Many thanks! I have to haul the few books I have out of storage but I’ve an 
answer now that will take this (very minor) project where it needs to go!

==Marjorie 
On Mar 13, 2014, at 1:38 AM, michaela de bruce <michaela.de.br...@gmail.com> 
wrote:

>> 
>> a. Not upper class, more middling.
>> b. pleats are fine by me.
>> c. have at least 4x waist.
>> d. allowing for bum roll
>> 
>> Saw fabric (in the form of a pair of draperies) in a thrift store. Hy'ing
>> my
>> buns back there tomorrow to pick them up.
>> Too bad though- cartridge pleating/gauging is a really pretty look!
> 
> 
> Both Dorothea gowns (Sabine and Maria) are essentially gauged even though
> they are both made from dense fabrics. Figure 340 in Patterns of Fashion
> especially shows how fine the gathers are. They show so little of the
> fabric that you can't really call them pleats, it is much closer to gauging
> than what should be called cartridge pleating. Also the child's gown c1600
> is gathered.
> 
> I may have a few issues with how confusing it gets when cartridge pleats
> are meant to be padded and you know, look like a row of cartridges ;) But
> the term is used to refer to even gathers. These are technically 17thC of
> course.
> 
> It's generally a case of make the fabric fit- which is pretty much the
> extent of what tailors say in their manuals. Nothing about specific methods
> or percentages. Just "make these parts match". Also important is how much
> flare to the skirt gores you use because they really are a key to what
> region and what time frame you are aiming for. And gores are really
> important everywhere except for 1590s on and some of the Italian stuff.
> Basically you get more hem for your buck by goring.
> 
> Even Eleanora's skirt has pleats that are wider than they are deep, or
> rather there are narrow knife pleats with expanses of unpleated fabric. Not
> really something you can rigorously calculate ;)

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