> Behalf Of Lavolta Press
> Sent: Thursday, August 18, 2011 10:18 AM
> To: Historical Costume
> Subject: Re: [h-cost] Techniques - sample suggestions? (long)
>
>
>
> On 8/18/2011 12:32 AM, Sharon Collier wrote:
> > One good technique I learned was how to gather using a zigzag over a
> > strong base thread. Very useful when gathering a LOT of material, like
> > a big ruffle onto a skirt bottom.
> > And the gingham method of cartridge pleating.
> > Sharon C.
>
> Some people use drapery shirring tape for cartridge pleating--sew on the
> tape, then draw up the cord. I haven't tried it, but it sounds like it
> might
> work well for theater, as apparently theatrical productions often keep hand
> sewing and other labor-intensive techniques to the minimum.
>
> Fran
> Lavolta Press
> www.lavoltapress.com
> www.facebook.com/LavoltaPress
>
>
>
>
>
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